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Viva Brighton Issue #57 November 2017

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NEIL WEBB<br />

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an image, the way he puts the shapes<br />

together, that’s what I find really beautiful<br />

about his work.<br />

“As a subject it’s fairly rare to have<br />

someone come along and ask you to do<br />

a ‘noir’ illustration. The majority of my<br />

work is editorial stuff for magazines,<br />

often quite dry financial publications<br />

and trade magazines, but trying – as is<br />

an illustrator’s fate – to take mundane<br />

subjects and try and make them exciting.”<br />

Last year, however, Neil received a<br />

commission that was just about as noir as<br />

you can get.<br />

“I was contacted by a designer called Jim<br />

Sutherland [from Studio Sutherl&] who<br />

asked if I wanted to design a set of official<br />

Post Office stamps to mark one hundred<br />

years since Agatha Christie wrote her<br />

first novel. And I said ‘yeah, I’d love to!’”<br />

There are six stamps in the set, each<br />

representing a different one of her books.<br />

“We jointly came up with the ideas, trying<br />

to identify a turning point in each novel<br />

where the plot twists, and capturing that.<br />

I’d seen all the films when I was a kid so<br />

I was familiar with the iconography, the<br />

way people dressed.” Some of the stamps<br />

even have an added twist: “One of the<br />

designs is animated, so if you download<br />

an app and you look at the stamp through<br />

your phone it turns into a theatre space<br />

and the characters move. Some of the<br />

others are printed with heat-sensitive<br />

inks; on one image the killer is behind the<br />

curtain, and if you put your thumb on it<br />

he appears!” See these and more of Neil’s<br />

work at neilwebb.net. Rebecca Cunningham<br />

....11....

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