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MMoCA Newsletter, Winter 2018

Overview of current exhibitions (Jaume Plensa, BIG, Jose Carlos Teixeira, and Art/Word/Image), upcoming exhibitions (Irene Grau), and new acquisitions (Bruce Conner). Listing of events, donors, members, and educational programs.

Overview of current exhibitions (Jaume Plensa, BIG, Jose Carlos Teixeira, and Art/Word/Image), upcoming exhibitions (Irene Grau), and new acquisitions (Bruce Conner). Listing of events, donors, members, and educational programs.

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winter <strong>2018</strong>


EXHIBITIONS<br />

JAUME PLENSA: TALKING CONTINENTS<br />

State Street Gallery • Dec 2, 2017–Apr 15, <strong>2018</strong><br />

Internationally celebrated artist Jaume Plensa is known for<br />

his poetic approach to sculpture. He produces works of<br />

art that evoke silence and inward reflection, engaging in a<br />

creative practice informed by his deep interest in the physical<br />

manifestation of spiritual energy. On view in the museum’s<br />

State Street Gallery December 2, 2017–April 15, <strong>2018</strong>, Jaume<br />

Plensa: Talking Continents is an enveloping installation of<br />

suspended steel forms that transcend their own physical<br />

weight and volume, and instead convey lightness, translucence,<br />

and fluidity. In keeping with the artist’s concept of<br />

sculpture as the spiritualization of matter, this floating body<br />

of work transforms the gallery into a space for contemplation.<br />

Plensa uses the human figure as a universal symbol, as<br />

a way to break through cultural barriers that separate and<br />

divide. For instance, the two monolithic towers central to<br />

his famous public artwork Crown Fountain (2004), located<br />

in Chicago’s Millennium Park, function as video screens for<br />

moving-image portraits of 1,000 Chicago residents. Rotating<br />

every few minutes, the portraits illustrate the diversity of the<br />

city while also reflecting on our fundamental commonalities<br />

as expressed through the body.<br />

In addition to his interest in the human figure, Plensa<br />

finds inspiration in language, and often includes literary<br />

phrases, words, or simply letters in his works of art. Like generations<br />

of artists before him, Plensa’s use of text calls attention<br />

to language as a system of shapes that has the power<br />

to mediate—or confuse—our understanding of the world.<br />

The nineteen sculptural elements that comprise Talking<br />

Continents are made entirely from die-cut steel letters from<br />

eight different alphabets. Refusing to come together as words,<br />

the letters instead exist as abstract symbols which coalesce<br />

as a dreamy archipelago of cloud-like forms. As such, the<br />

installation suggests a breakdown in communication, or a<br />

dissolution of meaning, while at the same time embodying<br />

the very components needed to construct words and create<br />

meaning—the building blocks for cultural understanding.<br />

Talking Continents thus brings us into a space of potential.<br />

For Plensa, his multilingual sculptures represent islands<br />

or countries; their alphabetic diversity operating as a metaphor<br />

for our multicultural world. With human figures seated<br />

atop five of the largest orbs, Talking Continents offers a<br />

poetic vision of the most populated continents in conversation<br />

with each other. A firm believer that art has the capacity<br />

to transform our lives, Plensa asks us to consider the ways in<br />

which we are linked together as a collective humanity, and<br />

how global interconnectedness and communication can be<br />

a path to universal tolerance and acceptance.<br />

Jaume Plensa was born in Barcelona, Spain, where he<br />

currently lives and works. In addition to numerous international<br />

solo exhibitions, the artist has large-scale works<br />

installed in public spaces and sculpture gardens worldwide,<br />

from Chicago’s Millennium Park to Japan’s Ogijima Island.<br />

Plensa is represented by Galerie Lelong & Co., New York and<br />

Paris; and the Richard Gray Gallery, Chicago.<br />

Generous funding for Jaume Plensa: Talking Continents<br />

has been provided by the David and Paula Kraemer Fund;<br />

Ellen Rosner and Paul J. Reckwerdt; Mary Ellyn and Joe<br />

Sensenbrenner; Peggy and Tom Pyle; Gina and Michael<br />

Carter; National Guardian Life Insurance; Lynda and<br />

Charles Clark; Dynee and Barney Sheafor; Sara Guyer and<br />

Scott Straus; Karen and Craig Christianson; RSM; Wisconsin<br />

Public Radio; a grant from the Wisconsin Arts Board<br />

with funds from the State of Wisconsin and the National<br />

Endowment for the Arts; and <strong>MMoCA</strong> Volunteers.<br />

2


ART/WORD/IMAGE<br />

Henry Street Gallery • Dec 2, 2017–May 20, <strong>2018</strong><br />

In the Henry Street Gallery, images and words collide, intersect,<br />

and overlap in Art/Word/Image. Drawn from the permanent<br />

collection, this exhibition highlights the increased<br />

engagement with language in the visual arts of the twentieth<br />

century. When artists place words and images on the same<br />

pictorial surface it reinforces how these two systems of communication<br />

differ in their modes of signifying and the ways<br />

in which we comprehend a work of art.<br />

In 1912, when Pablo Picasso and Georges Braque introduced<br />

newspaper clippings into their already flattened and<br />

fragmented images, they further removed any allusion to<br />

three-dimensional space. This nontraditional technique liberated<br />

painting from its formal properties. Art was no longer<br />

required to closely resemble the physical world and instead<br />

could focus on the artist’s ideas, however abstract. What followed<br />

was a radical shift in the production of art where artists<br />

refused to be constrained by art historical precedents. The<br />

Dada and Surrealist avant-gardes used typographic elements<br />

and wordplay to reflect their own social and political ambitions,<br />

which included the campaign against artistic tradition.<br />

Words were no longer beholden to grammatical conventions<br />

or confined to the printed page. Artists revealed the<br />

dubious nature of words, as exemplified in René Magritte’s<br />

1929 painting The Treachery of Images where the phrase<br />

“Ceci n’est pas une pipe” (This is not a pipe) floats beneath<br />

an image of a tobacco pipe. The rendering of the linguistic<br />

and visual sign as arbitrary required the viewer to scrutinize<br />

what they observed and address their underlying assumptions<br />

regarding the authority of the written word.<br />

The inclusion of text in works of art was soon amplified<br />

by advancements in photography and film—and further complicated<br />

by social and political unrest after World War II. Art/<br />

Word/Image focuses on art made after 1960, as language<br />

was being harnessed by Conceptual artists in place of brush<br />

on canvas and Pop artists were reclaiming the false imagery<br />

found in advertising. In Bruce Nauman’s lithograph and<br />

screenprint Clear Vision (1973), he uses wordplay to provoke<br />

the viewer. The title of the work is printed backwards and the<br />

words are obscured by areas of heavy black ink making it difficult<br />

to read. Despite the obvious joke of making the words<br />

“clear vision” quite unclear, Nauman also seems to remark on<br />

the common phrase of “having a clear vision.” Just how can a<br />

vision be clear, and thus seemingly accurate, if one is looking<br />

into the unknown of the future?<br />

Many of the artists in Art/Word/Image, including<br />

Robert Cottingham, Jenny Holzer, Jim Nutt, Ed Ruscha,<br />

and Carolee Schneemann juxtapose the word with art in<br />

various formats: as narrative, found object, signifier, social<br />

and political commentary, and in jest. These works welcome<br />

interpretation and introspection as we reflect on the numerous<br />

messages and images we encounter in the context of our<br />

everyday lives.<br />

Exhibitions in the Henry Street Gallery are generously<br />

funded through an endowment established by the Pleasant<br />

T. Rowland Foundation.<br />

COVER AND OPPOSITE: Jaume Plensa, Talking Continents, 2013. Stainless steel, 19 components, dimensions variable. © Jaume Plensa. Courtesy<br />

