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Collection Wolfers & Petrucci: Hidden Treasures

Catalogue of the selling exhibition in Galerie St-John, Ghent (Belgium), exhibition from the 23rd of November to the 24th of December. 100 sculptures and (art) objects by Philippe and Marcel Wolfers, silver by Wolfers Frères, etc.

Catalogue of the selling exhibition in Galerie St-John, Ghent (Belgium), exhibition from the 23rd of November to the 24th of December. 100 sculptures and (art) objects by Philippe and Marcel Wolfers, silver by Wolfers Frères, etc.

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Marcel <strong>Wolfers</strong><br />

Chemin de Croix de Marcinelle, 1st Station of the Cross,<br />

1925<br />

Salt glazed stoneware<br />

Dimensions: 78,5 × 61 cm<br />

Signed: “Marcel <strong>Wolfers</strong>. / Fecit 1925”, to the right of the top edge of the relief<br />

Signed: “Aline Duray”, to the left of the top edge of the relief<br />

Provenance:<br />

Marcel <strong>Wolfers</strong> and Clairette <strong>Petrucci</strong> collection<br />

Exhibited:<br />

Brussels (Ixelles), Art Deco Belgique 1920–1940, Musée<br />

d’Ixelles, 06/10–18/12/1988, cat. No. 222, p. 23 and<br />

p. 251. (both with photo)<br />

When Marcel <strong>Wolfers</strong> received the commission for the Stations of the Cross for<br />

the roman church of Marcinelle (near Charleroi), he was asked to work with<br />

the local stoneware pottery industry. After making his designs, he turned to the<br />

pottery of Roger Guérin to execute two proof stations (1 and 2) according to his<br />

specifications. It is possible that the signature “Aline Duray”, which figures next<br />

to the signature of Marcel <strong>Wolfers</strong>, was of the person responsible for the glazing<br />

and firing of these two pieces. However we were unable to find any record of such<br />

person working for Guérin, nor do we know what her relation was to Marcel<br />

<strong>Wolfers</strong>. Her name does not figure on the finished stations (executed by Guérin),<br />

nor on the bronze proof stations that were executed. It is very unusual that this<br />

station is signed twice.<br />

Although we now think the result looks magnificent, Marcel <strong>Wolfers</strong> was not<br />

at all happy with the result, because the artist felt unable to control the outcome<br />

of the colours of the glazes. In the end, Marcel <strong>Wolfers</strong> found the solution by<br />

applying coloured lacquer onto bisque fired stoneware panels by Guérin. The<br />

definite version of the stations, now visible in the church of Marcinelle, were<br />

executed according to this process.<br />

Of the two proof stations made in glazed stoneware, Marcel <strong>Wolfers</strong> kept the<br />

first station for himself. The second station was sold or given to the Brussels artist<br />

Jef Bourgeois. It is however unsure if this last station has survived. Bourgeois’<br />

house and collection were partially destroyed in 1944 by a flying bomb.<br />

148

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