An Outline of the Metres in the Pāḷi Canon
A concise but thorough explanation of the metres that are found in the Pāli canon, along with examples and glossary.
A concise but thorough explanation of the metres that are found in the Pāli canon, along with examples and glossary.
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
<strong>An</strong> <strong>Outl<strong>in</strong>e</strong> <strong>of</strong> <strong>the</strong> <strong>Metres</strong> <strong>in</strong> <strong>the</strong> <strong>Pāḷi</strong> <strong>Canon</strong> - 47<br />
Four: Index and Glossary<br />
(Roman order <strong>of</strong> letters)<br />
Addhasamavutta (ardhasamavṛtta)<br />
a metre hav<strong>in</strong>g two dissimilar l<strong>in</strong>es repeated to make up a verse e.g.<br />
Siloka, Vetālīya, see also 2.20ff<br />
akkharacchandas (akṣaracchandas), see vaṇṇacchandas<br />
anacrusis<br />
one or two extra syllables at <strong>the</strong> beg<strong>in</strong>n<strong>in</strong>g <strong>of</strong> a l<strong>in</strong>e, before <strong>the</strong> metre<br />
proper beg<strong>in</strong>s.<br />
anceps ⏓<br />
<strong>in</strong>dicates that <strong>the</strong> syllable may be heavy or light <strong>in</strong> <strong>the</strong> stated<br />
position. In <strong>the</strong> <strong>Pāḷi</strong> canonical period <strong>the</strong> last syllable <strong>in</strong> a l<strong>in</strong>e is<br />
nearly always considered to be heavy, and sometimes <strong>the</strong> first<br />
syllable too, see pādādigaru & pādantagaru.<br />
<strong>An</strong>uṭṭhubha (<strong>An</strong>uṣṭubh), see 2.3ff<br />
1) this is a Vedic metre orig<strong>in</strong>ally hav<strong>in</strong>g a samavutta structure<br />
⏓−⏓−¦⏑−⏑× (x 4). Over time variations from this basic<br />
pattern started to emerge, which eventually gave rise to a new<br />
metre hav<strong>in</strong>g two dissimilar l<strong>in</strong>es, <strong>the</strong> Siloka. As this was a<br />
gradual evolution at which po<strong>in</strong>t we should declare <strong>the</strong> metre to<br />
have gone over from <strong>An</strong>uṭṭhubha to Siloka is a moot po<strong>in</strong>t. But<br />
<strong>the</strong> general position is that <strong>in</strong> <strong>the</strong> <strong>Pāḷi</strong> canonical period we f<strong>in</strong>d<br />
that we are deal<strong>in</strong>g with <strong>the</strong> new metre, which has an<br />
Addhasamavutta structure (see <strong>the</strong> Appendix for more details).<br />
2) The name is also used when describ<strong>in</strong>g a variation that occurs<br />
<strong>in</strong> <strong>the</strong> odd l<strong>in</strong>es <strong>of</strong> Siloka metre, which shows <strong>the</strong> same structure<br />
as <strong>the</strong> l<strong>in</strong>e illustrated above, and which is <strong>the</strong>refore <strong>the</strong> same as<br />
<strong>the</strong> Siloka even l<strong>in</strong>e.<br />
3) Also used as a generic name applied to any metre hav<strong>in</strong>g 8<br />
syllables to <strong>the</strong> l<strong>in</strong>e.