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The Journal of Australian Ceramics Vol 53 No 2 July 2014

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1 Can Serrat studio space<br />

2 Can Serrat courtyard<br />

3 Julie Pennington<br />

Terraco tta Bowls<br />

installation. 2013, Can Serrat<br />

4 Casa Batllo, Barcelona<br />

Opposite page:<br />

local church, EI Bruc<br />

Photos: Julie Pennington<br />

trails through the National Park up to the Montserrat Mountains and the monastery. For the most<br />

amazing cultural fix, head to Barcelona, a truly gorgeous city with so much to <strong>of</strong>fer. Apart from the<br />

art and ceramics to be researched in the famous museums and galleries, the Gaudi and Modernista<br />

architecture in Eixample and the ancient Barri Gotic are magnificent, I really enjoyed having the beauty<br />

<strong>of</strong> the natural world at my doorstep as well as easy access to the w ealth <strong>of</strong> material to be found in the<br />

city. As you might imagine, I have many photos that continue to inspire me!<br />

For those <strong>of</strong> you who feel the need for a break from making and some time for thinking, I would<br />

definitely recommend immersing yourself in a new environment and allowing yourself some time for<br />

contemplation. I did come across some clay and had a little 'play'; however I found it helpful to turn my<br />

attention to things other than making pots, and ultimately I expect this experience will inform my work<br />

more and more over time.<br />

Before arriving in Spain I researched possible connections I could make with the ceramic community,<br />

in particular <strong>The</strong> Ceram ic Hub (www.eltornbarcelona .com). where I could produce andlor fire work if<br />

need be. Another useful contact was the Associacio de Ceramistes de Catalunya<br />

(www.ceramistescat.org) and the most amazing collection <strong>of</strong> Spanish ceramics at Museu de Ceramica<br />

(www.museudeldisseny.catJen).<br />

Be inspired; apply for a reSidency!<br />

www.julie-pennington.net; www.canserrat.org<br />

THE IOURNAl OF AUSTRALIAN CERAMICS JULY <strong>2014</strong> 97

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