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Collection Wolfers & Petrucci: Hidden Treasures

Catalogue of the selling exhibition in Galerie St-John, Ghent (Belgium), exhibition from the 23rd of November to the 24th of December. 100 sculptures and (art) objects by Philippe and Marcel Wolfers, silver by Wolfers Frères, etc.

Catalogue of the selling exhibition in Galerie St-John, Ghent (Belgium), exhibition from the 23rd of November to the 24th of December. 100 sculptures and (art) objects by Philippe and Marcel Wolfers, silver by Wolfers Frères, etc.

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Marcel <strong>Wolfers</strong><br />

La Périchole, 1923<br />

White crackle glazed ceramic<br />

Dimensions: 59,5 × 32 × 18 cm<br />

Signed: “M <strong>Wolfers</strong> 1920”, at the back of the sculpture near the base<br />

Provenance:<br />

Marcel <strong>Wolfers</strong> and Clairette <strong>Petrucci</strong> collection<br />

Exhibited:<br />

Brussels, Cercle Artistique et Littéraire de<br />

Bruxelles. Exposition Anto Carte, Jean Hendrickx,<br />

Marcel <strong>Wolfers</strong>, 25/02–04/03/1923, cat. No. 131<br />

Wavre, Histoire Locale. Sculpture. Peinture. Exposition,<br />

Salle Marchal, 02/04–09/04/1949.<br />

As is the case with some other pre-WWII sculptures, Marcel <strong>Wolfers</strong> had the<br />

bronze executed in ceramic. Due to both nature and subject of the bust, he chose<br />

not to work with the Guérin Pottery, as its salt glazed stoneware would diminish<br />

the grace and subtle modelé of the sculpture. Instead Marcel turned to the<br />

Brussels firm of Céramique de Bruxelles, which executed statuettes and objets<br />

d’art in white ceramic, primarily in art deco style. The glaze is slightly crackled<br />

and although reminiscent of the art deco production of white crackled glazed<br />

figurines, this bust clearly stands its ground as an autonomous work of art.<br />

Executed in 1923 and another in 1926, it seems that only two casts were made<br />

with in white crackled ceramics. A third bisquit fired cast, that was subsequently<br />

covered with gold leaves by the artist, surfaced onto the Brussels art market<br />

around 1980.<br />

116

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