SFL_2018_A5_PROGRAMME
Flipbook version of the 2018 printed programme sci-fi-london.com
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18<br />
1 – 7 MAY <strong>2018</strong> SCI-FI-LONDON.COM
WELCOME TO<br />
SCI-FI-LONDON <strong>2018</strong><br />
The festival comes of age this<br />
year, our 18th edition no less.<br />
I am delighted to once again<br />
bring a selection of fantastic<br />
films to the UK. Each year we<br />
are amazed by the quality and<br />
breadth of international science<br />
fiction film, the ideas keep rolling<br />
in.<br />
This festival we wanted to<br />
celebrate the fact that 200<br />
years ago, Mary Wollstonecraft<br />
Shelley’s Frankenstein, or<br />
the Modern Prometheus was<br />
published. For me, it is really the<br />
first ‘proper’ science fiction novel<br />
and it is amazing that we are still<br />
enchanted by its characters and<br />
moral questions. Our opening<br />
night film, CHIMERA, is by no<br />
means a version of Shelley’s<br />
work but, it does ask one of the<br />
questions she posited: do you<br />
want to live forever? We bring<br />
again to the big screen a film<br />
we first showed over 12 years<br />
ago, SUBJECT TWO. It finds<br />
the subject and the scientist<br />
in the wilderness dealing with<br />
rejuvenation and longevity, again<br />
– who wants to live forever!?<br />
Virtual reality seems to be a<br />
very currrent topic right now<br />
and, of course, we have films<br />
that question the morality of<br />
being able to do what you want<br />
in a VR world. As a counter to<br />
Spielberg’s recent blockbuster,<br />
Ready Player One, we have the<br />
UK premiere of a brutal Russian<br />
film called CENSOR – it puts<br />
characters in a VR world and<br />
asks them to perform the most<br />
amoral things they can think of,<br />
so the programmers can code<br />
them out, after all it’s just pixels...<br />
and no one really got murdered<br />
did they?<br />
Thanks for coming to our 18th,<br />
see you at the bar.<br />
Louis<br />
Louis Savy<br />
Founder and<br />
Festival Director<br />
“OF WHAT A STRANGE NATURE IS KNOWLEDGE! IT CLINGS<br />
TO A MIND WHEN IT HAS ONCE SEIZED ON IT LIKE A LICHEN<br />
ON A ROCK.”<br />
MARY WOLLSTONECRAFT SHELLEY
OPENING<br />
NIGHT FILM<br />
CHIMERA<br />
TUE 1 MAY<br />
8.00PM<br />
STRATFORD<br />
PICTUREHOUSE<br />
Dir: Maurice Haaems<br />
Year: <strong>2018</strong><br />
Language: English<br />
Runtime: 80<br />
Country: USA<br />
Our opening night film stars Henry<br />
Ian Cusick (Lost, The 100).<br />
A brilliant but disturbed scientist’s<br />
children are in cryogenic suspension,<br />
while he races to cure their deadly<br />
disease by decoding the DNA of the<br />
immortal Turritopsis jellyfish. To<br />
progress he needs lots of stem cells.<br />
A manipulative millionaire can help<br />
but she has her own agenda,<br />
Inspired by the director’s real life as<br />
his loved ones struggled with genetic<br />
disease, Chimera asks the existential<br />
question “do you want to live forever? “<br />
Screens with the UK premiere of<br />
Nguyen-Anh Nguyen’s short film<br />
HYPERLIGHT.<br />
Our gala evening also has a prescreening<br />
introduction by Dr<br />
Charlotte Mykura (microbiologist<br />
and geneticist) who will try to<br />
separate the science from the<br />
fiction, and highlight the themes,<br />
the exaggerations, and the<br />
sometimes stranger-than-fiction<br />
realities of nature.”<br />
In association with<br />
UK<br />
PREMIERE<br />
DIRECTOR<br />
Q&A<br />
2<br />
THE LONDON INTERNATIONAL FESTIVAL OF SCIENCE FICTION AND FANTASTIC FILM 1 — 7 MAY <strong>2018</strong>
DIVISION 19<br />
CLOSING<br />
NIGHT FILM<br />
Reality television has done it all<br />
hasn’t it? Our news is impartial,<br />
right? Goverment works for us?<br />
In 2039 rather than selecting people<br />
for ‘reality freak shows’ we now use<br />
prisons as the latest opiate for the<br />
masses. Viewers get to choose what<br />
the prisoners eat, what they wear,<br />
the entertainment they can access –<br />
even who they must fight.<br />
So successful has this been that<br />
the TV company now wants to<br />
extend beyond the prison walls and<br />
broadcast the surrounding town’s<br />
population. Who will stop them?<br />
If the Truman Show could be any<br />
darker, then DIVISION 19 takes the<br />
extra step and questions who we<br />
are and why, for centuries, we have<br />
loved watching the misfortune and<br />
gladiatorial behaviour of others.<br />
Written and directed by Suzie<br />
Halewood and a smash hit at Boston<br />
SciFi Film Festival we are delighted<br />
to have the London Premiere of this<br />
cautionary tale.<br />
SUN 6 MAY<br />
7.30PM<br />
STRATFORD<br />
PICTUREHOUSE<br />
Dir:S.A. Halewood<br />
Year: 2017<br />
Language: English<br />
Runtime: 93<br />
Country: UK<br />
LONDON<br />
PREMIERE<br />
DIRECTOR<br />
Q&A<br />
THE LONDON INTERNATIONAL FESTIVAL OF SCIENCE FICTION AND FANTASTIC FILM 1 — 7 MAY <strong>2018</strong> 3
KATRINA’S DREAM<br />
FRI 4 MAY<br />
9.00PM<br />
STRATFORD<br />
PICTUREHOUSE<br />
Dir: Mirko<br />
Bischofberger, Dario<br />
Bichofberger<br />
Year: <strong>2018</strong><br />
Language: French/<br />
German/Italian.<br />
English Subtitles<br />
Runtime: 84<br />
Country: Switzerland<br />
Katrina wants a child but her<br />
boyfriend Louis doesn’t.<br />
He is a an older man, a hedonist and<br />
doesn’t want to spoil the life he has.<br />
They split up and Katrina must look<br />
elsewhere, eventually pairing up<br />
with Louis’ friend Ron, who becomes<br />
the man of her life and they talk of<br />
raising a family, with Louis’ blessing.<br />
One night, in a drunken state, Ron<br />
and Louis leave a 50th birthday party<br />
and the two friends are involved in<br />
a car accident. Ron suffers severe<br />
injuries to his head, Louis his body.<br />
A nearby sanatorium helps recover<br />
the bodies and a new technique<br />
offers Katrina some hope; they can<br />
perform a head transplant; Louis’<br />
head on Ron’s body. But what if both<br />
men survive, merge into one person?<br />
What will Katrina make of this new<br />
situation?<br />
A gentle and beautifully shot black<br />
comedy, Mary Shelley would have<br />
loved this!<br />
We are delighted to hold the world<br />
premiere of the film.<br />
WORLD<br />
PREMIERE<br />
DIRECTOR<br />
Q&A<br />
4<br />
THE LONDON INTERNATIONAL FESTIVAL OF SCIENCE FICTION AND FANTASTIC FILM 1 — 7 MAY <strong>2018</strong>