Galerie Lelong & Co. ABOVE: Bruce Nauman, Clear Vision, 1973. Lithograph and screenprint on paper, 33 1/2 x 46 in. Collection of the Madison<br />

Museum of Contemporary Art. Purchase, through National Endowment for the Arts grant with matching funds from The Art League of the Madison<br />

Art Center. © 2017 Bruce Nauman / Artists Rights Society (ARS), New York.<br />

3


EXHIBITIONS<br />

JOSÉ CARLOS TEIXEIRA: ON EXILE<br />

Imprint Gallery • Jan 13–Mar 4 and Mar 9–May 20<br />

Currently based in Wisconsin, Portuguese multimedia artist<br />

José Carlos Teixeira is intimately familiar with the<br />

complexities of immigration—from confronting feelings of<br />

displacement to undertaking the challenges of learning a new<br />

culture. In his artwork, Teixeira creates video installations<br />

that investigate larger notions of belonging and exile. José<br />

Carlos Teixeira: ON EXILE is a two-part exhibition featuring<br />

video essays the artist produced between 2016 and 2017.<br />

As with his previous projects, Teixeira explores the concept<br />

of Otherness in the two films that comprise ON EXILE.<br />

Derived from psychoanalytical, anthropological, and postcolonial<br />

theories, Othering refers to a process whereby societies<br />

establish majority and minority identities, or social categories,<br />

as binary opposites. An individual or group is subsequently<br />

deemed “not one of us,” which in some cases results in the<br />

devaluation, dehumanization, or even persecution of people<br />

classified as Other. Teixeira, however, reverses the human<br />

tendency to demonize those who seem different or unfamiliar<br />

by giving voice to members of stigmatized communities: individuals<br />

with mental illness in his film ON EXILE: Fragments<br />

in search of meaning (2016, on view January 13–March 4),<br />

and Muslim refugees living the United States in ON EXILE:<br />

Elsewhere within here (2017, on view March 9–May 20).<br />

Teixeira’s work teeters between documentary cinema and<br />

video art. His approach to art relies on group participation,<br />

extensive interviews, and collaborative performance. The<br />

artist’s interview process operates as both an exchange of<br />

experiences and an art form. Focusing on the voices and firsthand<br />

stories of his subjects, Teixeira opens up a psychological<br />

space for intimate narratives to unfold, and a cinematic space<br />

for shared creation and authorship.<br />

<strong>MMoCA</strong> OPENING<br />

FRIDAY, MAR 9 • 6–9 PM<br />

4<br />

BIG<br />

Main Galleries • Nov 4, 2017–May 6, <strong>2018</strong><br />

BIG presents over thirty large-scale artworks from <strong>MMoCA</strong>’s permanent<br />

collection, including works by Sam Gilliam, Ellsworth<br />

Kelly, Robert Rauschenberg, and Jennifer Steinkamp. More than other<br />

formal elements in the visual arts, scale demonstrates the capacity<br />

of the artwork to respond to a specific location and call into play the<br />

role of the viewer. Above all, the works of art in this exhibition have<br />

the ability to astonish.<br />

Generous funding for BIG has been provided by Nancy Mohs;<br />

JoAnne Robbins and David Falk; the Theda and Tamblin Clark Smith<br />

Family Foundation; Cathie and Jim Burgess; Hooper Corporation and<br />

General Heating & Air Conditioning; J.H. Findorff & Son Inc.; Nancy Doll and Michael Bernhard; Dane Arts; Bell Laboratories;<br />

Karen and Craig Christianson; a grant from the Wisconsin Arts Board with funds from the State of Wisconsin and the National<br />

Endowment for the Arts; and <strong>MMoCA</strong> Volunteers.


EXHIBITIONS & NEWS<br />

IRENE GRAU<br />

State Street Gallery • May 5–Aug 5<br />

Irene Grau is a Spanish conceptual artist who challenges<br />

the boundaries of painting, the perception of color, and the<br />

limits of space. Taking the act of painting beyond the studio<br />

and off the canvas, she enters into the landscape to discover<br />

moments when the power of pure color alters our awareness<br />

of the world around us. In a solo exhibition on view in<br />

<strong>MMoCA</strong>’s State Street Gallery from May 5 through August 5,<br />

<strong>2018</strong>, Grau will present a new body of work she began last<br />

summer during her five-week artist residency in Madison.<br />

Grau’s work is grounded in the history of plein air painting,<br />

an in-situ practice of landscape painting based on direct<br />

observation that was initiated by artists such as Claude<br />

Monet, Pierre-Auguste Renoir, and Camille Pissarro in the<br />

latter half of the nineteenth century. These Impressionist<br />

leaders ushered in future experimentations in modernist artmaking,<br />

including the most simplified expression of formal<br />

abstraction: the painted monochrome.<br />

Playing with the concept and process of plein air painting,<br />

Grau traversed the landscape not to recreate specific<br />

scenes on canvas, but to identify existing instances of monochromatic<br />

abstraction. She discovered a vernacular form of<br />

mark-making in the vibrant, color-coded lines and shapes<br />

spray-painted across the streets and sidewalks by utility<br />

workers. Appearing random and cryptic to the untrained<br />

eye, this sanctioned graffiti points to the subterranean infrastructure<br />

that powers our city. By reframing the overlooked<br />

details within our everyday surroundings, Grau transforms a<br />

standardized mode of communication used by public works<br />

departments across the country into a series of monochrome<br />

paintings—plein air paintings not of landscape, but in it.<br />

<strong>MMoCA</strong> OPENING<br />

FRIDAY, MAY 4 • 6–9 PM<br />

NEW ACQUISITIONS<br />

Works on Paper<br />

by Bruce Conner<br />

Thanks to a donation from the Conner Family Trust, <strong>MMoCA</strong> received<br />

a gift of 21 offset lithographs produced by American artist Bruce<br />

Conner (1933–2008). Originally a Midwesterner, Conner moved to San<br />

Francisco in 1957 at the beginning of his artistic career. He remained<br />

there, except for a year-long trip to Mexico in 1963 to find himself<br />

(aided by a variety of psychedelic mushrooms). He became one of the<br />

most prolific postwar artists. His career spanned nearly 50 years and<br />

he worked in almost every medium from painting, sculpture, drawing,<br />

collage, photography, printmaking, to film—often hybridizing them into<br />

unique configurations.<br />

The impetus for the suite of lithographs gifted to <strong>MMoCA</strong> was to<br />

preserve and perfect a set of felt-tip ink drawings Conner made from<br />

1964 to 1969. To make one of the drawings, Conner would sit for hours<br />

without lifting his pen off the sheet of paper—only stopping when his<br />

pen would run out of ink. The resulting image is a labyrinth of lines that<br />

resemble topographical maps or microscopic organisms in a petri dish.<br />

While the process of making the works was meditative for the artist, he<br />

was also consumed by the desire to create images of high contrast such<br />

that the viewer’s eye would oscillate between detail and whole, creating<br />

a sense of motion. As felt-tip pens were relatively new to the market at the time, Conner wasn’t aware that the ink on the paper<br />

had a tendency to brown over time, leaving his once high contrast drawings muddy and faded.<br />

