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BeatRoute Magazine BC Print Edition February 2018

BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics. Currently BeatRoute’s AB edition is distributed in Calgary, Edmonton (by S*A*R*G*E), Banff and Canmore. The BC edition is distributed in Vancouver, Victoria and Nanaimo. BeatRoute (AB) Mission PO 23045 Calgary, AB T2S 3A8 E. editor@beatroute.ca BeatRoute (BC) #202 – 2405 E Hastings Vancouver, BC V5K 1Y8 P. 778-888-1120

BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics.

Currently BeatRoute’s AB edition is distributed in Calgary, Edmonton (by S*A*R*G*E), Banff and Canmore. The BC edition is distributed in Vancouver, Victoria and Nanaimo. BeatRoute (AB) Mission PO 23045 Calgary, AB T2S 3A8 E. editor@beatroute.ca BeatRoute (BC) #202 – 2405 E Hastings Vancouver, BC V5K 1Y8 P. 778-888-1120

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BLACK WIZARD<br />

HEAVY METAL HOMIES GET HEAVIER AND HAZIER<br />

ANA KRUNIC<br />

The lower mainland’s heavy music scene wouldn’t be complete<br />

without our homegrown road warriors, Black Wizard. Their brand<br />

of metal with a heavy lean towards rock n’ roll definitely sounds<br />

like it was cultivated here, tinged with the Vancouver haze we<br />

know so well. Their new record, Livin’ Oblivion, slated for release<br />

on <strong>February</strong> 16, brings us a heavier and faster ‘Wiz. Founding<br />

members Eugene Parkomenko and Adam Grant say it was an<br />

intuitive progression.<br />

“It was kind of natural, honestly,” says Grant. “Even though it’s<br />

our fourth record, this is the first time we’ve had the same lineup<br />

following the last one. So it really helps, having that consistency<br />

as well as [guitarist] Daniel Stokes, who’s a genius and also a death<br />

metal boy. He definitely had a big influence on writing of some of<br />

the newer songs.”<br />

The album ebbs and flows, as Black Wizard records have always<br />

done, with some slow-burners to break it up a bit.<br />

“’Feast or Famine’ is a faster one, but the rest of the record<br />

still follows our classic ‘Wiz formula, but on the next level,” says<br />

Parkomenko. “We spent a lot more time on tones and sounds this<br />

time, making it big and in-your-face.”<br />

The guys have always considered engineer Michael Kraushaar<br />

the fifth member of their band, as he’s worked with them from the<br />

start and has had a big impact on their work.<br />

“Having worked with Mike on all of our records, he’s just so<br />

fucking good at what he does, and he only gets better year by year,”<br />

Grant explains. “It’s become effortless now that we’ve worked with<br />

him so often. It’s great to feel comfortable doing what you’re doing,<br />

and having a guy that contributes valuable things. We’re definitely<br />

super happy with how the new record sounds.”<br />

As for future plans, Grant says it’s their mission to tour with<br />

Judas Priest.<br />

“Rob Halford actually left a comment on one of our photos<br />

one time,” Grant laughs. “It was a devil horns emoji, a microphone<br />

emoji and a little flame emoji. So hopefully that means we get to<br />

tour with them someday.”<br />

“Naturally, we have an eternal tour question that we ask bands<br />

we’re on the road with: would you let Rob Halford suck your dick<br />

if he offered?” adds Parkomenko. “Whoever says no is probably<br />

a homophobic dickbag. Because if I can get it up, the answer is<br />

always YES.”<br />

Black Wizard’s album release show is on <strong>February</strong> 16 at the Rickshaw<br />

Theatre with Mean Jeans, WAINGRO and Killer Deal.<br />

Livin’ Oblivion is Black Wizard’s fourth magical offering.<br />

<strong>February</strong> <strong>2018</strong> 21

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