THE OUTER WILD<br />
The apocalypse came and went, the<br />
survivors are few and far between.<br />
Where some have banded together<br />
they still battle for power and use<br />
slavery to ‘better’ their lot. In one<br />
group, that forces young women to<br />
be breeders, Laura decides to escape<br />
her high-tech prison, but a bounty<br />
hunter, Cole, is sent after her.<br />
When she meets Cole, things change<br />
for them both and they must now<br />
face new threats together. They head<br />
across the wilderness to find a fabled<br />
sanctuary that can either save or<br />
destroy what’s left of humanity.<br />
Action packed, witty and surreal<br />
at times, this is the second feature<br />
by Philip, who had the brilliant<br />
Frankensteinesque SUBJECT TWO<br />
in the festival many years ago, which<br />
we screen as part of our Frankenstein<br />
Alldayer.<br />
This is the world premiere of THE<br />
OUTER WILD and Philip will join us<br />
to present the film.<br />
Love Mad Max, The 100, The<br />
Handmaid’s Tale? This is a fresh,<br />
succinct mash-up of all your<br />
favourite PA films.<br />
SAT 5 MAY<br />
4.50PM<br />
STRATFORD<br />
PICTUREHOUSE<br />
Dir: Philip Chidel<br />
Year: <strong>2018</strong><br />
Language: English<br />
Runtime: 84<br />
Country: USA<br />
WORLD<br />
PREMIERE<br />
DIRECTOR<br />
Q&A<br />
THE LONDON INTERNATIONAL FESTIVAL OF SCIENCE FICTION AND FANTASTIC FILM 1 — 7 MAY <strong>2018</strong> 5
CENSOR<br />
SAT 5 MAY<br />
9.00PM<br />
STRATFORD<br />
PICTUREHOUSE<br />
Dir: Konstantin<br />
Shelepov<br />
Year: 2017<br />
Language: Russian/<br />
English subtitles<br />
Runtime: 133<br />
Country: Russia<br />
UK<br />
PREMIERE<br />
Virtual reality, so real it’s<br />
indistinguishable from real life.<br />
Zombies, Nazis, Knights in armour -<br />
the game has it all.<br />
After some real-world violent crimes<br />
are linked to gamers, the Ministry<br />
of Internal Affairs creates a new<br />
department, “C”, whose agents are<br />
censors. They must play the games<br />
and try to exceed the permitted level<br />
of violence. But two of them become<br />
rivals and the lines between the real<br />
and game worlds blur.<br />
This dark cyberpunk story is as much<br />
about the fear that computers will<br />
do our thinking for us as the dangers<br />
posed by the people who develop<br />
and control them.<br />
Censor’s director says, “As we<br />
develop this tech, should censorship<br />
become more important? Sci-fi is not<br />
about tomorrow. It is about today”<br />
Censor makes Hardcore Henry<br />
look like a Disney film and slams its<br />
message down your throat!<br />
You Ready Player One?<br />
6<br />
THE LONDON INTERNATIONAL FESTIVAL OF SCIENCE FICTION AND FANTASTIC FILM 1 — 7 MAY <strong>2018</strong>
CYGNUS<br />
Fabián, is an astronomer on a<br />
quest to discover the nature of an<br />
unknown object near the Cygnus<br />
constellation 30,000 light years from<br />
Earth. One night, a strange signal<br />
gives him hope that he might be close<br />
to solving the mystery of Cygnus.<br />
His colleagues say he is wasting<br />
his time, but he thinks the signal<br />
is targeted at Earth rather than a<br />
random discovery.<br />
His superior’s attitude changes and<br />
Fabián becomes fearful that they will<br />
steal his discovery.<br />
He becomes more paranoid and<br />
strange things begin to take place in<br />
the observatory.<br />
Did he really find something or was<br />
the signal waiting to be found?<br />
Amazing landscapes and great<br />
performances make this a solid sci-fi<br />
tale.<br />
WED 2 MAY<br />
9.00PM<br />
STRATFORD<br />
PICTUREHOUSE<br />
Dir: Hugo Félix<br />
Mercado<br />
Year: 2017<br />
Language: Spanish/<br />
English subtitles<br />
Runtime: 87<br />
Country: Mexico<br />
UK<br />
PREMIERE<br />
THE LONDON INTERNATIONAL FESTIVAL OF SCIENCE FICTION AND FANTASTIC FILM 1 — 7 MAY <strong>2018</strong> 7
BLOGGERS<br />
FRI 4 MAY<br />
11.00PM<br />
STRATFORD<br />
PICTUREHOUSE<br />
Dir: Angel M. Chivite,<br />
Alberto Estévezr<br />
Year: 2017<br />
Language: Spanish/<br />
English subtitles<br />
Runtime: 73<br />
Country: Spain<br />
The year is 2078 and the Earth’s<br />
energy sources are exhausted.<br />
Nuclear and renewables can’t cope<br />
with demand.<br />
Meanwhile, a new power source,<br />
‘Coltan’ has been discovered on<br />
Mercury and mining has started, run<br />
by a multinational conglomerate.<br />
Helena is the Captain of a ship<br />
returning from the mines, it should<br />
be routine but things on-board are<br />
not what they seem.<br />
This Spanish film swims in the<br />
memories of many a great ‘space’<br />
movie. At times gory and chilling,<br />
the modesty of the budget is<br />
impossible to detect, and the set<br />
design is really cool.<br />
We love a good space slasher and<br />
this is a very solid example.<br />
UK<br />
PREMIERE<br />
8<br />
THE LONDON INTERNATIONAL FESTIVAL OF SCIENCE FICTION AND FANTASTIC FILM 1 — 7 MAY <strong>2018</strong>
PRECOGNITION<br />
Ripe technologies are a pseudogovernmental<br />
organisation which<br />
appear to be trying to create a safer<br />
and fairer world with new implant<br />
technology. Negative thought and<br />
memories have been removed,<br />
people are given careers and<br />
relationships they ‘deserve’ based<br />
on an in-app Karma rating system.<br />
This world in which every citizen<br />
lives connected to Ripe’s system<br />
seems almost perfect, at least on the<br />
surface. But the digital utopia is not<br />
without its ghosts. Soon the reality<br />
with which the characters surround<br />
themselves starts to unravel, as the<br />
true nature of the world surfaces.<br />
Samantha, who secretly works for<br />
Ripe and manipulates memories,<br />
discovers her husband James<br />
beginning to experience visions of a<br />
woman he doesn’t recognise.<br />
Unable to correct James’ visions,<br />
Samantha puts her life on the line.<br />
Solid scifi story that shows what<br />
low-budgets can achieve.<br />
SUN 6 MAY<br />
2.50PM<br />
STRATFORD<br />
PICTUREHOUSE<br />
Dir: Luke Tedder<br />
Year: <strong>2018</strong><br />
Language: English<br />
Runtime: 107<br />
Country: UK<br />
UK<br />
PREMIERE<br />
DIRECTOR<br />
Q&A<br />
THE LONDON INTERNATIONAL FESTIVAL OF SCIENCE FICTION AND FANTASTIC FILM 1 — 7 MAY <strong>2018</strong> 9
DEFECTIVE<br />
TUE 1 MAY<br />
5.00PM<br />
