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OUP Women Composers Choral Catalogue

This catalogue draws together a complete list of choral titles by women composers published by Oxford University Press. The works encompass a wide variety of styles, subjects and voicings. You will find works by living composers including Sarah Quartel, Cecilia McDowall, Libby Larsen, Becky McGlade, Elaine Hagenberg and more, as well as historical composers including Rebecca Clarke, Grace Williams and Phyllis Tate.

This catalogue draws together a complete list of choral titles by women composers published by Oxford University Press. The works encompass a wide variety of styles, subjects and voicings. You will find works by living composers including Sarah Quartel, Cecilia McDowall, Libby Larsen, Becky McGlade, Elaine Hagenberg and more, as well as historical composers including Rebecca Clarke, Grace Williams and Phyllis Tate.

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<strong>Choral</strong> Octavo Secular <strong>Choral</strong> Octavo Sacred <strong>Choral</strong> Octavo Christmas<br />

<strong>Choral</strong> Works Secular <strong>Choral</strong> Works Sacred <strong>Choral</strong> Works Christmas<br />

Kerry Andrew<br />

- Kerry Andrew -<br />

b. 1978<br />

Kerry Andrew is a composer, performer and author<br />

and the winner of four British Composer Awards.<br />

With a PhD in composition from the University of<br />

York, Kerry specialises in experimental vocal and<br />

choral music, music-theatre and community music,<br />

and as a performer, sings with the award-winning<br />

Juice Vocal Ensemble and with her alt-folk band You<br />

Are Wolf.<br />

The Contest of the Ivy and the<br />

Holly<br />

SATB unaccompanied<br />

Digital † 9780193544734<br />

Originally published in The Ivy and the Holly, Andrew’s<br />

polymetric setting of this traditional text is evocative<br />

and energetic, with sustained vocalizations and creative<br />

melodies that bounce around the voices.<br />

4 minutes<br />

The earth hath voice<br />

SATB (with soprano semi-chorus), piano, &<br />

optional percussion (bass drum, tam-tam/gong, &<br />

3 tom-toms)<br />

Vocal score 9780193379633<br />

This is a colourful and dramatic celebration of nature<br />

and its powerful and hypnotizing sounds. The listener is<br />

taken on a captivating journey through the natural world,<br />

via ‘tongues of thunders’, the ‘singing sea’, and ‘trumpetthroated<br />

winds’. Clustered harmonies, cross-rhythms,<br />

and vocal effects are combined with bell-like passages<br />

and rippling figurations in the piano, and the optional<br />

percussion part adds further rhythmic and dynamic<br />

interest. The semi-chorus part can be sung by one or more<br />

sopranos or a children’s choir.<br />

5 minutes<br />

- Carol Barnett -<br />

Angelus ad virginem<br />

SATB unaccompanied and opt. tambourine<br />

Vocal score 9780193393073<br />

This is a spirited arrangement of the popular fourteenthcentury<br />

carol for mixed voices, with an optional part for<br />

tambourine in the final verse. The familiar melody weaves<br />

between the vocal parts, and the piece is characterized<br />

by medieval harmonies and a rocking thirds motif. An<br />

English singing translation is presented alongside the<br />

original Latin, allowing choirs to perform the carol in either<br />

language.<br />

3 minutes<br />

- Barbara Bell -<br />

La Berceuse (French Lullaby)<br />

arr. Rutter<br />

SATB and piano or chamber orchestra<br />

Vocal score 9780193413870<br />

- Rebecca Clarke -<br />

1886 - 1979<br />

Rebecca Clarke was a self-styled ‘viola player and<br />

composer’. She studied composition with Sir Charles<br />

Stanford and her compositional output contains<br />

over 100 works (including juvenilia). Although<br />

most of her compositions are for the chamber<br />

instruments she had professional experience with,<br />

her mature songs are perhaps her finest body of<br />

work and they are widely performed and recorded.<br />

Barnett - Clarke<br />

Adam and the Mother<br />

SSATB (optional Soprano solo) unaccompanied<br />

Vocal score 9780193365674<br />

Combining a number of early lullaby texts in one setting,<br />

Adam and the Mother is a haunting carol recalling the fall<br />

of Adam. It combines irregular melodic lines with lilting<br />

ostinato passages and will appeal to experienced choirs<br />

looking for a unique addition to the Christmas repertory.<br />

4 minutes<br />

Charm<br />

SSAA unaccompanied<br />

Vocal score 9780193527560<br />

Digital 9780193544741<br />

Setting the modernized words of an Anglo-Saxon metrical<br />

charm, this thrilling piece is unusual, dramatic, and<br />

beguiling. Featuring a whispered list of potion ingredients<br />

for the intro and outro, it also includes whistling, modal<br />

touches, and some very funky riffs—to be performed with<br />

freedom, energy, and imagination!<br />

2.5 minutes<br />

Hevene Quene<br />

SATB unaccompanied<br />

Vocal score 9780193355606<br />

Digital 9780193550506<br />

The composer has combined a single line of Latin, ‘O virgo<br />

splendens’, with an earthy, late 13th-century Marian text<br />

in Middle English to create a work which reflects both<br />

the divine and the human qualities of the Virgin Mary.<br />

Beginning and ending with plainchant-style passages,<br />

Hevene Quene is by turns restrained, sparkling, pensive, and<br />

pleading. Suitable for the Feast of the Blessed Virgin Mary<br />

and for concert use, this is an approachable and rewarding<br />

anthem.<br />

5 minutes<br />

O lux beata Trinitas<br />

SATB unaccompanied<br />

Vocal score 9780193359055<br />

This luminescent setting of ‘O lux beata Trinitas’ (ascribed to<br />

St Ambrose) uses a variety of textures and vocal techniques<br />

to reflect the joy expressed in the text - from simple<br />

homophony to improvisatory techniques and free metre.<br />

Digital 9780193536357<br />

Hire conductor’s score and parts 9780193512047<br />

This charming carol, composed in 1975 by Barbara Bell,<br />

was discovered by John Rutter, who enlisted the help of<br />

John Suchet and Classic FM to track down the composer.<br />

Haunting in character, but with a delightful French waltz<br />

feel and a sweeping piano part, La Berceuse has been<br />

recorded by Voces8 on the Decca label.<br />

4 minutes<br />

- Valerie Capers -<br />

It Came upon the Midnight<br />

Clear<br />

Tenor Solo and SATB unaccompanied<br />

Vocal score 9780193864573<br />

Available from Banks Music Publishing<br />

Ave Maria<br />

SSA unaccompanied<br />

Vocal Score 9780193860803<br />

Digital 9780193560116<br />

This exquisite setting for SSA unaccompanied voices of a<br />

well-known Marian motet (in Latin) was the first of Rebecca<br />

Clarke’s choral works ever to be published.<br />

2 minutes<br />

Chorus from Shelley's 'Hellas'<br />

SSSAA unaccompanied<br />

Vocal Score 9780193861909<br />

Digital 9780193560109<br />

Although quite short, this is one of Clarke's boldest and,<br />

in some respects, most ambitious compositions. It sets<br />

Shelley's magnificent ode to the Evening Star.<br />

5.5 minutes<br />

5 minutes<br />

6<br />

7

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