In 1970, Conner selected Kaiser Graphics in California to begin the process of recovering and improving upon his faded ink<br />

drawings. While he originally sought to improve the varied tonality present in the drawings, he also altered existing lines and<br />

changed the orientation and size of the prints, producing a new set of images that are closer to his original concept. The result is<br />

an intimate set of prints that invite the viewer in to reflect on the artist’s obsession with precision and ultimately, preservation.<br />

OPPOSITE: José Carlos Teixeira. ON EXILE: Elsewhere within here (video still), 2017. Single-channel video with sound, 70 minutes. Courtesy of the<br />

artist. • Ed Paschke, Suture, 1985. Oil on canvas, 42 x 80 inches. Collection of the Madison Museum of Contemporary Art, The Bill McClain Collection<br />

of Chicago Imagism. ABOVE: Irene Grau, preliminary documentation image taken during artist residency, summer 2017. • Bruce Conner, #209, 1970.<br />

Offset lithograph, 11 1/8 x 7 1/2 inches. Collection of the Madison Museum of Contemporary Art. Gift of the Conner Family Trust, San Francisco.<br />

© 2017 Conner Family Trust, San Francisco / Artists Rights Society (ARS), New York.<br />

5


TALKS, TOURS, & POETRY<br />

6<br />

FRIDAY, FEB 2, 6:30–7 PM<br />

GALLERY TALK: ART/WORD/IMAGE<br />

The interplay of words and images has a long tradition in<br />

the history of art. Fred Stonehouse will discuss a selection<br />

of works in Art/Word/Image, including his painting, Kilroy-<br />

Coq-à-l’Âne, (1999), in which imagery and text each play a<br />

role in conveying meaning.<br />

Fred Stonehouse is an artist and professor in the<br />

UW-Madison Art Department where he teaches advanced<br />

drawing and painting.<br />

FRIDAY, FEB 9, 6:30–7 PM<br />

GALLERY TALK: MATERIALITY<br />

AND DISEQUILIBRIUM<br />

Highlighting works in BIG, Derrick Buisch will discuss how<br />

scale, form, material properties, and composition combine<br />

to create a sense of instability in the viewer.<br />

Derrick Buisch is an artist and professor in the UW-Madison<br />

Art Department where he teaches painting and color theory.<br />

FRIDAY, FEB 16, 6:30–7 PM<br />

GALLERY TALK:<br />

LANGUAGE, PERCEPTION,<br />

AND THE VISUAL ARTS<br />

What is the role of language in making us human? Can language<br />

literally change what we see? Using Jaume Plensa:<br />

Talking Continents as a point of departure, professor Gary<br />

Lupyan will discuss language and its relevance to art and<br />

aesthetics, as well as how different languages may lead their<br />

speakers to view art in different ways.<br />

Gary Lupyan is associate professor in the UW-Madison<br />

Department of Psychology and director of the Lupyan Lab,<br />

which investigates topics related to language and its effects<br />

on human cognition.<br />

Generous funding for <strong>MMoCA</strong><br />

gallery talks is provided by<br />

Bell Laboratories.<br />

FRIDAY, FEB 16, 7:15–8 PM<br />

MONSTERS + <strong>MMoCA</strong><br />

Monsters of Poetry is a contemporary poetry and fiction<br />

reading series that began in 2009 to bring new literary<br />

voices to Madison. Monsters + <strong>MMoCA</strong> brings the group<br />

together at the museum for a reading of original works<br />

inspired by Jaume Plensa’s use of language as a pictorial and<br />

conceptual device. Participating writers are Derrick Austin,<br />

Kara Candito, Adam Fell, Matthew Guenette, Dantiel Moniz,<br />

Marcela Fuentes, and Nick Demske.<br />

Monsters + <strong>MMoCA</strong> is organized by the museum’s education<br />

department in partnership with Adam Fell. Fell teaches<br />

in the English Department at Edgewood College and is a<br />

founding member and co-curator of Monsters of Poetry.<br />

THURSDAY, FEB 22, 1–1:30 PM<br />

GALLERY TALK: FORM AND<br />

PROCESS IN TALKING CONTINENTS<br />

Gail Simpson will discuss Jaume Plensa’s use of opacity and<br />

transparency, how he materializes language, and the influence<br />

of technology on his artistic process.<br />

Gail Simpson is a sculptor and public artist who maintains<br />

an individual studio practice and works as part of<br />

Actual Size Artworks, a collaboration with Aris Georgiades.<br />

Simpson is a professor in the UW-Madison Art Department<br />

where she teaches sculpture and foundations courses.<br />

FRIDAY, MAR 9, 6:30–7:15 PM<br />

ARTIST TALK:<br />

JOSÉ CARLOS TEIXEIRA<br />

Interdisciplinary artist José Carlos Teixeira will discuss his<br />

work, including ON EXILE: Elsewhere within here (2017), a<br />

recent experimental documentary film on view in the Imprint<br />

Gallery that explores identity, migration, and displacement<br />

through first-person interviews with Muslim refugees. In<br />

addition to his artistic practice, Teixeira is an assistant professor<br />

in the UW-Madison Art Department.<br />

This talk is part of an <strong>MMoCA</strong> Opening and is free for members<br />

and $10 for non-members. Seating in <strong>MMoCA</strong>’s lecture<br />

hall is limited.