STRATFORD<br />
PICTUREHOUSE<br />
Dir: Reese<br />
Eveneshen<br />
Year: 2017<br />
Language: English<br />
Runtime: 101<br />
Country: Canada<br />
UK<br />
PREMIERE<br />
A new corporation, the S.E.A. have<br />
been set up to trial a new type of<br />
police in North America. Uniformed,<br />
anonymous Preservers of Peace<br />
investigate, judge, and sentence<br />
people for even the smallest of<br />
crimes.<br />
Rhett, a disillusioned, middle-aged<br />
man, witnesses first-hand this<br />
newest law-enforcement mandate,<br />
which decrees citizens as “defective.”<br />
The punishment? Instant public<br />
execution at the hands of ruthless<br />
enforcers. Rhett, has a run-in with<br />
the Preservers and has to flee across<br />
state borders to escape them.<br />
But, after a surprise visit from<br />
Jean, his estranged sister, Rhett<br />
reluctantly now has his sister in tow,<br />
with the state in close pursuit.<br />
Dredd?, Robocop? How long before<br />
we see this kind of ‘protection’ on<br />
our streets?<br />
DIRECTOR<br />
Q&A<br />
10<br />
THE LONDON INTERNATIONAL FESTIVAL OF SCIENCE FICTION AND FANTASTIC FILM 1 — 7 MAY <strong>2018</strong>
HIDDEN RESERVES<br />
The corporation sells ‘death<br />
insurance’. Those who don’t have<br />
it are forced to remain alive (in<br />
body only) as repositories of other<br />
people’s consciousnesses until any<br />
‘life debt’ they had is repaid.<br />
Vincent, a top insurance salesmen,<br />
firmly on the way up the corporate<br />
ladder, is secure in his work, sleeping<br />
with his boss, and able to afford an<br />
extravagent lifestyle, a life that many<br />
Wall Street brokers would envy.<br />
One day he meets Lisa, part of an<br />
activist group that wants an end to<br />
the storage facilites and the release<br />
of the human data machines.<br />
After Vincent fails to secure a rich<br />
client and is demoted, his one chance<br />
of regaining his former status is to<br />
infiltrate this resistance via Lisa.<br />
Of course, Vincent is drawn to her,<br />
and questions his own values and his<br />
drive for power.<br />
A very slick dystopian noir.<br />
THU 3 MAY<br />
7.15PM<br />
STRATFORD<br />
PICTUREHOUSE<br />
Dir: Valentin Hitz<br />
Year: 2016<br />
Language: German/<br />
Russian/English<br />
subtitles<br />
Runtime: 96<br />
Country: Austria<br />
UK<br />
PREMIERE<br />
THE LONDON INTERNATIONAL FESTIVAL OF SCIENCE FICTION AND FANTASTIC FILM 1 — 7 MAY <strong>2018</strong> 11
HOSTILE<br />
FRI 4 MAY<br />
5.15PM<br />
STRATFORD<br />
PICTUREHOUSE<br />
Dir: Mathieu Turi<br />
Year: 2017<br />
Language: English<br />
Runtime: 83<br />
Country: France<br />
A global disaster and epidemic has<br />
left a barren world with strange<br />
creatures that hunt at night.<br />
Juliette is one of the few survivors<br />
left and part of a small organised<br />
group. She spends her days looking<br />
for supplies in the dry wastelands,<br />
using a van that has seen better days.<br />
Her two-way battery powered radio<br />
keeps her in contact with home base.<br />
One day, as she travels back to base,<br />
an incident causes her to crash. She<br />
radios base but they can’t get to her<br />
for hours and darkness is closing in.<br />
As she tries to get through the night<br />
she remembers the life she had<br />
before.<br />
By turns both romantic and<br />
terrifying, HOSTILE is an emotional<br />
roller coaster. It’s perfect for<br />
cuddling up with a loved one.<br />
If you like scary movies, you’ll love half<br />
this film. If you like love stories, you’ll<br />
enjoy the other half... If you cherish a<br />
good story, then you’ll love the whole<br />
thing. AintItCoolNews<br />
UK<br />
PREMIERE<br />
12<br />
THE LONDON INTERNATIONAL FESTIVAL OF SCIENCE FICTION AND FANTASTIC FILM 1 — 7 MAY <strong>2018</strong>
NOTHING REALLY HAPPENS<br />
You’re having having a conversation<br />
with someone... and neither of you<br />
cares... know that feeling?<br />
Dave Stimple, an unfocused mattress<br />
store owner, is having issues<br />
connecting with everyone around<br />
him.<br />
He arrives at the shop one morning<br />
to find the local health and safety<br />
people have shut him down. Bugs,<br />
huge bed bugs and lots of complaints<br />
are cited as the reason.<br />
Dave is really confused and his<br />
relationships with his wife, friends,<br />
and his own humanity seem to<br />
be devolving and increasingly<br />
distracting anomalies begin to take<br />
over his reality. But his issues may<br />
not be as internal as they seem.<br />
This is a proper WTF movie that you<br />
will enjoy unravelling. Sometimes,<br />
modern life makes us all feel like<br />
mattress sellers at times.<br />
WED 2 MAY<br />
7.10PM<br />
STRATFORD<br />
PICTUREHOUSE<br />
Dir: Justin Petty<br />
Year: 2017<br />
Language: English<br />
Runtime: 101<br />
Country: USA<br />
UK<br />
PREMIERE<br />
THE LONDON INTERNATIONAL FESTIVAL OF SCIENCE FICTION AND FANTASTIC FILM 1 — 7 MAY <strong>2018</strong> 13
PEACHES<br />
SAT 5 MAY<br />
2.50PM<br />
STRATFORD<br />
PICTUREHOUSE<br />
Dir: Héctor M. Valdez<br />
Year: 2016<br />
Language: English<br />
Runtime: 80<br />
Country: Dominican<br />
Republic<br />
FESTIVAL<br />
PREMIERE<br />
If time is truly linear and we can’t<br />
go back, don’t we just have to<br />
remember the good times?<br />
Diego loves his girlfriend but after<br />
a disastrous anniversary trip, she<br />
declares she’s had enough of him and<br />
wants to split up.<br />
He tries to explain why he’s changed<br />
and reminds her of the ‘good times’<br />
they had. t’s not enough!<br />
Diego has a time machine and vows<br />
to amend or fix what has happened,<br />
even if it means competing with<br />
different versions of himself when<br />
travelling through time.<br />
This is a fun-filled play on time-travel<br />
paradoxes and has some fabulous<br />
future tech - we love the anti-grav<br />
Mini.<br />
Loosley inspired by an Australian<br />
movie called THE INFINITE MAN<br />
which we screened in association<br />
with the London Comedy Film<br />
Festival.<br />
14<br />
THE LONDON INTERNATIONAL FESTIVAL OF SCIENCE FICTION AND FANTASTIC FILM 1 — 7 MAY <strong>2018</strong>
THE GATEWAY<br />
Jane is a particle physicist working<br />
on the fringe, trying to create a<br />
teleportation device “you know, like<br />
in Star Trek” as she says. But the<br />
machine they’ve built opens a route<br />
to a parallel dimension.<br />
