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Viva Brighton Issue #57 November 2017

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MUSIC<br />

..........................<br />

Ben Bailey rounds up the local music scene<br />

RED DEER PEOPLE<br />

Fri 10, Hope & Ruin, 8pm, £3<br />

A fascination with krautrock<br />

and post-punk seems to have<br />

motivated quite a few <strong>Brighton</strong><br />

bands in recent years, but<br />

Red Deer People treat those genres not as ends in<br />

themselves but as a starting point. Driving drums<br />

pound against wall-of-sound guitars, while the<br />

vocals rage half-submerged in the whirl of noise.<br />

There are melodies too, don’t worry. They’ve only<br />

been going a couple of years, but the four-piece<br />

have done plenty of gigging around the UK and<br />

supported the likes of Public Access TV, Ulrika<br />

Spacek and TRAAMS. This show is the launch of<br />

new single C’est Bon. Though there’s only a snippet<br />

of it available online, it seems like an earworm<br />

waiting to hatch. Support comes from Porridge<br />

Radio and Jungfrau.<br />

THE ACADEMY OF SUN<br />

Thu 16, Hope & Ruin, 8pm, £5<br />

<strong>Brighton</strong> songwriter Nick Hudson likes to stretch<br />

himself. The Academy of Sun is his vehicle for<br />

high-concept standalone albums, each more ambitious<br />

than the last. The latest is called Codex Novena.<br />

While the band describe themselves as a “queer,<br />

psychedelic, politicised little cabal”, the new album<br />

is variously termed a “magnificent hypersigil” and<br />

a “nine-song prayer for healing”. So we basically<br />

have no way of knowing what to expect. What we<br />

do we know is that The Academy of Sun, once a<br />

floating pool of backing musicians, has finally settled<br />

down into a stable line-up and has collaborated<br />

with members of Massive Attack and Sunn O))). If<br />

past experience is anything to go by, the show may<br />

include mournful piano ballads, orchestral pomp,<br />

sleazy rock or any combination of the above.<br />

ABI WADE<br />

Sat 18, Brunswick, 8pm, £5/4<br />

Effectively a one-woman band, Abi Wade is a<br />

classically trained musician who has found an array<br />

of interesting ways to make the most of her cello.<br />

Not only does she pluck, bow and hit her instrument<br />

with a variety of objects, she also manages to<br />

add extra percussion and effects with crafty use of<br />

foot pedals. This semi-regular night, organised by<br />

indie folk band The Galleons, and also featuring<br />

London’s Patch and the Giant, mixes it up with<br />

the acts playing short sets in each half. While Abi’s<br />

unique style is fascinating to watch, her music<br />

transcends the novelty set-up. It’s often lush and<br />

sombre, perfectly complemented by her clear and<br />

versatile vocals.<br />

BONOBO<br />

Tue 21, <strong>Brighton</strong> Centre, 6.30pm, £27.50<br />

Okay, okay, so he’s based in LA<br />

now and hasn’t lived round here<br />

for years, but we can still take<br />

some vicarious pride from the<br />

rise of electronic pioneer and<br />

former <strong>Brighton</strong> boy Bonobo.<br />

After releasing his debut album on local label Tru<br />

Thoughts, Si Green has gone on to become one of<br />

the most distinctive and successful acts in modern<br />

dance music. And he’s done this without having any<br />

kind of act at all. Rather than projecting a persona<br />

to grab your attention, his focus has always been the<br />

music. It’s richly layered and carefully constructed,<br />

yet feels more human than anything else from the<br />

often distant and cold realm of electronica. Interestingly,<br />

Bonobo’s gig is one in a string of homecoming<br />

shows at the <strong>Brighton</strong> Centre: Rag ‘n’ Bone Man,<br />

Royal Blood and The Kooks are all playing the<br />

venue this month.<br />

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