THURSDAY, MAR 22, 1–1:45 PM<br />

GALLERY TALK: BIGness<br />

Curator of the permanent collection Mel Becker Solomon is<br />

joined by curator emeritus Richard H. Axsom for an exploration<br />

of scale in the visual arts and its effects on emotion,<br />

perception, and sensation. The talk will highlight a selection<br />

of works in BIG.<br />

SATURDAY, APR 7, 7–8 PM<br />

SAM GILLIAM AND WILLIAM WEEGE<br />

IN CONVERSATION<br />

Stephen Fleischman Lectureship<br />

Sam Gilliam and William Weege will discuss their longstanding<br />

friendship and 45-year creative collaboration that,<br />

among other advances, generated pioneering approaches to<br />

printmaking.<br />

Sam Gilliam is internationally renowned for his innovations<br />

in color-field painting, which led the way toward a new<br />

vocabulary for abstract painting. William Weege is professor<br />

emeritus of the UW-Madison Art Department, and founding<br />

artistic director of Tandem Press, whose approach to printmaking<br />

allowed the artists he worked with to break new<br />

ground. Weege is also celebrated as an artist in his own right<br />

for his work in a variety of print media and handmade paper.<br />

The talk is held on the occasion of the third Stephen<br />

Fleischman Lectureship, which honors the 25th anniversary<br />

of Stephen Fleischman’s tenure as the director of <strong>MMoCA</strong>.<br />

Advance reservations are required; available at mmoca.org.<br />

FRIDAY, MAY 4, 6:30–7:15 PM<br />

ARTIST TALK: IRENE GRAU<br />

Irene Grau will discuss a new body of work she began during<br />

her five-week artist residency in Madison in the summer of<br />

2017. Her plein air paintings draw attention to little-noticed<br />

aspects of the city’s environment and identify instances of<br />

monochromatic abstraction in everyday scenes. Grau describes<br />

her artistic interventions as “going out in search of painting<br />

with a camera and a pair of hiking boots on.”<br />

This talk is held in conjunction with Gallery Night; admission<br />

is free. Seating in <strong>MMoCA</strong>’s lecture hall is limited.<br />

DROP-IN TOURS<br />

Saturdays, Feb 10, Mar 10, and Apr 14 • 1–1:30 pm<br />

Drop by for lively and informal<br />

discussions of current exhibitions.<br />

Expertly led by docents, these<br />

free, 30-minute guided tours consider<br />

artists’ creative decisions and provide<br />

insight into their methods, ideas, and<br />

influences. Meet in the museum lobby.<br />

FEBRUARY 10:<br />

ART/WORD/IMAGE<br />

MARCH 10:<br />

JAUME PLENSA:<br />

TALKING CONTINENTS<br />

APRIL 14:<br />

BIG<br />

OPPOSITE PAGE: Gallery talk at <strong>MMoCA</strong> photo © Maurice Thaler. ABOVE: Sam Gilliam, Carousel, 1970. Acrylic on canvas, 10 x 75 feet. Collection<br />

of the Madison Museum of Contemporary Art. Purchase through funds from the Brittingham Foundation and an anonymous donor. Exhibition<br />

installation photo © <strong>MMoCA</strong>. • Ray Yoshida, AAIEEE!, 1996. Collage on paper, 14 x 22 inches. Collection of the Madison Museum of Contemporary<br />

Art. The Bill McClain Collection of Chicago Imagism. © Raymond K. Yoshida Living Trust.<br />

7


FAMILY RESOURCES<br />

KIDS’ ART<br />

ADVENTURES<br />

Families are invited to make art together<br />

in <strong>MMoCA</strong>’s classroom. First enjoy a lively<br />

discussion in the galleries, then experiment<br />

with what you have learned. Children aged<br />

six to ten with an adult are welcome. Kids’<br />

Art Adventures are free and begin at 1 pm.<br />

Come 15 minutes early to sign up.<br />

Kids’ Art Adventures are generously sponsored<br />

by National Guardian Life Insurance.<br />

SUNDAY, FEB 11, 1–2:30 PM<br />

Experience the sensation of scale—whether<br />

large or small—in BIG, an exhibition that<br />

focuses on the effects of scale on our perceptions.<br />

Then combine your imagination<br />

with your building skills to create a fanciful<br />

sculpture inspired by the Clayton Brothers’<br />

Tim House and Roger Brown’s Skyscraper<br />

with Pyramid.<br />

SUNDAY, MAR 11, 1–2:30 PM<br />

Can a word be an image? How do words enhance pictures?<br />

Explore Art/Word/Image to see how artists have combined<br />

words and images to make works of art that celebrate the<br />

power of language. Afterward, make a mixed-media book<br />

that incorporates words in fun and visually interesting ways.<br />

SUNDAY, APR 8, 1–2:30 PM<br />

Examine the intricacies of light, language, and form in<br />

Jaume Plensa’s Talking Continents. The artist’s vision of<br />

human understanding and connection comes to life in his<br />

large illuminated sculptures, which combine the human<br />

form with characters from eight languages. In the workshop,<br />

create a unique lantern that allows your vision to shine.<br />

<strong>MMoCA</strong>kids ARTPACK<br />

Stop by the museum’s lobby welcome desk and ask for the<br />

<strong>MMoCA</strong>kids ArtPack, the museum’s hands-on discovery<br />

kit for exploring art. The ArtPack contains a variety of fun,<br />

easy-to-use, free-choice activities, including on Jennifer<br />

Steinkamp’s video animation, Rapunzel 9.<br />

<strong>MMoCA</strong>teens AND<br />

<strong>MMoCA</strong>kids ART GUIDES<br />

Designed for use anywhere in the museum, the <strong>MMoCA</strong>teens<br />

and <strong>MMoCA</strong>kids art guides provides young visitors with<br />

multiple ways to investigate current exhibitions.<br />

LEARNING CENTERS<br />

<strong>MMoCA</strong>’s Learning Centers offer families a variety of fun<br />

and engaging resources for exploring <strong>MMoCA</strong>’s exhibitions.<br />

A range of kid-friendly activities promote imaginative play<br />

inspired by works of art. Learning Centers are available for<br />

exhibitions in the Henry Street Gallery and main galleries.<br />

<strong>MMoCA</strong>’s free family resources are<br />

generously funded by the Nimick<br />

Forbesway Foundation.<br />

8<br />

ABOVE: Kids’ Art Adventures. Photography by Chelsea Weis. • Rob and Christian Clayton, Tim House (in Green Pastures) from the series Green<br />

Pastures, 2001. Mixed media on wood panel with sound, 129 1/4 x 60 1/4 x 71 1/2 inches. Collection of the Madison Museum of Contemporary Art.<br />

Gift of Howard and Judith Tullman. OPPOSITE: Gallery Night. Photography by Tom Klingele.