The excitement about this is cut<br />
short however, as Jane receives an<br />
odd call from her husband saying he<br />
loves her before hanging up. Later<br />
she discovers him dead.<br />
Like ANOTHER EARTH or RANDOM<br />
QUEST, The Gateway takes us<br />
through to another universe in<br />
search of Jane’s husband - perhaps<br />
he still lives there.<br />
In the parallel world she finds him<br />
again, bringing him across to our<br />
world, but no one guessed there<br />
would be dire consequences for her<br />
and her family.<br />
With a great cast and beautifully<br />
shot, The Gateway is the kind of<br />
grown-up sci-fi we love.<br />
SUN 6 MAY<br />
5.15PM<br />
STRATFORD<br />
PICTUREHOUSE<br />
Dir: John V. Soto<br />
Year: 2017<br />
Language: English<br />
Runtime: 90<br />
Country: Australia<br />
UK<br />
PREMIERE<br />
DIRECTOR<br />
Q&A<br />
THE LONDON INTERNATIONAL FESTIVAL OF SCIENCE FICTION AND FANTASTIC FILM 1 — 7 MAY <strong>2018</strong> 15
THE ASTRONAUTS’ BODIES<br />
SAT 5 MAY<br />
1.00PM<br />
STRATFORD<br />
PICTUREHOUSE<br />
Dir: Alisa Berger<br />
Year: 2017<br />
Language: German/<br />
English subtitles<br />
Runtime: 74<br />
Country: Germany<br />
They say twins can sometimes<br />
experience each other’s emotions<br />
and in a dysfunctional family this<br />
surely can’t be a good thing.<br />
Anton and Linda are 19 year old<br />
twins who decide to flee the nest.,<br />
leaving behind, Michael, their single<br />
alcoholic father and their younger<br />
sister. Michael stops taking care of<br />
himself in protest.<br />
Anton wants to go to space and joins<br />
a research project, while his sister<br />
Linda is in search first love is drawn<br />
to a young man who seems to have<br />
similar problems to her father.<br />
Enigmatic and serene, this film is a<br />
poetic story about the progression<br />
of thought, dreams of space and the<br />
organic beauty of the human body,<br />
its desires and longings. A stunning<br />
debut.<br />
UK<br />
PREMIERE<br />
16<br />
THE LONDON INTERNATIONAL FESTIVAL OF SCIENCE FICTION AND FANTASTIC FILM 1 — 7 MAY <strong>2018</strong>
VIOLENTIA<br />
Adam Anderson is a nano-tech<br />
engineer who has found a way to<br />
interact with our memories.<br />
Following his daughter’s death in<br />
a high school shootout, Anderson<br />
wants to use his tech to scan through<br />
the criminal’s memories in an<br />
obsessive quest to understand why<br />
he did it and find a cure for violence.<br />
Enlisted into a government program<br />
he’s given access to a psychopath’s<br />
memories as testing ground, leading<br />
him down a dark path where the<br />
lines between reality and memory<br />
begin to blur.<br />
A very smart and eerie film with<br />
some great ideas, Violentia takes us<br />
one step nearer to the potential of<br />
mind control and its consequences.<br />
We are delighted to hold the<br />
international premiere of the film<br />
and have the director with us for a<br />
Q&A.<br />
THU 3 MAY<br />
9.00PM<br />
STRATFORD<br />
PICTUREHOUSE<br />
Dir: Ray Raghavan<br />
Year: 2017<br />
Language: English<br />
Runtime: 83<br />
Country: USA<br />
UK<br />
PREMIERE<br />
THE LONDON INTERNATIONAL FESTIVAL OF SCIENCE FICTION AND FANTASTIC FILM 1 — 7 MAY <strong>2018</strong> 17
CLOSER THAN WE THINK<br />
FRI 4 MAY<br />
7.10PM<br />
STRATFORD<br />
PICTUREHOUSE<br />
Dir: Brett Ryan<br />
Bonowicz<br />
Year: 2017<br />
Language: English<br />
Runtime: 85<br />
Country: USA<br />
DIRECTOR<br />
Q&A<br />
Predicting the future is very<br />
difficult. We might be able to<br />
forecast how a trend will develop,<br />
but individual products? Much<br />
harder. This is why the work of<br />
Arthur Radebaugh is so amazing.<br />
Closer Than We Think is about the<br />
mid–20th-century comic strip and its<br />
creator, Arthur Radebaugh.<br />
The film provides important<br />
insight into what made the comic a<br />
foundation for other popular science<br />
fiction endeavors. More importantly,<br />
it shows how the strip directly<br />
encouraged nascent engineers and<br />
scientists to actualize the future<br />
described therein.<br />
The film also contains interviews<br />
with the legendary Syd Mead (TRON,<br />
BLADE RUNNER).<br />
A must-see for everyone, but<br />
certainly for those into futurism,<br />
tech, design, advertising or a<br />
nostalgic view of the future.<br />
UK<br />
PREMIERE<br />
documentary programme<br />
18<br />
THE LONDON INTERNATIONAL FESTIVAL OF SCIENCE FICTION AND FANTASTIC FILM 1 — 7 MAY <strong>2018</strong>
WORD FROM A GAMER<br />
Have you played Dungeons and<br />
Dragons, Catan, Magic The<br />
Gathering or any of the myriad<br />
other tabletop games? If the answer<br />
is yes you’ll love the warmth and<br />
testimony in this film. If you are<br />
new to these kind of games, you’ll<br />
probably rush out after and grab<br />
some dice and a few books!<br />
Word From a Gamer is a heart-felt<br />
love letter of a documentary, that<br />
explores the tabletop gaming world,<br />
the people who make the games, and<br />
the people who play them.<br />
Interviews with D&D creators, TSR,<br />
with the editors of Dragon magazine,<br />
and numerous conventions goers<br />
and players of all types, make this a<br />
documentary designed to get you<br />
lost in a game world!<br />
To help you along, our friends at<br />
EXP, the gaming bar, will be playing<br />
games in the foyer - don’t be shy,<br />
come play something!<br />
In association with<br />
SUN 6 MAY<br />
1.00PM<br />
STRATFORD<br />
PICTUREHOUSE<br />
Dir: Steve Wollett<br />
Year: 2017<br />
Language: English<br />
Runtime: 92<br />
Country: USA<br />
documentary programme<br />
UK<br />
PREMIERE<br />
THE LONDON INTERNATIONAL FESTIVAL OF SCIENCE FICTION AND FANTASTIC FILM 1 — 7 MAY <strong>2018</strong> 19
<strong>PROGRAMME</strong><br />
SCI-FI-LONDON <strong>2018</strong><br />
TITLE VENUE DATE TIME<br />
SHORTS 1 SPH TUE 1 MAY 1.00PM<br />
SHORTS 2 SPH TUE 1 MAY 3.00PM<br />
DEFECTIVE SPH TUE 1 MAY 5.00PM<br />
CHIMERA SPH TUE 1 MAY 8.00PM<br />
SHORTS 1 SPH WED 2 MAY 3.10PM<br />
SHORTS 2 SPH WED 2 MAY 5.00PM<br />
NOTHING REALLY HAPPENS SPH WED 2 MAY 7.10PM<br />
48HOUR CHALLENGE AWARDS SPH WED 2 MAY 8.45PM<br />
CYGNUS SPH WED 2 MAY 9.00PM<br />
SHORTS 3 SPH THU 3 MAY 1.00PM<br />
SHORTS 4 SPH THU 3 MAY 1.10PM<br />
SHORTS 5 SPH THU 3 MAY 3.00PM<br />
SHORTS 1 SPH THU 3 MAY 3.10PM<br />
SHORTS 2 SPH THU 3 MAY 5.10PM<br />
