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An Outline of the Metres in the Pāḷi Canon

A concise but thorough explanation of the metres that are found in the Pāli canon, along with examples and glossary.

A concise but thorough explanation of the metres that are found in the Pāli canon, along with examples and glossary.

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<strong>An</strong> <strong>Outl<strong>in</strong>e</strong> <strong>of</strong> <strong>the</strong> <strong>Metres</strong> <strong>in</strong> <strong>the</strong> <strong>Pāḷi</strong> <strong>Canon</strong> - 11<br />

Etaṁ Buddhāna’ sāsanaṁ (= Etaṁ Buddhānaṁ sāsanaṁ).<br />

1.12 Verses that do not scan correctly<br />

It may come as a surprise that when so many changes are considered<br />

to be permissible, quite <strong>of</strong>ten <strong>the</strong> expected change does not <strong>in</strong> fact<br />

take place, even <strong>in</strong> cases where it appears to be easy to do so, and <strong>the</strong><br />

metre is simply left "wrong" accord<strong>in</strong>g to <strong>the</strong> norms that o<strong>the</strong>rwise<br />

prevail.<br />

1.13 The quotation marker and <strong>the</strong> recitor’s remarks<br />

It should be noted here that <strong>the</strong> quotation marker "ti", when it occurs<br />

at <strong>the</strong> end <strong>of</strong> a verse is normally considered as outside <strong>the</strong> metre<br />

(cases where it may need to be counted as <strong>in</strong>side <strong>the</strong> metre metri<br />

causa <strong>in</strong> order to make a l<strong>in</strong>e scan rema<strong>in</strong> doubtful). Note however<br />

that ti sometimes occurs as an <strong>in</strong>tegral part <strong>of</strong> a verse, and <strong>the</strong><br />

syllables are <strong>the</strong>n counted as normal.<br />

A similar phenomenon is <strong>the</strong> case <strong>of</strong> <strong>the</strong> so-called "recitor’s remarks"<br />

(e.g. "iti Dhaniyo Gopo", Sn 1:2 vs 1 (vs 18), and see GD II, pg 137<br />

for references), which are also outside <strong>the</strong> metre, and are presumed<br />

to have been added <strong>in</strong> by <strong>the</strong> recitor <strong>in</strong> order to clarify <strong>the</strong> context.<br />

1.14 Syllabic equivalence<br />

In canonical <strong>Pāḷi</strong> metrics it is clear that an equivalence was felt <strong>in</strong><br />

<strong>the</strong> relationship between light and heavy syllables, so that to all<br />

<strong>in</strong>tents and purposes 2 light syllables = 1 heavy (i.e. ⏑⏑ = − ). This<br />

has given rise to two complimentary phenomena which may be seen<br />

<strong>in</strong> composition:

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