EVENTS<br />

<strong>MMoCA</strong> OPENINGS<br />

Save the date for upcoming <strong>MMoCA</strong> Opening celebrations,<br />

featuring music, hors d’oeuvres from Fresco, a cash bar,<br />

and engaging visual art programming. The evenings are<br />

always free for <strong>MMoCA</strong> members / $10 for non-members.<br />

<strong>MMoCA</strong> Openings are sponsored by Newcomb Construction<br />

Company and The Alexander Company with additional support<br />

from Fresco, and media support from Isthmus.<br />

FRIDAY, MAR 9 • 6–9 PM<br />

Enjoy the work of visual and video artist José Carlos Teixeira<br />

on the opening night of his Imprint Gallery exhibition, ON<br />

EXILE. Teixeira’s work explores notions of belonging and<br />

exile. Beginning at 6 pm, guests may view ON EXILE; BIG<br />

in the main galleries; Art/Word/Image in the Henry Street<br />

Gallery; and Jaume Plensa: Talking Continents in the State<br />

Street Gallery. At 6:30 pm, Teixeira will give a lecture about<br />

the evolution of his work. Following the talk, guests will<br />

enjoy hors d’oeuvres from Fresco and French swing and<br />

Hawaiian music from Mal-O-Dua in the lobby.<br />

FRIDAY, MAY 4 • 6–9 PM<br />

The first Friday in May will offer a wide array of art-related<br />

experiences at <strong>MMoCA</strong>, in addition to a multitude of Gallery<br />

Night festivities at more than 50 venues city-wide. Join us at<br />

<strong>MMoCA</strong> from 5–9 pm to celebrate the opening of Spanish<br />

artist Irene Grau’s first solo museum exhibition in the United<br />

States. This <strong>MMoCA</strong> Opening includes a talk by the artist,<br />

who will discuss her aesthetic and conceptual approach to<br />

contemporary painting. Along with live music and passed<br />

hors d’oeuvres from Fresco, the evening features the unveiling<br />

of <strong>MMoCA</strong>’s first official beer. Starting at 8 pm, museum<br />

guests will have the opportunity to celebrate the limited<br />

release of the specialty craft beer resulting from <strong>MMoCA</strong>’s<br />

collaboration with Octopi Brewing, Art & Sons, and artist<br />

Meg Mitchell, whose installation in the rooftop sculpture<br />

garden served as the inspiration for this unique partnership.<br />

GALLERY NIGHT<br />

FRIDAY, MAY 4 • 5–9 PM<br />

Mark your calendar for May 4, as dozens of venues open<br />

their doors for spring’s biggest celebration of the arts.<br />

Tour Madison’s vibrant arts scene—popping up in neighborhoods<br />

throughout Madison from 5 to 9 pm.<br />

Gallery Night has been lighting up the night in Madison for<br />

30 years, offering an opportunity to enjoy a wide variety of<br />

visual art offerings throughout the city. Galleries, artist studios,<br />

non-profit organizations, and other local businesses<br />

showcase original artwork and host special exhibitions, demonstrations,<br />

and receptions during this semi-annual event.<br />

Be sure to share your Gallery Night photos and reviews on<br />

social media using #MADGalleryNight.<br />

Gallery Night is sponsored by The Roman Candle Pizzeria<br />

with media support from Isthmus.<br />

ART VELO<br />

THURSDAY, FEB 1 • 5–8 PM<br />

On Thursday evening, February 1, <strong>2018</strong>, <strong>MMoCA</strong>’s<br />

soaring glass lobby will be transformed for the annual<br />

indoor cycling experience and fundraiser for <strong>MMoCA</strong>—Art<br />

Velo. Participants will shake off the winter cold and get<br />

spinning in cycling sessions led by Cyc Fitness. This high<br />

energy event features dramatic lighting, dance music favorites,<br />

and delicious fare. Individuals and businesses in the<br />

community sponsor each bike to support <strong>MMoCA</strong>’s free<br />

exhibitions and programming. Contact Annik Dupaty at<br />

annik@mmoca.org/608.257.0158 x229 for more information<br />

about riding or sponsoring a bike.<br />

9


EVENTS & GIVING<br />

CHROMA<br />

FRIDAY, APR 27, <strong>2018</strong><br />

Saturated with experiences, vivid with color, Chroma is a<br />

new event taking place. On April 27, <strong>2018</strong>, explore color<br />

throughout the museum’s iconic spaces.<br />

Party guests will enjoy artist- and designer-created color-rich<br />

environments, and hands-on group art projects on each level<br />

of the museum. Chroma celebrates color: how it feels, its<br />

intensity and beauty, and the way we use it in our lives. We<br />

choose hues and shades to decorate and express ourselves.<br />

Creative professionals work with color to create moods<br />

and responses. Artists access the spectrum to convey their<br />

vision. This vibrant event will be immersive and fun, unlike<br />

any other.<br />

PLANNED GIVING<br />

Now is the right time<br />

to plan your legacy.<br />

Join the <strong>MMoCA</strong> Circle and leave a legacy for the future.<br />

The <strong>MMoCA</strong> Circle recognizes and honors individuals who<br />

have established a planned gift for the museum. Gifts can be<br />

designated to support a favorite program or add funds to the<br />

museum’s endowment, providing free admission to <strong>MMoCA</strong><br />

audiences for generations to come.<br />

A fundraiser for <strong>MMoCA</strong>, Chroma admission includes an<br />

array of sweets and savories, DJs and dancing in different<br />

museum spaces, and a myriad of performances and art activities.<br />

Assemble your crew and get your tickets, on sale starting<br />

February 1. Plan an ensemble in your favorite spectral color<br />

(red, orange, yellow, green, blue, indigo, or violet) to be considered<br />

for a special prize.<br />

#mmocachroma<br />

STAY IN TOUCH<br />

sign up for weekly emails at<br />

mmoca.org/mmoca-notes<br />

<strong>MMoCA</strong> Circle members are welcomed as special guests at<br />

museum events and are recognized<br />

on the donor wall<br />

outside the main galleries.<br />

If you’d like more information<br />

about the <strong>MMoCA</strong><br />

Circle, and making a legacy<br />

gift to the museum,<br />

contact Kaitlin Kropp at<br />

kaitlin@mmoca.org or<br />

608.257.0158 x224.<br />

Photography by Sharon Vanorny<br />

10


MEMBERSHIP & GIVING<br />

<strong>MMoCA</strong>’S BUSINESS COUNCIL<br />

<strong>MMoCA</strong>’s corporate members – known as the <strong>MMoCA</strong> Business Council – support a vibrant community by contributing to<br />

museum exhibitions, education programs, and ongoing operations. Thanks to these important contributions, <strong>MMoCA</strong> can<br />

offer compelling, thought-provoking programming. Through their gifts, Business Council members become known as generous<br />

and engaged community leaders. For information on corporate membership and its many benefits, contact Kaitlin Kropp<br />

at kaitlin@mmoca.org or 608.257.0158 x224. <strong>MMoCA</strong> thanks the following businesses and organizations for their support:<br />