<strong>SFL</strong> PUB QUIZ & COMEDY NIGHT PITCH THU 3 MAY 7.00PM<br />
HIDDEN RESERVES SPH THU 3 MAY 7.15PM<br />
VIOLENTIA SPH THU 3 MAY 9.00PM<br />
#HACKSTOCK: L00PSPACE EVENT SPH FRI 4 MAY 1.00PM<br />
SHORTS 3 SPH FRI 4 MAY 1.00PM<br />
SHORT FILM AT PITCH PITCH FRI 4 MAY 2.00PM<br />
SHORTS 4 SPH FRI 4 MAY 3.00PM<br />
HOSTILE SPH FRI 4 MAY 5.15PM<br />
CLOSER THAN WE THINK SPH FRI 4 MAY 7.10PM<br />
KATRINA’S DREAM SPH FRI 4 MAY 9.00PM<br />
BLOGGERS SPH FRI 4 MAY 11.00PM<br />
SHORTS 5 SPH SAT 5 MAY 11.00AM<br />
THE ASTRONAUTS’ BODIES SPH SAT 5 MAY 1.00PM<br />
SHORT FILM AT PITCH PITCH SAT 5 MAY 2.00PM<br />
PEACHES SPH SAT 5 MAY 2.50PM<br />
SCI-FIDO COSPLAY FOR DOGS SPH SAT 5 MAY 3.00PM<br />
THE OUTER WILD SPH SAT 5 MAY 4.50PM<br />
20<br />
THE LONDON INTERNATIONAL FESTIVAL OF SCIENCE FICTION AND FANTASTIC FILM 1 — 7 MAY <strong>2018</strong>
THE MADS - LIVE RIFF SHOW SPH SAT 5 MAY 7.00PM<br />
CENSOR SPH SAT 5 MAY 9.00PM<br />
MST3K SCREENING SPH SAT 5 MAY 11.10PM<br />
WORD FROM A GAMER SPH SUN 6 MAY 1.00PM<br />
PRECOGNITION SPH SUN 6 MAY 2.50PM<br />
THE GATEWAY SPH SUN 6 MAY 5.15PM<br />
DIVISION 19 SPH SUN 6 MAY 7.30PM<br />
FRANKENSTEIN ALLDAYER SPH MON 7 MAY 1.00PM<br />
For those of you who want to stay out a bit later, festival visitors are welcome to use the bar at Moxy Stratford until 1.00am<br />
each night - it’s just across the road from the cinema!<br />
HOW TO GET TO STRATFORD:<br />
OUR VENUES:<br />
STRATFORD PICTUREHOUSE (SPH)<br />
Salway Rd, London E15 1BX<br />
0871 902 5740<br />
www.picturehouses.com<br />
@SEPicturehouse<br />
PITCH STRATFORD (P)<br />
2 Bridge Terrace, London E15 3FF<br />
www.pitchstratford.com<br />
@PitchStratford<br />
MOXY HOTEL: STRATFORD<br />
86 Great Eastern Road E15 1GR<br />
020-3608 9864<br />
#ATTHEMOXY<br />
Ticket prices vary – see relevant pages for links or online at sci-fi-london.com<br />
THE LONDON INTERNATIONAL FESTIVAL OF SCIENCE FICTION AND FANTASTIC FILM 1 — 7 MAY <strong>2018</strong> 21
M<br />
ODERN<br />
PROMETHEUS<br />
FRANKENSTEIN ALLDAYER<br />
200 years ago, the gothic science fiction<br />
novel, Frankenstein, or The Modern Prometheus,<br />
was written by Mary Wollstonecraft Shelley.<br />
There have been many portrayals of ‘the<br />
monster’ in film, the most recognisable being<br />
Karloff’s. Join us for a day that celebrates the<br />
author, the book and the monster.<br />
The line-up includes:<br />
• YOUNG FRANKENSTEIN<br />
• ABBOTT & COSTELLO MEET FRANKENSTEIN<br />
• SUBJECT TWO<br />
• BRIDE OF FRANKENSTEIN<br />
• THE ROCKY HORROR PICTURESHOW<br />
MON 7 MAY £15.00<br />
1.00 - 10.00PM<br />
TICKETS FROM:<br />
sfl.to/frank<br />
22<br />
KARLOFF’S FACE MASK?<br />
FRANK N. FURTER’S STOCKINGS?<br />
COME DRESSED UP<br />
PRIZES FOR THE BEST!!!<br />
THE LONDON INTERNATIONAL FESTIVAL OF SCIENCE FICTION AND FANTASTIC FILM 1 — 7 MAY <strong>2018</strong>
LIVE MOVIE RIFFING!<br />
Before Beavis & Butthead did it,<br />
talking over crappy video, or riffing<br />
as it is known, was pioneered by<br />
an American comedy show called<br />
Mystery Science Theater 3000<br />
(MST3K).<br />
The movies are bad, but the riffs<br />
are brilliant and will make you cry<br />
laughing!<br />
We are delighted that two of the<br />
original MST3K cast, Frank Conniff<br />
and Trace Beaulieu, are coming from<br />
the USA to ‘riff’ live over one of Ed<br />
Wood’s terrible films; GLEN OR<br />
GLENDA. Ed made the classic Plan<br />
9 from Outer Space before he made<br />
Glen.<br />
It is his statement on cross-dressing<br />
- it’s a corker with a message and<br />
features some surreal moments<br />
with horror legend Bela Lugosi.<br />
This is a one-off UK appearance<br />
by The Mads, and a night not to<br />
be missed.<br />
Tickets from:<br />
sfl.to/mads<br />
SAT 5 MAY<br />
7.00PM<br />
TICKETS FROM<br />
<strong>SFL</strong>.TO/MADS<br />
in association with<br />
THE LONDON INTERNATIONAL FESTIVAL OF SCIENCE FICTION AND FANTASTIC FILM 1 — 7 MAY <strong>2018</strong> 23
discovering<br />
creating<br />
evolving<br />
proud to support<br />
@fatcontman<br />
FatContManagementLtd<br />
@fatcontman<br />
www.fb.com/fatcontman
BLINK OF AN EYE<br />
SHORT FILM <strong>PROGRAMME</strong><br />
SCI-FI-LONDON loves short film! We think short film is perfect for science fiction, it<br />
gives filmmakers the chance to play with ideas and high concepts without having to<br />
add drama for the sake of filling ninety minutes. We’ve watched hundreds of films and<br />
selected our favourites! We hope you can make it one of our shorts programmes at<br />
Stratford Picturehouse - see them on the big screen!<br />
THE REPLACEMENT<br />
BEST SHORT FILM <strong>2018</strong><br />
THE REPLACEMENT (SHORTS 1)<br />
(Dir. Sean Miller. 17mins, 2017, United States.)<br />
Some days, don’t you think that in a parallel universe there must<br />
be a better version of you? Well, in this smart film, your clones<br />
can be better than you! On election night 2036, a janitor feels<br />
cheated out of a life he might have lived when his own clone<br />
becomes President. We loved this film.<br />
SHORT FILM TIMETABLE<br />
SHORTS 1<br />
SHORTS 2<br />
1 MAY 1.00PM 1 MAY 3.00PM<br />
2 MAY 3.10PM 2 MAY 5.00PM<br />
3 MAY 3.10PM 3 MAY 5.10PM<br />
SHORTS 3<br />
2 MAY 1.00PM<br />
3 MAY 1.00PM<br />
4 MAY 1.00PM<br />
SHORTS 4<br />
2 MAY 1.10PM<br />
3 MAY 1.10PM<br />
4 MAY 3.00PM<br />
SHORTS 5<br />
2 MAY 3.00PM<br />
3 MAY 3.00PM<br />
5 MAY 11.00AM<br />
We also have selected shorts from the selection playing all day<br />
Friday and Saturday on the outdoor screen at Pitch.<br />
LOOK OUT FOR HEADSETS AROUND THE FESTIVAL SHOWING OUR VR SHORTS<br />
THE TRAIN HAMASEN 7DS THE ARGOS FILE TOXIC AVENGER DREAMS OF BLUE<br />
THE TRAIN HAMASEN. Kuan Yuan LAI (8mins, 2017, Taiwan)<br />
People waiting for a train to start a journey through time and space.<br />
7DS. Axel Bonnot (4.5mins, 2017, France)<br />
Which deadly sin are you guilty of?<br />
THE ARGOS FILE. Josema Roig (3.5mins, 2017, USA)<br />
In 2029, 5.6 billion people have the Argos Mnemo Chip implanted.<br />
THE TOXIC AVENGER : HEART OF FARTNESS. Lloyd Kaufman (15mins, 2017, USA)<br />
Toxie has a major mid-life crisis and must travel to a mythical land.<br />
DREAMS OF BLUE. Valentina Paggiarin (12mins, 2017, Italy)<br />
What happens inside the “mind” of an Artificial Intelligence.<br />
THE LONDON INTERNATIONAL FESTIVAL OF SCIENCE FICTION AND FANTASTIC FILM 1 — 7 MAY <strong>2018</strong> 25
BLINK OF AN EYE<br />
