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Caribbean Beat — 25th Anniversary Edition — March/April 2017 (#144)

A calendar of events; music, film, and book reviews; travel features; people profiles, and much more.

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word of mouth<br />

Dispatches from our correspondents around the <strong>Caribbean</strong> and further afield<br />

Seth Sylvester, 2016<br />

champion of the First<br />

Citizens National Poetry<br />

Slam<br />

Grand slam<br />

courtesy the 2 cents movement<br />

Ariana Herbert on experiencing<br />

T&T’s national spoken word<br />

poetry slam <strong>—</strong> on stage and in<br />

the audience<br />

In the latter quarter of my brief existence, I’ve often found<br />

myself in strange and surprising situations. But perhaps the<br />

best of these remains mistakenly auditioning for the largest<br />

spoken word competition in the <strong>Caribbean</strong>. Quite entirely through<br />

orchestrated actions of the universe <strong>—</strong> or perhaps because my<br />

brother got me there by telling me it was just an open mic <strong>—</strong> in<br />

2014 I found myself in the semi-finals for what was then called the<br />

Verses Bocas Poetry Slam, and a year later in the finals.<br />

Now called the First Citizens National Poetry Slam, and<br />

nationally established as one of Trinidad and Tobago’s biggest<br />

poetry platforms, the competition is the closing event of the<br />

annual NGC Bocas Lit Fest, coordinated by the literary festival<br />

and its partners the 2 Cents Movement. (This year the slam<br />

finals happen on Sunday 30 <strong>April</strong>, at the National Academy for<br />

Performing Arts in Port of Spain.)<br />

Competing for a TT$20,000 grand prize among thirteen other<br />

participants in front of internationally renowned judges is not<br />

an opportunity that arises easily <strong>—</strong> nor one that any of us poets<br />

treats lightly. It is a respected space that demands we challenge<br />

our craft and commit to excellence.<br />

Onstage, there is something truly magical about that<br />

hushed darkness before the spotlight bathes you, feeling a<br />

performance pour out of your body, and knowing you have but<br />

a few minutes to invite an audience of over a thousand people<br />

to share part of you. In the <strong>Caribbean</strong> spoken word arena, this<br />

experience is unparalleled.<br />

And for those in the audience? The real beauty is being<br />

submerged in a live story and feeling the words sing around you,<br />

surging throughout your body. Whether you feel refreshed or<br />

stung, an excellent piece insists a change upon you.<br />

Last year’s slam finals saw fourteen artists judged by<br />

T&T performance legends Paul Keens-Douglas and Wendell<br />

Manwarren, alongside Circle of Poets president Nicholas Sosa,<br />

Boston University professor Laurence Breiner, and Barbadian<br />

writer Nailah Folami Imoja. The event was graced with guest<br />

performances by T&T’s Minister of Tourism, Shamfa Cudjoe,<br />

alongside Shineque Saunders, champion of the Courts Bocas<br />

Speak Out Intercol 2016 <strong>—</strong> T&T’s national schools spoken<br />

word competition.<br />

With topics that ranged from the sombre to the hilarious,<br />

the participants that night commanded the stage. There came<br />

quiet singed by blistering lines of social critique, raucous times<br />

of delight in brilliantly ridiculous snippets, and an aftermath of<br />

respect for the sheer cunning of the poets. Seth Sylvester, the<br />

2016 winner, delved into a personal narrative that clutched the<br />

audience and then released them to a standing ovation. There<br />

is something undeniably human about connecting to someone<br />

else’s experience, and Seth’s performance to this day affects me.<br />

My favourite part is always when someone else goes, I thought<br />

it was only me . . . n<br />

24 WWW.CARIBBEAN-BEAT.COM

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