BENEFACTORS ($10,000+)<br />

Ajenda Interactive Media<br />

The Alexander Company<br />

Art & Sons<br />

Bell Laboratories, Inc.<br />

BioSentinel INC<br />

BMO Private Bank<br />

Eugenie Mayer Bolz<br />

Family Foundation<br />

Flad Architects<br />

Future Foam<br />

Hiebing<br />

J.H. Findorff & Son, Inc.<br />

Madison Community Foundation<br />

Madison Magazine<br />

Madison Print Club<br />

<strong>MMoCA</strong> Volunteers<br />

National Guardian Life Insurance<br />

Newcomb Construction Company<br />

Nimick Forbesway Foundation<br />

Pleasant T. Rowland Foundation<br />

Steinhauer Charitable Trust<br />

W. Jerome Frautschi Foundation<br />

Wisconsin Arts Board<br />

Wisconsin Public Radio<br />

SPONSORS ($5,000-9,999)<br />

American Family Insurance<br />

American Transmission Company<br />

Brava Magazine<br />

The Century House<br />

CUNA Mutual Foundation<br />

Custer Financial Services<br />

CYC Fitness<br />

Dane Arts<br />

Evjue Foundation Inc., the charitable<br />

arm of The Capital Times<br />

Frank Liquor Co. Group<br />

Great Dane Pub & Brewing Co.<br />

Habush Habush and Rottier S.C.<br />

Ho-Chunk Gaming Madison<br />

Hooper Corporation/General Heating<br />

& Air Conditioning<br />

Isthmus<br />

maiahaus<br />

MG&E Foundation<br />

Midwest Family Broadcasting<br />

MINI of Madison<br />

Octopi Brewing<br />

Pepsi of Madison<br />

Potter Lawson<br />

Promega Corporation<br />

Supranet Communications Inc.<br />

Theda and Tamblin Clark Smith<br />

Family Foundation<br />

Venture Investors, LLC<br />

Webcrafters-Frautschi<br />

Foundation, Inc.<br />

Wildwood Productions<br />

WISC-TV Channel 3<br />

WKOW-TV Channel 27<br />

Zendesk Inc.<br />

LEADERS ($2,500-4,999)<br />

Access Information Management<br />

Adams Outdoor Advertising<br />

Artful Home<br />

Associated Bank<br />

Capital Newspapers<br />

Cummings Christensen<br />

Family Foundation<br />

Design Concepts<br />

DoubleTree by Hilton Madison<br />

Food Fight Restaurant Group<br />

Ganser Company<br />

Johnson Bank<br />

Milwaukee Valve Company<br />

Perkins Coie LLP<br />

Physicans Plus Insurance Corporation<br />

Roman Candle Pizzeria<br />

RSM<br />

Staff Electric Company, Inc.<br />

Summit Credit Union<br />

TDS Telecom<br />

The Terry Family Foundation<br />

Think Ink and Design<br />

US Bank<br />

Waunakee Remodeling<br />

Wisconsin Lottery<br />

Yelp Madison<br />

PARTNERS ($1,000-2,499)<br />

AC Hotel<br />

Best Western Premiere – Park Hotel<br />

The Capital Times Kids Fund<br />

Celebrations Entertainment<br />

Colony Brands, Inc.<br />

DeWitt Ross & Stevens S.C.<br />

Econoprint<br />

First Business Bank of Madison<br />

Foley & Lardner<br />

Full Compass<br />

Godfrey & Kahn, S.C.<br />

Greater Madison Convention &<br />

Visitors Bureau<br />

Hovde Properties, LLC<br />

Images Plus<br />

J.F. Ahern Co.<br />

Knothe & Bruce Architects, LLC<br />

Knox Family Foundation<br />

Lycon Inc.<br />

M3 Insurance Solutions<br />

Madison Arts Commission<br />

Oakbrook Corporation<br />

Phillips Distribution Corp.<br />

Potter Lawson<br />

RBC Wealth Management<br />

Smith & Gesteland LLP<br />

Stafford Rosenbaum LLP<br />

The Rock Agency<br />

Total Administrative Services<br />

Corporation<br />

WIPFLi CPAs and Consultants<br />

Wisconsin Chamber Orchestra<br />

Woodman’s Markets<br />

DONORS ($500-999)<br />

Access Wisconsin<br />

Artist & Craftsman Supply<br />

Bicycle Federation of Wisconsin<br />

Nordic Consulting Partners, Inc.<br />

Pro Physical Therapy<br />

Shulfer Architects<br />

Sonic Foundry<br />

Stoddard’s Meat Market & Catering<br />

SUPPORTERS ($250-499)<br />

adroable.io<br />

Amanti Art<br />

Ameriprise Financial Services |<br />

Eventus Wealth Advisors<br />

Anthology LLC<br />

Atmosphere Commercial Interiors<br />

Dines, Inc.<br />

DRS Paving<br />

Greater Madison<br />

Chamber of Commerce<br />

Hampton Inn & Suites -<br />

Madison Downtown<br />

Mirror 34 Productions<br />

Piano Fondue<br />

Plantes Company<br />

Russell Arts Law<br />

SunMoon Arts<br />

Ueda Photography<br />

Underground Food Collective<br />

Vierbicher<br />

SPECIAL<br />

PROJECT<br />

UNDERWRITERS<br />

Brand strategy and design support,<br />

including the development<br />

of <strong>MMoCA</strong>’s new brandmark and<br />

upcoming new website, is contributed<br />

by Hiebing.<br />

A major gift from the Nimick<br />

Forbesway Foundation supports the<br />

museum’s education programs.<br />

ArtZone, <strong>MMoCA</strong>’s afterschool workshop<br />

program offered in partnership<br />

with Madison community centers, is<br />

supported by by Zendesk Neighbor<br />

Foundation, U.S. Bank Foundation,<br />

the Capital Times Kids Fund, and the<br />

Madison Arts Commission.<br />

Internet service is provided by<br />

Supranet Communications. Design<br />

and technical guidance for <strong>MMoCA</strong>’s<br />

website is donated by Ajenda<br />

Interactive Media.<br />

11


MEMBERSHIP & GIVING<br />

<strong>MMoCA</strong> BOARD<br />

OF TRUSTEES<br />

OFFICERS<br />

Rick Phelps, President<br />

Joe Alexander, Vice-President<br />

Jason Knutson, Vice-President<br />

Leslie Smith III, Vice-President<br />

Charlotte Cummins, Secretary<br />

John Sylla, Treasurer<br />

OTHER TRUSTEES<br />

Marian Bolz, Life Trustee<br />

Bryan Chan<br />

Karen Christianson<br />

Vikki Enright<br />

Jim Escalante<br />

Dave Franchino<br />

Sara Guyer<br />

Cedric Johnson<br />

Valerie Kazamias,<br />

Chair, The Langer Society<br />

Elizabeth Kirchstein<br />

Oscar Mireles<br />

Bret Newcomb<br />

Dave Orr<br />

Amy Paulios<br />

Margaret Pyle<br />

JoAnne Robbins<br />

John Ronzia<br />

Dynee Sheafor<br />

John Sims<br />

Sylvia Vaccaro<br />

Marc Vitale<br />

NEW LANGER<br />

SOCIETY MEMBERS:<br />

THROUGH NOV 30<br />

Janet Ady and Linda Leuzke<br />

Dalia and Moses Altsech<br />

Jennifer Bastian and Ryan Minard<br />

Jeff and Elizabeth Bauer<br />

Maggie Breitzmann and Sam Little<br />

Sophie Carr and Jorie Walters<br />

Bill and Mary Checovich<br />

Rachel Felber and Evan Glanzer<br />

Elizabeth Fuller and Jeff Luker<br />

Karina Galvan and James Worker<br />

Joan Grosse and Marysue Rindy<br />

Bonny Kneedler and Andrew Lee<br />

Kelly McGinn<br />

and Matthew Vande Hei<br />

Laura Muzi and Matt Felker<br />

Dan and Maureen Norman<br />

Caroline O’Mahar and Kyle Jenkins<br />

David and Ann Orr<br />

Lisa Pincus<br />

Anne Piper and Grafton Robinson<br />

Chelsea Price and Brandon Lahee<br />

Bridget and Patrick Rentmeester<br />

Carrie and John Scherpelz<br />

Jenay Shook and Colin Thomson<br />

Anna Vembu and Sam Julian<br />

Amanda and Noah Weibel<br />

Regina Whitemarsh<br />

and Mike Epley<br />

NEW REGULAR MEMBERS: THROUGH NOV 30<br />

Nadeem Afghan and Heidi Simmet-Afghan, Patricia Anderson, Jason Bank, Trudy Barash,<br />