SHORT FILM <strong>PROGRAMME</strong><br />
ATTACK OF THE CYBER OCTOPUSES<br />
SHORTS 1<br />
ATTACK OF THE CYBER OCTOPUSES<br />
(Dir. Nicola Piovesan. 20mins, 2017, Estonia.)<br />
Neo-Berlin, 2079. A dark city run by mega corporations - where the only way<br />
to enjoy life is in cyberspace. Ready player one?<br />
BRIDE OF FRANKIE<br />
M.A.M.O.N<br />
OUTPOST<br />
REFUGE<br />
ROGUE TROOPER<br />
THE BOOGEYS<br />
THE ENDLESS<br />
THE REPLACEMENT<br />
BRIDE OF FRANKIE<br />
(Dir. Devi Snively. 19mins, 2017, United States.)<br />
A feminist nod to Shelley’s FRANKENSTEIN, a not-so-mad scientist builds a<br />
mate for her mentor’s lonely creation with electrifying results.<br />
M.A.M.O.N. (MONITOR AGAINST MEXICANS OVER<br />
NATIONWIDE)<br />
(Dir. Alejandro Damiani. 6mins, 2016, Uruguay.)<br />
Mexico and the USA are divided by an enormous wall, war breaks out<br />
between a Trump-like mecha robot and the stereotyped Mexicans.<br />
OUTPOST<br />
(Dir. Justin Giddings, Ryan Welsh. 17mins, <strong>2018</strong>, United States.)<br />
In the furthest outpost in space the astronaut is forced to protect his<br />
humanity.<br />
REFUGE<br />
(Dir. Simon Bishopp. 4mins, 2017, United Kingdom.)<br />
A woman seeks retribution after being displaced by the arrival of refugees<br />
from a future civilisation.<br />
ROGUE TROOPER: THE QUARTZ MASSACRE<br />
(Dir. Adam Kirley. 7mins, <strong>2018</strong>, United Kingdom.)<br />
Based on the Rebellion Comic character, Rogue Trooper once again faces<br />
impossible odds in another alien war.<br />
THE BOOGEYS<br />
(Dir. Sanjay François Sharma. 15mins, 2017, Canada.)<br />
Earth is now a ghetto run by alien overlords. Dawkins, an ex-cop must track<br />
down a missing child about to be sold to the ‘Boogeys’.<br />
THE ENDLESS<br />
(Dir. Edouard Calemard. 4mins, 2017, France.)<br />
At the top of a tower high above the clouds, a technician is drawn towards a<br />
mysterious phenomenon in the sky.<br />
THE REPLACEMENT<br />
(Dir. Sean Miller. 17mins, 2017, United States.)<br />
On election night 2036, a janitor feels cheated out of a life he might have<br />
lived when his own clone becomes President.<br />
THE VERY NEAR FUTURE<br />
(Dir. Sebastian Egert. 4mins, 2017, Germany.)<br />
In the very near Future a man tries to order a pizza online.<br />
THE VERY NEAR FUTURE<br />
26<br />
THE LONDON INTERNATIONAL FESTIVAL OF SCIENCE FICTION AND FANTASTIC FILM 1 — 7 MAY <strong>2018</strong>
BLINK OF AN EYE<br />
SHORT FILM <strong>PROGRAMME</strong><br />
SHORTS 2<br />
CAPTURE<br />
(Dir. Alex Igbanoi. 10mins, 2017, United Kingdom.)<br />
A women steals the world’s most advanced breakthrough in technology. Her<br />
attempt to control it accidentally puts the lives of others at risk.<br />
CARONTE<br />
(Dir. Luis Tinoco Pineda. 15mins, 2017, Spain.)<br />
A space fighter pilot tries to survive a huge space battle while a girl lies in<br />
hospital in another time and place.<br />
CELL<br />
(Dir. Paul Holbrook. 10mins, 2017, United Kingdom.)<br />
At the height of WW2, a deserter awakens in a Nazi prison alongside a<br />
female prisoner. Unwitting test subjects in a cruel experiment.<br />
COSMIC DENTAL ASSOCIATES OF CLIFTON, NJ<br />
(Dir. J.P. Chan. 3mins, 2017, United States.)<br />
Cosmic Dental Associates of Clifton, NJ is the leading astro-dentistry<br />
practice in the tri-state area.<br />
DOCTOR OF MONSTER<br />
(Dir. Gustavo Teixeira. 11mins, 2017, Brazil.)<br />
Young Dudu has already chosen his future profession, he will face his fears to<br />
become a Doctor for Monsters.<br />
GHOSTCODE<br />
(Dir. Patrick Defasten/Audint. 9mins, 2017, Germany.)<br />
Advancements in sonic warfare lead to a net-born artificial intelligence.<br />
GLITCH<br />
(Dir. Richard Bodsworth. 10mins, 2017, United Kingdom.)<br />
A desperate wife must take extreme measures to save her husband while<br />
overcoming the challenge of a technology bent on thwarting her efforts.<br />
THE COSMONAUT<br />
(Dir. Nina Parker Noon. 5mins, 2017, United Kingdom.)<br />
A tale of stupidity winning over intelligence. Using an unsual 2-D cut out<br />
animation on real stop-motion sets.<br />
THE JUMP<br />
(Dir. Andy Sowerby. 9mins, 2017, United Kingdom.)<br />
An astronaut braves a pioneering solo mission into deep space, leaving<br />
behind her loving husband.<br />
THE SUPER RECOGNISER<br />
(Dir. Jennifer Sheridan. 11mins, 2017, United Kingdom.)<br />
Scott, a seemingly normal young man with a very special talent of 90% facial<br />
recognition, is recruited to work in a secret government initiative.<br />
THE WATER PHOENIX<br />
(Dir. Bola Ogun. 10mins, 2017, United States.)<br />
Mermaid Anya held captive in an aquarium falls out of love with her<br />
caretaker.<br />
CAPTURE<br />
THEY WILL ALL DIE IN SPACE<br />
CELL<br />
COSMIC DENTAL ASSOCIATES<br />
DOCTOR OF MONSTER<br />
GHOSTCODE<br />
GLITCH<br />
THE WATER PHOENIX<br />
THE COSMONAUT<br />
THE JUMP<br />
THE SUPER RECOGNISER<br />
THE LONDON INTERNATIONAL FESTIVAL OF SCIENCE FICTION AND FANTASTIC FILM 1 — 7 MAY <strong>2018</strong> 27
BLINK OF AN EYE<br />
SHORT FILM <strong>PROGRAMME</strong><br />
CHRONOCEPTION<br />
CORPUCIA<br />
E.RO.SION, NOUN<br />
GOOD LIFE<br />
I AM THE DOORWAY<br />
STRINGS<br />
THE LAST DANCE<br />
SHORTS 3<br />
CHRONOCEPTION<br />
(Dir. Nik Perleros. 12mins, 2017, United States.)<br />
If time travellers told you that your firstborn son would be the next Hitler,<br />
would you still have sex?<br />
CORPUCIA<br />
(Dir. Drew V. Marke. 13mins, <strong>2018</strong>, United Kingdom.)<br />
A couple is interrogated by agents who are looking for aliens. One knows<br />
nothing. One is lying. But which one?<br />
E.RO.SION, NOUN<br />
(Dir. Catriona Rubenis-Stevens. 15mins, <strong>2018</strong>, United States.)<br />
A woman checks into the “Goodbye Clinic” to have her life deleted.<br />
GOOD LIFE<br />
(Dir. Shoshana Rae Stark. 12mins, 2017, Austria.)<br />
A cautionary tale about water and big corporate interests.<br />
I AM THE DOORWAY<br />
(Dir. Simon Pearce. 20mins, <strong>2018</strong>, United Kingdom.)<br />
Based on the short story by Stephen King. Astronaut Arthur returns home<br />
and believes alien eyes are forcing their way through the skin of his hands.<br />
STRINGS<br />
(Dir. Ruini Shi. 5mins, 2017, United Kingdom.)<br />
A virtual affair in an obsolete futuristic game.<br />
THE LAST DANCE<br />
(Dir. Chris Keller. 8mins, 2017, United Kingdom.)<br />
Old Hugo is making something… Something great... Something to reunite him<br />
