The Journal of Australian Ceramics Vol 53 No 2 July 2014
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Focus: Emerging<br />
PROFILE:<br />
Thomas Quayle<br />
My work seeks to delve into human experience<br />
and emotion and examine not only what it<br />
means to be human but also how we see the<br />
humanity <strong>of</strong> others. I <strong>of</strong>ten explore the idea <strong>of</strong><br />
the human as an objed, an idea that is best<br />
suited to three-dimensional work. Utilising the<br />
gaze, I attempt to play on the empathy <strong>of</strong> the<br />
audience by reconstructing scenarios, <strong>of</strong>ten<br />
violent or sad, to evoke an emotional response<br />
for the human-looking object. <strong>The</strong> reason<br />
for this is to create feelings <strong>of</strong> concern and a<br />
need for adion that contrast with a feeling <strong>of</strong><br />
powerlessness and an inability to ad.<br />
Inspiration for my work stems from my<br />
experiences as an openly homosexual teen . My<br />
work represents my experiences <strong>of</strong> ostracism,<br />
confusion, depression and fear. I use my art to<br />
conned to the audience not only through the<br />
familiarity <strong>of</strong> the human form but also through<br />
the common emotional experience. Although<br />
my works are not cheerful renditions <strong>of</strong> happy<br />
figures, they are made to stand as a comforting<br />
reminder that we are all connected through the<br />
pain <strong>of</strong> feeling alone.<br />
www.thomasquayle.com<br />
Thomas Quayle, In Desperate Need, 20 14<br />
h.80cm, w.35cm, d.26cm; photo: courtesy artist<br />
THE JOURNAL OF AUSTRALIAN CERAMICS JULY <strong>2014</strong> 57