Bonnie Beavan and David Bluemke, Susan Benjamin, Marc Bilsky and Judith Tolkov,<br />

Brigitte Boucher, Rebecca Breda and Tim Zander, Kathleen Brumder, Kimberly Buchanan,<br />

Melanie and Frank Cain, David Cancian and Iris Hoxha, Melinda and Phillip Certain,<br />

Priya and Brian Chan, Aishwariya Chandrasekar, Ashley Collins and Sam Lemley, Denis and<br />

Michelle Dale, Michele and Jim Dangelo, Courtney Deisch, Katelyn Ditzler, Heidi and Bill Dorr,<br />

Betsy Draine, Jim and Mary Escalante, Donna Farrer, Marisha Florissant and Josh Pelnar,<br />

Ann Foley, Deborah Foster, Karl Gartung and Anne Kingsbury, Simone Glinberg,<br />

Christal Gordon, Terrie Goren, Lori Grapentine and John Benton, Kendra Greendeer, Jane<br />

Hall, Mary Horowitz, Ann Hoyt, Anna Huttenlocher and Andrew Bent, Joseph Iscaro,<br />

Cary James, Emily and William Keelty, Joan Kerlow and Michael Briggs, David Ketchum,<br />

Muhammad Khalifa, Lars Koch and Sarah Duege, Susan Kuczynski, Siha Lee,<br />

Aaron Loudenslager, Robert McClean and Elizabeth Tiefenthaler, Steff and Jamie McCloskey,<br />

Ron Meerhoff and Michael Rhodes, Laura and Randy Meffert, Bridget Meyer and<br />

Nicholas Rabbitt, Marese Moynihan, Marcia Mueller and Charles Prorok, Alexandru and<br />

Simona Musat, Alice Nelson, Amy Norlin, Melissa Ozel, Linda Pawson, Joshua Peters and<br />

Ciara Wade, Wendy Phifer, Robert Pozner, Luis Sanchez and Harriet Fleming, Catherine<br />

Sbeglia, Carin Scholtz, Jean Shaw, Emily and Dirk Shimpach, Elizabeth Skora, Wesley Smith,<br />

Patricia Soderholm, Jonathan Solari, Carol Spiegel, Michelle and James Stellner,<br />

Lucy Thompson, Sonja Thomsen, Michael Trakman and Angela Liautaud,<br />

Juanita Trujillo, Collin Tuttle and Judit Tuttle, Tony Vincent, Sophie Wagner-Marx,<br />

Judith Ward, Ruth and Roger Westmont, Martha White and Cora White, Janice Williams and<br />

Joyce Zabel, Timothy Yu and Robin Valenza, Matthew Ziehr, Chris and Kathleen Ziemba<br />

PRIVATE EVENTS<br />

With gorgeous spaces such as the lobby and rooftop sculpture garden, as well<br />

as an elegant and high-tech lecture hall, <strong>MMoCA</strong> is the perfect place to host<br />

your next event. Langer Society members, Business Council members, and nonprofit<br />

groups receive discounted rates. For information, please contact Bob Sylvester at<br />

bob@mmoca.org or 608.257.0158 x251.<br />

12<br />

ABOVE: Wedding photo. © Sharon Vanorny. OPPOSITE: José Carlos Teixeira. ON EXILE, elsewhere within here (video still), 2017. Singlechannel<br />

video with sound, 70 minutes. Courtesy of the artist.