with his wife.<br />
THE PASSING<br />
(Dir. Ankur Kapoor. 10mins, 2017, India.)<br />
The humans of the future have embraced an AI controlled utopia. ‘The<br />
Passing’ is a short documentary from that time.<br />
THE TOLLS<br />
(Dir. Liz Anderson. 20mins, 2017, United States.)<br />
It’s WWII and secret SS technology can send you to an alternative Nazi<br />
occupied San Francisco.<br />
THE PASSING<br />
THE TOLLS<br />
VISAGE<br />
28<br />
THE LONDON INTERNATIONAL FESTIVAL OF SCIENCE FICTION AND FANTASTIC FILM 1 — 7 MAY <strong>2018</strong>
BLINK OF AN EYE<br />
SHORT FILM <strong>PROGRAMME</strong><br />
SHORTS 4<br />
BE MY GUEST<br />
(Dir. David Jermyn. 12mins, 2017, Canada.)<br />
Tim and Claire hope to fix their money problems using mind-transfer<br />
technology that allows Tim to rent out his body.<br />
ECHO AND SOLOMON<br />
(Dir. Jem Garrard. 11mins, 2017, Canada.)<br />
Two women struggle to survive in a world dominated by Artificial<br />
Intelligence.<br />
EYE CONTACT<br />
(Dir. Stuart Mannion. 9mins, 2017, Australia.)<br />
In the future you’ll still be able to meet someone in a bar, but will you be able<br />
to connect?<br />
HOMUNCULUS - CLOCKWORK A.I.<br />
(Dir. Andrew Woodward. 6mins, 2017, United Kingdom.)<br />
An inventor in a dystopian city has a plan to save the world. Featuring<br />
Andrew Woodward’s clockwork metal head sculptures.<br />
MOTHER, A SCI-FI FAIRY TALE<br />
(Dir. Barry J Gibb. 10mins, 2017, United States.)<br />
Jill’s maternal drive is unbearable, she hears of new tech that can ensure the<br />
next man she encounters will become the father of her child.<br />
BE MY GUEST<br />
VOYAGER<br />
ECHO AND SOLOMON<br />
EYE CONTACT<br />
HOMUNCULUS - COLCKWORK A.I<br />
OVUM<br />
(Dir. Cidney Hue. 8mins, <strong>2018</strong>, United States.)<br />
Rosalyn must make a hard choice after a mind bending procedure.<br />
PLANET<br />
Dir. Bill Sebastian. 10mins, 2017, United States.)<br />
A husband buys his wife a planet for their anniversary. Five years later, they<br />
find the national space agency at their door.<br />
PULSAR<br />
(Dir. Aurora Fearnley. 17mins, <strong>2018</strong>, United Kingdom.)<br />
A Peacemaker, is on his final mission when a solar storm hits his ship. - A<br />
modern retelling of the story of Jonah in the Belly of the Whale.<br />
THE RIGHT CHOICE<br />
(Dir. Tomisin Adepeju. 10mins, 2017, United Kingdom.)<br />
With the help of The Adviser, a husband and wife must answer three<br />
seemingly harmless questions to create their perfect designer baby.<br />
VISAGE<br />
(Dir. Blake Hodges, Jackson Tobiska. 10mins, 2017, United States.)<br />
It’s a hot topic, the limited minority representation in Hollywood, one actor<br />
will try to change things.<br />
VOYAGER<br />
(Dir. Kjersti Helen Rasmussen. 8mins, 2017, Norway.)<br />
Something has landed on the arctic island of Svalbard where the Global Seed<br />
Vault gets an unexpected visit.<br />
MOTHER, A SCI-FI FAIRY TALE<br />
OVUM<br />
PLANET<br />
PULSAR<br />
THE RIGHT CHOICE<br />
THE LONDON INTERNATIONAL FESTIVAL OF SCIENCE FICTION AND FANTASTIC FILM 1 — 7 MAY <strong>2018</strong> 29
BLINK OF AN EYE<br />
SHORT FILM <strong>PROGRAMME</strong><br />
ANOTHER GAME<br />
RABBITS<br />
CONTRACTOR 014352<br />
EXO<br />
HALEY<br />
BENEFITS<br />
MEMORIAL TO THE FUTURE<br />
ONCE UPON A PLANET<br />
PRENATAL<br />
SHORTS 5<br />
ANOTHER GAME<br />
(Dir. Riyad Barmania. 9mins, 2017, United Kingdom.)<br />
A group has signed up to a mysterious lottery with disturbingly high stakes,<br />
where their thirst for dominance blinds them to the risk they take.<br />
CONTRACTOR 014352<br />
(Dir. SIMON RYNINKS. 14mins, 2017, United Kingdom.)<br />
Real and imaginary worlds collide when a lonely data entry clerk reaches<br />
through his computer screen, in search of a genuine connection.<br />
EXO<br />
(Dir. Hiroki Yokoyama. 9mins, <strong>2018</strong>, Japan.)<br />
A future London where new criminal laws for ex-offenders are enacted.<br />
HALEY<br />
(Dir. Corey Sevier. 20mins, 2017, United States.)<br />
After an alien invasion leaves the world in chaos, a young father treks across<br />
the dying planet in a final act of humanity.<br />
MEMORIAL TO THE FUTURE<br />
(Dir. Patricia McInroy. 7mins, 2017, United States.)<br />
Riverside, Iowa may be one of the few places famous for an event that has<br />
not yet happened. People come there from around the world to celebrate<br />
the future birth of Captain James T. Kirk.<br />
ONCE UPON A PLANET<br />
(Dir. Peter J.S. Regan. 7mins, 2017, United States.)<br />
A young astronomer finds her calls to the stars answered with unexpected<br />
results.<br />
RABBITS<br />
(Dir. Alex Alexandrou. 12mins, 2017, United Kingdom.)<br />
Brothers Richmond and Arthur think they are the last survivors in a postapocalyptic<br />
London until there is a knock on their door.<br />
PRENATAL<br />
(Dir. Bears Fonte. 11mins, 2017, United States.)<br />
Mysteriously eight months pregnant overnight, Katie believes the Angels<br />
responsible, but her sister thinks differently.<br />
THALAMOS<br />
(Dir. Scott Robson, Andrew Jaksch. 23mins, 2017, Australia.)<br />
After a successful mission to the ZRS, a research station orbiting Mars,<br />
astronaut Commander Charlie Shaw finds himself alone on the red planet.<br />
BENEFITS<br />
(Dir. Edward Lomas. 3mins, 2017, United Kingdom.)<br />
England 2028; Adeel, needs his benefit cheque for the month. The welfare<br />
state is crumbling and the public sector is now fully automated.<br />
THALAMOS
369 high street,<br />
stratford,<br />
london,<br />
e15 4qz<br />
@zapspaceldn<br />
@pitchstratford<br />
THE LONDON INTERNATIONAL FESTIVAL OF SCIENCE FICTION AND FANTASTIC FILM 1 — 7 MAY <strong>2018</strong> 31
Bunny Galore, our fabulous Dog Show compère<br />
FREE EVENT<br />
ALL WELCOME!<br />
SCI-FIDO<br />
DOG SHOW<br />
It’s not all serious<br />
dystopias and paranoia<br />
at the festival, DOGSTAR<br />
PHOTOS present our<br />
cosplay for dogs! In aid of<br />
the amazing charity,<br />
ALL DOGS MATTER.<br />
Got a four-legged friend who<br />
likes to dress up as a sci-fi or<br />
fantasy character? Or a pooch<br />
that looks like Leia? Bring<br />
them along to our ‘dressed-up<br />
dog’ photo session.<br />
Hosted by the glamorous<br />
Bunny Galore, parade your<br />
dogs outside Stratford<br />
Picturehouse on SAT 5 MAY<br />
at 3.00PM,<br />
Have your dog professionally<br />
photographed for free and the<br />
