Caribbean Beat — 25th Anniversary Edition — March/April 2017 (#144)
A calendar of events; music, film, and book reviews; travel features; people profiles, and much more.
A calendar of events; music, film, and book reviews; travel features; people profiles, and much more.
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word of mouth<br />
Dispatches from our correspondents around the <strong>Caribbean</strong> and further afield<br />
Seth Sylvester, 2016<br />
champion of the First<br />
Citizens National Poetry<br />
Slam<br />
Grand slam<br />
courtesy the 2 cents movement<br />
Ariana Herbert on experiencing<br />
T&T’s national spoken word<br />
poetry slam <strong>—</strong> on stage and in<br />
the audience<br />
In the latter quarter of my brief existence, I’ve often found<br />
myself in strange and surprising situations. But perhaps the<br />
best of these remains mistakenly auditioning for the largest<br />
spoken word competition in the <strong>Caribbean</strong>. Quite entirely through<br />
orchestrated actions of the universe <strong>—</strong> or perhaps because my<br />
brother got me there by telling me it was just an open mic <strong>—</strong> in<br />
2014 I found myself in the semi-finals for what was then called the<br />
Verses Bocas Poetry Slam, and a year later in the finals.<br />
Now called the First Citizens National Poetry Slam, and<br />
nationally established as one of Trinidad and Tobago’s biggest<br />
poetry platforms, the competition is the closing event of the<br />
annual NGC Bocas Lit Fest, coordinated by the literary festival<br />
and its partners the 2 Cents Movement. (This year the slam<br />
finals happen on Sunday 30 <strong>April</strong>, at the National Academy for<br />
Performing Arts in Port of Spain.)<br />
Competing for a TT$20,000 grand prize among thirteen other<br />
participants in front of internationally renowned judges is not<br />
an opportunity that arises easily <strong>—</strong> nor one that any of us poets<br />
treats lightly. It is a respected space that demands we challenge<br />
our craft and commit to excellence.<br />
Onstage, there is something truly magical about that<br />
hushed darkness before the spotlight bathes you, feeling a<br />
performance pour out of your body, and knowing you have but<br />
a few minutes to invite an audience of over a thousand people<br />
to share part of you. In the <strong>Caribbean</strong> spoken word arena, this<br />
experience is unparalleled.<br />
And for those in the audience? The real beauty is being<br />
submerged in a live story and feeling the words sing around you,<br />
surging throughout your body. Whether you feel refreshed or<br />
stung, an excellent piece insists a change upon you.<br />
Last year’s slam finals saw fourteen artists judged by<br />
T&T performance legends Paul Keens-Douglas and Wendell<br />
Manwarren, alongside Circle of Poets president Nicholas Sosa,<br />
Boston University professor Laurence Breiner, and Barbadian<br />
writer Nailah Folami Imoja. The event was graced with guest<br />
performances by T&T’s Minister of Tourism, Shamfa Cudjoe,<br />
alongside Shineque Saunders, champion of the Courts Bocas<br />
Speak Out Intercol 2016 <strong>—</strong> T&T’s national schools spoken<br />
word competition.<br />
With topics that ranged from the sombre to the hilarious,<br />
the participants that night commanded the stage. There came<br />
quiet singed by blistering lines of social critique, raucous times<br />
of delight in brilliantly ridiculous snippets, and an aftermath of<br />
respect for the sheer cunning of the poets. Seth Sylvester, the<br />
2016 winner, delved into a personal narrative that clutched the<br />
audience and then released them to a standing ovation. There<br />
is something undeniably human about connecting to someone<br />
else’s experience, and Seth’s performance to this day affects me.<br />
My favourite part is always when someone else goes, I thought<br />
it was only me . . . n<br />
24 WWW.CARIBBEAN-BEAT.COM