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The Journal of Australian Ceramics Vol 53 No 2 July 2014

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Focus: Emerging<br />

PROFILE:<br />

Thomas Quayle<br />

My work seeks to delve into human experience<br />

and emotion and examine not only what it<br />

means to be human but also how we see the<br />

humanity <strong>of</strong> others. I <strong>of</strong>ten explore the idea <strong>of</strong><br />

the human as an objed, an idea that is best<br />

suited to three-dimensional work. Utilising the<br />

gaze, I attempt to play on the empathy <strong>of</strong> the<br />

audience by reconstructing scenarios, <strong>of</strong>ten<br />

violent or sad, to evoke an emotional response<br />

for the human-looking object. <strong>The</strong> reason<br />

for this is to create feelings <strong>of</strong> concern and a<br />

need for adion that contrast with a feeling <strong>of</strong><br />

powerlessness and an inability to ad.<br />

Inspiration for my work stems from my<br />

experiences as an openly homosexual teen . My<br />

work represents my experiences <strong>of</strong> ostracism,<br />

confusion, depression and fear. I use my art to<br />

conned to the audience not only through the<br />

familiarity <strong>of</strong> the human form but also through<br />

the common emotional experience. Although<br />

my works are not cheerful renditions <strong>of</strong> happy<br />

figures, they are made to stand as a comforting<br />

reminder that we are all connected through the<br />

pain <strong>of</strong> feeling alone.<br />

www.thomasquayle.com<br />

Thomas Quayle, In Desperate Need, 20 14<br />

h.80cm, w.35cm, d.26cm; photo: courtesy artist<br />

THE JOURNAL OF AUSTRALIAN CERAMICS JULY <strong>2014</strong> 57

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