best dressed dogs will<br />
win goody bags and<br />
a framed print of their photo!<br />
Sign up at sfl.to/dogstar<br />
SCI-FI-LONDON<br />
PUB QUIZ<br />
Think you know your<br />
Alphas from your Zardoz?<br />
Louis Savy and Tom Hunter<br />
invite you to the toughest<br />
SF quiz in the galactic<br />
spiral arm. Put a team<br />
together and come take the<br />
challenge!<br />
Your ticket gets you:<br />
a cocktail on arrival and<br />
post quiz comedy show<br />
comedy’ show “EVIL<br />
CYBORG SEA MONSTERS” by<br />
Michael Capozzola.<br />
It’s part stand up comedy/<br />
part PowerPoint, ready<br />
made for Sci-Fi & Comic<br />
book fans... like us!<br />
Sign up at sfl.to/pubquiz<br />
SCI-FI-LONDON PUB QUIZ<br />
takes place at PITCH on<br />
Thurs 3 MAY AT 7PM.<br />
Tickets cost £10 per<br />
head and proceeds go to<br />
Clarke’s chosen charity,<br />
REBUILDING SRI LANKA.<br />
THE LONDON INTERNATIONAL FESTIVAL OF SCIENCE FICTION AND FANTASTIC FILM 1 — 7 MAY <strong>2018</strong> 33
THE SCI-FI-LONDON<br />
48 HOUR FILM CHALLENGE and<br />
FLASH FICTION CHALLENGE<br />
It’s simple: make a 5 minute short film or<br />
write 2000 words in two days!<br />
Back in 2008 when Gareth Edwards<br />
(GODZILLA, STAR WARS: ROGUE ONE)<br />
won, we had around 50 teams take part<br />
in the film challenge. This year over 300<br />
teams entered!<br />
Each year we have incredible films and<br />
mind-bending stories submitted, it just<br />
goes to show that you really don’t need<br />
huge budgets and special effects to<br />
make a good sci-fi.<br />
The <strong>2018</strong> film challenge is our 10th<br />
anniversary and we are delighted to<br />
have our first winner, Gareth, on the<br />
jury. We are also pleased to offer some<br />
great prizes to the winners, including kit<br />
from Adobe and Black Magic Design.<br />
Look out for the films online at<br />
sfl.to/48hour.<br />
We also had over 500 people<br />
worldwide writing for the Flash<br />
Fiction challenge in association with<br />
UrbanFantasist.com - tasking people<br />
to write 2000 words in a weekend.<br />
The winners of this year’s challenges<br />
are announced WED 2 MAY, <strong>2018</strong>.<br />
A big thank you to all those who took<br />
part and to our incredible jury panels:<br />
FILM JURY<br />
Michele Fazekas<br />
Tara Butters<br />
Gareth Edwards<br />
Ben Roberts<br />
Glyn Dillon<br />
Garen Daly<br />
WRITING JURY<br />
Dr Una McCormack<br />
Marie O’Regan<br />
Jonathan Pinnock<br />
Charles Christian (Chair)<br />
top down: Michele Fazekas, Tara Butters, Gareth Edwards, Garen Daly, Glyn Dillon, Ben Roberts, Una McCormack, Marie O’Regan, Jonathan Pinnock<br />
34<br />
THE LONDON INTERNATIONAL FESTIVAL OF SCIENCE FICTION AND FANTASTIC FILM 1 — 7 MAY <strong>2018</strong>
#HACKSTOCK: MAY THE FOURTH<br />
SCI-FI-LONDON, DOUBLEME,<br />
PSYCHFI & RAVENSBOURNE PRESENT<br />
THE MIXED REALITY EXPERIENCE<br />
PLAYGROUND<br />
Join us for the HoloLens world premiere of<br />
LoopSpace, a free social holographic mixed reality<br />
experience platform.<br />
You can play with VR, meet some telerobots and<br />
we’ll even have realtime cosplay holoportation<br />
between the Ravensbourne HoloPortal and Stratford<br />
Picturehouse.<br />
We’ll be questioning everything with a pop up<br />
TALKAOKE special, come play with the mixed<br />
reality kit and be ready for the future.<br />
“Tech can be a gateway to empowerment and<br />
information, but a lack of accountability can see its<br />
potential turn sour. Brexit and the rise of Donald<br />
Trump show just how powerful the spread of<br />
unaccountable information can be. More than ever,<br />
authenticity is key in earning the trust of users.<br />
The ethical burden of developing powerful online<br />
mediums should weigh heavy on the shoulders of the<br />
technology giants”<br />
James E. Marks, Youth Marketing Strategy 2017<br />
“In the corner of a UK research center is a<br />
rather unassuming blue room. It’s in this<br />
room, however, where the future of virtual,<br />
augmented & mixed reality content creation<br />
lies – & it’s called HoloPortal.”<br />
MSN News<br />
Supported by<br />
HACKSTOCK: MAY THE FOURTH<br />
4 MAY <strong>2018</strong>, 12.30 – 11.00PM<br />
STRATFORD PICTUREHOUSE &<br />
RAVENSBOURNE. FREE EVENT<br />
THE LONDON INTERNATIONAL FESTIVAL OF SCIENCE FICTION AND FANTASTIC FILM 1 — 7 MAY <strong>2018</strong> 35
SCI-FI-LONDON<br />
CREDITS AND THANKS<br />
Festival Producer<br />
Social Media Jedi:<br />
Web Developer:<br />
Staff Wrangler:<br />
App developer:<br />
Festival PR:<br />
Print Traffic:<br />
Hackstock Curator:<br />
Marta Calderón Quiñones<br />
Georgie Knight<br />
Shazad Ahmed<br />
Ali Hall<br />
Ketan Majmudar<br />
Frazer Nash Communications & PR<br />
Dean Monahan, Media Servicing<br />
James Marks<br />
As is typical in the printed festival programme, we would like to thank<br />
our friends and supporters for helping the festival this year. In no order,<br />
but deserving of a special mention are:<br />
David Lally<br />
Alex Fitch for those excellent Q&As<br />
Vince, Matt and the team at EXP.<br />
Thomas Atherton<br />
The staff at Picturehouse Stratford<br />
Concatenation.org<br />
Glam Sci<br />
The challenge jurors<br />
Charles Christian<br />
Ian Morrison<br />
Suzanne Gorman<br />
Tom Hunter<br />
Lorraine Savy<br />
Amanda Roberts<br />
Tony Watts<br />
Robert Grant<br />
All the people who pushed their<br />
films our way.<br />
Our lovely sponsors and partners<br />
And all the festival volunteers –<br />
couldn’t do it without them.<br />
Sure we have stupidly forgotten a<br />
few and of course there are those<br />
who, quite rightly, wish to remain<br />
anonymous – we thank you all!<br />
[ FESTIVAL APP ]<br />
Put the festival in your pocket<br />
with our <strong>2018</strong> app. It’s got the full<br />
festival programme, access to news,<br />
short films, special offers and an<br />
audio library of old time SF.<br />
It’s free and available for<br />
iOS and Android. sfl.to/app<br />
Errors and omissions? Probably.<br />
Sorry if we made a few typos etc.
moxy<br />
PLAY ON<br />
MOXY LONDON<br />
STRATFORD<br />
ALL SPECIES PLAY ON AT MOXY LONDON STRATFORD.<br />
A PLACE TO GO VIRAL NEAR SCI-FI LONDON<br />
86 GREAT EASTERN ROAD LONDON I +44-20-3608 9864<br />
www.moxylondonstratford.com I crew.lonof@moxylonof.com<br />
#ATTHEMOXY I @MOXYHOTELS I MOXYHOTELS.COM
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