CALENDAR OF EVENTS<br />

FEBRUARY<br />

M T W T F S S<br />

1 2 3 4<br />

5 6 7 8 9 10 11<br />

12 13 14 15 16 17 18<br />

19 20 21 22 23 24 25<br />

26 27 28<br />

MARCH<br />

M T W T F S S<br />

1 2 3 4<br />

5 6 7 8 9 10 11<br />

12 13 14 15 16 17 18<br />

19 20 21 22 23 24 25<br />

26 27 28 29 30 31<br />

APRIL<br />

M T W T F S S<br />

1<br />

2 3 4 5 6 7 8<br />

9 10 11 12 13 14 15<br />

16 17 18 19 20 21 22<br />

23 24 25 26 27 28 29<br />

30<br />

MAY<br />

M T W T F S S<br />

1 2 3 4 5 6<br />

7 8 9 10 11 12 13<br />

14 15 16 17 18 19 20<br />

21 22 23 24 25 26 27<br />

28 29 30 31<br />

FEBRUARY<br />

1 5–8 pm Art Velo<br />

2 6:30–7 pm Gallery Talk: Art/Word/Image<br />

9 6:30–7 pm Gallery Talk: BIG<br />

10 1–1:30 pm Drop-in Tour: Art/Word/Image<br />

11 1–2:30 pm Kids’ Art Adventures: BIG<br />

16 6:30–7 pm<br />

MARCH<br />

9 6–9 pm<br />

6:30–7:15 pm<br />

<strong>MMoCA</strong> Opening:<br />

José Carlos Teixeira: ON EXILE<br />

Artist Talk: José Carlos Teixeira<br />

10 1–1:30 pm Drop-in Tour:<br />

Jaume Plensa: Talking Continents<br />

11 1–2:30 pm Kids’ Art Adventures:<br />

Art/Word/Image<br />

22 1–1:45 pm Gallery Talk: BIG<br />

APRIL<br />

7:15–8 pm<br />

7 7–8 pm Sam Gilliam and William Weege<br />

Stephen Fleischman<br />

Lectureship Series<br />

8 1–2:30 pm Kids’ Art Adventures:<br />

Jaume Plensa: Talking Continents<br />

14 1–1:30 pm Drop-in Tour: BIG<br />

27 8 pm–12 am Chroma<br />

Gallery Talk:<br />

Jaume Plensa: Talking Continents<br />

Monsters+<strong>MMoCA</strong><br />

22 1–1:30 pm Gallery Talk:<br />

Jaume Plensa: Talking Continents<br />

MAY<br />

4 5–9 pm<br />

6–9 pm<br />

6:30–7:15 pm<br />

8 pm<br />

Gallery Night<br />

<strong>MMoCA</strong> Opening: Irene Grau<br />

Artist Talk: Irene Grau<br />

Beer launch with Octopi Brewing<br />

13


ABOUT<br />

Enjoy wintery views of Madison’s<br />

beautiful downtown cityscape at Fresco,<br />

<strong>MMoCA</strong>’s sleek rooftop restaurant.<br />

With floor to ceiling windows looking<br />

out to the museum’s sculpture garden,<br />

and the Capitol dome glowing in the distance,<br />

snow can fall and temperatures<br />

can drop while you sit in comfort and<br />

dine on a delicious, European-inspired<br />

meal.<br />

Imagine sharing this experience<br />

with 99 friends and family for a festive<br />

party! Already a favorite spot among<br />

theater enthusiasts and symphony<br />

goers for a pre-show dinner, Fresco<br />

is also the perfect location for special<br />

events. The restaurant can host up to<br />

100 guests for a cocktail-style party, or<br />

60 guests for a seated event. If you are<br />

interested in booking Fresco for a buyout<br />

occasion of any kind, mention this<br />

article and receive $150 off your food<br />

and beverage minimum when you book<br />

by March 15.<br />

ABOUT THE MUSEUM The Madison Museum of Contemporary Art is<br />

an independent, nonprofit organization presenting exhibitions by local, regional,<br />

national, and international artists. A permanent collection of more than 5,500<br />

works of art is maintained and enlarged through gifts and purchases. The museum’s<br />

education department presents programs to increase public understanding<br />

and appreciation of modern and contemporary art.<br />

HOURS<br />

MEMBERS<br />

MAKE IT<br />

POSSIBLE.<br />

Support from members of<br />

the Madison Museum of<br />

Contemporary Art ensures<br />

that outstanding exhibitions<br />

and educational programs<br />

remain free for all.<br />

THANK YOU!<br />

Galleries Store Fresco<br />

Monday Closed 12–5 pm* Closed<br />

Tue–Thur 12–5 pm 11 am–5 pm 5–9 pm<br />

Friday 12–8 pm 11 am–8 pm 5–10 pm<br />

Saturday 10 am–8 pm 10 am–8 pm 5–10 pm<br />

Sunday 12–5 pm 12–5 pm 5–9 pm<br />

* Closed Mondays in January<br />

Our <strong>2018</strong> catering menus were<br />

released on January 1, and will feature<br />

exciting new entrees inspired by Chef<br />

Giovanni’s eclectic command of worldly<br />

cuisines. Chef Giovanni is a master chef<br />

in all aspects of his life: he delights<br />

in providing delicious fare to Fresco<br />

patrons as much as he enjoys cooking<br />

at home for his wife and young son. For<br />

more information about booking your<br />

private event, please email Amanda<br />

Schnoll, Fresco Event Coordinator, at<br />

aschnoll@foodfightinc.com.<br />

<strong>MMoCA</strong> MEMBERS<br />

Receive a 10% discount at<br />

Fresco and all Food Fight ​<br />

restaurants.<br />

Join today at<br />

mmoca.org<br />

ACCESSIBILITY Exhibitions, lectures, tours, and special events at<br />

<strong>MMoCA</strong> are accessible to people with disabilities. Please contact the museum<br />

at 608.257.0158 regarding accommodations for persons with limited mobility,<br />

sight, or hearing. Relay Service is available by dialing AT&T @ 711.<br />

MEMBERSHIP <strong>MMoCA</strong> members enjoy many privileges, including free<br />

admission to <strong>MMoCA</strong> Openings and films; discounts at the Museum Store, at<br />

Fresco and other Food Fight restaurants; invitations to special member events<br />

and previews; opportunities to meet artists; a subscription to <strong>MMoCA</strong>’s newsletter;<br />

and tax deductions for contributions.<br />

VOLUNTEERING Enthusiastic volunteers are vital to <strong>MMoCA</strong>’s success.<br />

Visit mmoca.ivolunteer.com for current volunteer opportunities.<br />

CHANGE OF ADDRESS Please notify the office of address<br />

changes so that your mailings are not interrupted. Contact Kaitlin Kropp at<br />

kaitlin@mmoca.org or 608.257.0158 x224.<br />

JOIN OUR EMAIL LIST <strong>MMoCA</strong> Notes, the museum’s weekly email<br />

newsletter, will keep you informed about upcoming events, exhibitions, and<br />

museum store specials. Sign up online at mmoca.org.<br />

CONTACT THE MUSEUM<br />

608.257.0158 • info@mmoca.org • www.mmoca.org<br />

© Madison Museum of Contemporary Art. Artworks © the artist unless otherwise noted. Artworks<br />

may not be reproduced without permission of the copyright holder.<br />

14<br />

THIS PAGE: <strong>MMoCA</strong> at night. Photography by Nicholas Sadowski. • Dinner at Fresco.<br />

Photography by Chris Hayes. OPPOSITE: <strong>MMoCA</strong> Art & Gift Fair. Photo © <strong>MMoCA</strong> (left).<br />

Photography by Amit Israeli (top and bottom right). • Arts Ball. Photography by Larry Chua.


EVENT PHOTOS<br />

<strong>MMoCA</strong> ART & GIFT FAIR, NOV 18 & 19<br />

ARTS BALL, NOV 11<br />

15


227 State Street • Madison, WI 53703<br />

Nonprofit Org.<br />

U.S. Postage<br />

PAID<br />

Madison, Wisconsin<br />

Permit No. 1143<br />

HAPPY NEW YEAR!<br />

FEBRUARY 1–14 Our annual Valentine’s Day Jewelry Sale is quickly<br />

approaching! 15% off all regularly priced jewelry. Langer Society members<br />

may take 25% off the retail price.<br />

MARCH 1–14 Puzzle and Toy Sale: 15% off all regularly priced toys.<br />

Langer Society members may take 25% off the retail price.<br />

APRIL 1–14 Wearable Sale: 15% off all regularly priced purses, scarves,<br />

hats, and gloves. Langer Society members may take 25% off the retail price.<br />

NEW Vegan wallets, purses, and backpacks by Espe of Canada.<br />

Oropopo leather jewelry by Karole Mazeika of New Mexico features<br />

a modern and geometric look that’s easy to wear.<br />

DON’T FORGET MOM ON MOTHER’S DAY! This is the perfect time to<br />

take advantage of our wearable discount. Gift wrap and shipping are available<br />

upon request.<br />

Every purchase supports <strong>MMoCA</strong>’s free exhibitions and education programs.<br />

Local and regional artists are always featured in our award-winning store.<br />

MUSEUM STORE HOURS<br />

Sun–Mon: 12–5 pm<br />

Tue–Thur: 11 am–5 pm<br />

Fri: 11 am–8 pm<br />

Sat: 10 am–8 pm<br />

CLOSED ALL MONDAYS IN JANUARY<br />

Necklace by Ayala Bar

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