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An Outline of the Metres in the Pāḷi Canon

A concise but thorough explanation of the metres that are found in the Pāli canon, along with examples and glossary.

A concise but thorough explanation of the metres that are found in the Pāli canon, along with examples and glossary.

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<strong>An</strong> <strong>Outl<strong>in</strong>e</strong> <strong>of</strong> <strong>the</strong> <strong>Metres</strong> <strong>in</strong> <strong>the</strong> <strong>Pāḷi</strong> <strong>Canon</strong> - 12<br />

1) <strong>the</strong> resolution <strong>of</strong> one heavy (or presumed heavy) syllable <strong>in</strong>to<br />

two light syllables: − > ⏑⏑<br />

2) <strong>the</strong> replacement <strong>of</strong> two light (or presumed light) syllables by<br />

one heavy one: ⏑⏑ > −<br />

1.15 Resolution<br />

The resolution <strong>of</strong> a heavy (or presumed heavy), syllable <strong>in</strong>to two<br />

light syllables is a common feature <strong>of</strong> verse composition. The first<br />

syllable <strong>of</strong> any l<strong>in</strong>e is particularly susceptible to this treatment, but<br />

resolution is found mid-l<strong>in</strong>e also.<br />

It appears however that resolution is only allowed <strong>in</strong> regard to <strong>the</strong><br />

first two syllables <strong>of</strong> a word (<strong>in</strong>clud<strong>in</strong>g words that appear as <strong>the</strong><br />

second half <strong>of</strong> a compound, or after a prefix). The only exception to<br />

this seems to exist <strong>in</strong> regard to <strong>the</strong> negative particle "na", which<br />

sometimes forms <strong>the</strong> first half <strong>of</strong> a resolved syllable, perhaps because<br />

<strong>of</strong> <strong>the</strong> close syntactical relationship it has to <strong>the</strong> word it modifies.<br />

This "rule <strong>of</strong> resolution", as we may call it, can help <strong>in</strong> identify<strong>in</strong>g<br />

<strong>the</strong> underly<strong>in</strong>g structure <strong>in</strong> l<strong>in</strong>es <strong>of</strong> verse that are hypermetric (i.e.<br />

l<strong>in</strong>es <strong>in</strong> which <strong>the</strong>re are syllables additional to <strong>the</strong> normal metre),<br />

and we can <strong>the</strong>reby correctly identify <strong>the</strong> variation <strong>in</strong> a Siloka prior<br />

l<strong>in</strong>e, or <strong>the</strong> gaṇa structure <strong>in</strong> <strong>the</strong> bar metres (this will be illustrated<br />

later <strong>in</strong> <strong>the</strong> book, see 2.4 & 2.15). It may be noted here that <strong>the</strong><br />

author <strong>of</strong> Buddhavaṁsa seems to have been a master <strong>of</strong> <strong>the</strong> art <strong>of</strong><br />

resolution, as that text abounds <strong>in</strong> this particular feature.<br />

1st example from Buddhavaṁsa Sumedhakathā vs 46 (A Siloka verse<br />

- normally 8 syllables long - show<strong>in</strong>g resolution <strong>of</strong> <strong>the</strong> 4th syllable <strong>in</strong><br />

l<strong>in</strong>e c, resolution <strong>of</strong> <strong>the</strong> 6th <strong>in</strong> l<strong>in</strong>e e, and resolution <strong>of</strong> <strong>the</strong> 1st <strong>in</strong> l<strong>in</strong>e<br />

f):

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