Viva Brighton Issue #57 November 2017
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
MUSIC<br />
..........................<br />
Ben Bailey rounds up the local music scene<br />
RED DEER PEOPLE<br />
Fri 10, Hope & Ruin, 8pm, £3<br />
A fascination with krautrock<br />
and post-punk seems to have<br />
motivated quite a few <strong>Brighton</strong><br />
bands in recent years, but<br />
Red Deer People treat those genres not as ends in<br />
themselves but as a starting point. Driving drums<br />
pound against wall-of-sound guitars, while the<br />
vocals rage half-submerged in the whirl of noise.<br />
There are melodies too, don’t worry. They’ve only<br />
been going a couple of years, but the four-piece<br />
have done plenty of gigging around the UK and<br />
supported the likes of Public Access TV, Ulrika<br />
Spacek and TRAAMS. This show is the launch of<br />
new single C’est Bon. Though there’s only a snippet<br />
of it available online, it seems like an earworm<br />
waiting to hatch. Support comes from Porridge<br />
Radio and Jungfrau.<br />
THE ACADEMY OF SUN<br />
Thu 16, Hope & Ruin, 8pm, £5<br />
<strong>Brighton</strong> songwriter Nick Hudson likes to stretch<br />
himself. The Academy of Sun is his vehicle for<br />
high-concept standalone albums, each more ambitious<br />
than the last. The latest is called Codex Novena.<br />
While the band describe themselves as a “queer,<br />
psychedelic, politicised little cabal”, the new album<br />
is variously termed a “magnificent hypersigil” and<br />
a “nine-song prayer for healing”. So we basically<br />
have no way of knowing what to expect. What we<br />
do we know is that The Academy of Sun, once a<br />
floating pool of backing musicians, has finally settled<br />
down into a stable line-up and has collaborated<br />
with members of Massive Attack and Sunn O))). If<br />
past experience is anything to go by, the show may<br />
include mournful piano ballads, orchestral pomp,<br />
sleazy rock or any combination of the above.<br />
ABI WADE<br />
Sat 18, Brunswick, 8pm, £5/4<br />
Effectively a one-woman band, Abi Wade is a<br />
classically trained musician who has found an array<br />
of interesting ways to make the most of her cello.<br />
Not only does she pluck, bow and hit her instrument<br />
with a variety of objects, she also manages to<br />
add extra percussion and effects with crafty use of<br />
foot pedals. This semi-regular night, organised by<br />
indie folk band The Galleons, and also featuring<br />
London’s Patch and the Giant, mixes it up with<br />
the acts playing short sets in each half. While Abi’s<br />
unique style is fascinating to watch, her music<br />
transcends the novelty set-up. It’s often lush and<br />
sombre, perfectly complemented by her clear and<br />
versatile vocals.<br />
BONOBO<br />
Tue 21, <strong>Brighton</strong> Centre, 6.30pm, £27.50<br />
Okay, okay, so he’s based in LA<br />
now and hasn’t lived round here<br />
for years, but we can still take<br />
some vicarious pride from the<br />
rise of electronic pioneer and<br />
former <strong>Brighton</strong> boy Bonobo.<br />
After releasing his debut album on local label Tru<br />
Thoughts, Si Green has gone on to become one of<br />
the most distinctive and successful acts in modern<br />
dance music. And he’s done this without having any<br />
kind of act at all. Rather than projecting a persona<br />
to grab your attention, his focus has always been the<br />
music. It’s richly layered and carefully constructed,<br />
yet feels more human than anything else from the<br />
often distant and cold realm of electronica. Interestingly,<br />
Bonobo’s gig is one in a string of homecoming<br />
shows at the <strong>Brighton</strong> Centre: Rag ‘n’ Bone Man,<br />
Royal Blood and The Kooks are all playing the<br />
venue this month.<br />
....39....