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18<br />

1 – 7 MAY <strong>2018</strong> SCI-FI-LONDON.COM


WELCOME TO<br />

SCI-FI-LONDON <strong>2018</strong><br />

The festival comes of age this<br />

year, our 18th edition no less.<br />

I am delighted to once again<br />

bring a selection of fantastic<br />

films to the UK. Each year we<br />

are amazed by the quality and<br />

breadth of international science<br />

fiction film, the ideas keep rolling<br />

in.<br />

This festival we wanted to<br />

celebrate the fact that 200<br />

years ago, Mary Wollstonecraft<br />

Shelley’s Frankenstein, or<br />

the Modern Prometheus was<br />

published. For me, it is really the<br />

first ‘proper’ science fiction novel<br />

and it is amazing that we are still<br />

enchanted by its characters and<br />

moral questions. Our opening<br />

night film, CHIMERA, is by no<br />

means a version of Shelley’s<br />

work but, it does ask one of the<br />

questions she posited: do you<br />

want to live forever? We bring<br />

again to the big screen a film<br />

we first showed over 12 years<br />

ago, SUBJECT TWO. It finds<br />

the subject and the scientist<br />

in the wilderness dealing with<br />

rejuvenation and longevity, again<br />

– who wants to live forever!?<br />

Virtual reality seems to be a<br />

very currrent topic right now<br />

and, of course, we have films<br />

that question the morality of<br />

being able to do what you want<br />

in a VR world. As a counter to<br />

Spielberg’s recent blockbuster,<br />

Ready Player One, we have the<br />

UK premiere of a brutal Russian<br />

film called CENSOR – it puts<br />

characters in a VR world and<br />

asks them to perform the most<br />

amoral things they can think of,<br />

so the programmers can code<br />

them out, after all it’s just pixels...<br />

and no one really got murdered<br />

did they?<br />

Thanks for coming to our 18th,<br />

see you at the bar.<br />

Louis<br />

Louis Savy<br />

Founder and<br />

Festival Director<br />

“OF WHAT A STRANGE NATURE IS KNOWLEDGE! IT CLINGS<br />

TO A MIND WHEN IT HAS ONCE SEIZED ON IT LIKE A LICHEN<br />

ON A ROCK.”<br />

MARY WOLLSTONECRAFT SHELLEY


OPENING<br />

NIGHT FILM<br />

CHIMERA<br />

TUE 1 MAY<br />

8.00PM<br />

STRATFORD<br />

PICTUREHOUSE<br />

Dir: Maurice Haaems<br />

Year: <strong>2018</strong><br />

Language: English<br />

Runtime: 80<br />

Country: USA<br />

Our opening night film stars Henry<br />

Ian Cusick (Lost, The 100).<br />

A brilliant but disturbed scientist’s<br />

children are in cryogenic suspension,<br />

while he races to cure their deadly<br />

disease by decoding the DNA of the<br />

immortal Turritopsis jellyfish. To<br />

progress he needs lots of stem cells.<br />

A manipulative millionaire can help<br />

but she has her own agenda,<br />

Inspired by the director’s real life as<br />

his loved ones struggled with genetic<br />

disease, Chimera asks the existential<br />

question “do you want to live forever? “<br />

Screens with the UK premiere of<br />

Nguyen-Anh Nguyen’s short film<br />

HYPERLIGHT.<br />

Our gala evening also has a prescreening<br />

introduction by Dr<br />

Charlotte Mykura (microbiologist<br />

and geneticist) who will try to<br />

separate the science from the<br />

fiction, and highlight the themes,<br />

the exaggerations, and the<br />

sometimes stranger-than-fiction<br />

realities of nature.”<br />

In association with<br />

UK<br />

PREMIERE<br />

DIRECTOR<br />

Q&A<br />

2<br />

THE LONDON INTERNATIONAL FESTIVAL OF SCIENCE FICTION AND FANTASTIC FILM 1 — 7 MAY <strong>2018</strong>


DIVISION 19<br />

CLOSING<br />

NIGHT FILM<br />

Reality television has done it all<br />

hasn’t it? Our news is impartial,<br />

right? Goverment works for us?<br />

In 2039 rather than selecting people<br />

for ‘reality freak shows’ we now use<br />

prisons as the latest opiate for the<br />

masses. Viewers get to choose what<br />

the prisoners eat, what they wear,<br />

the entertainment they can access –<br />

even who they must fight.<br />

So successful has this been that<br />

the TV company now wants to<br />

extend beyond the prison walls and<br />

broadcast the surrounding town’s<br />

population. Who will stop them?<br />

If the Truman Show could be any<br />

darker, then DIVISION 19 takes the<br />

extra step and questions who we<br />

are and why, for centuries, we have<br />

loved watching the misfortune and<br />

gladiatorial behaviour of others.<br />

Written and directed by Suzie<br />

Halewood and a smash hit at Boston<br />

SciFi Film Festival we are delighted<br />

to have the London Premiere of this<br />

cautionary tale.<br />

SUN 6 MAY<br />

7.30PM<br />

STRATFORD<br />

PICTUREHOUSE<br />

Dir:S.A. Halewood<br />

Year: 2017<br />

Language: English<br />

Runtime: 93<br />

Country: UK<br />

LONDON<br />

PREMIERE<br />

DIRECTOR<br />

Q&A<br />

THE LONDON INTERNATIONAL FESTIVAL OF SCIENCE FICTION AND FANTASTIC FILM 1 — 7 MAY <strong>2018</strong> 3


KATRINA’S DREAM<br />

FRI 4 MAY<br />

9.00PM<br />

STRATFORD<br />

PICTUREHOUSE<br />

Dir: Mirko<br />

Bischofberger, Dario<br />

Bichofberger<br />

Year: <strong>2018</strong><br />

Language: French/<br />

German/Italian.<br />

English Subtitles<br />

Runtime: 84<br />

Country: Switzerland<br />

Katrina wants a child but her<br />

boyfriend Louis doesn’t.<br />

He is a an older man, a hedonist and<br />

doesn’t want to spoil the life he has.<br />

They split up and Katrina must look<br />

elsewhere, eventually pairing up<br />

with Louis’ friend Ron, who becomes<br />

the man of her life and they talk of<br />

raising a family, with Louis’ blessing.<br />

One night, in a drunken state, Ron<br />

and Louis leave a 50th birthday party<br />

and the two friends are involved in<br />

a car accident. Ron suffers severe<br />

injuries to his head, Louis his body.<br />

A nearby sanatorium helps recover<br />

the bodies and a new technique<br />

offers Katrina some hope; they can<br />

perform a head transplant; Louis’<br />

head on Ron’s body. But what if both<br />

men survive, merge into one person?<br />

What will Katrina make of this new<br />

situation?<br />

A gentle and beautifully shot black<br />

comedy, Mary Shelley would have<br />

loved this!<br />

We are delighted to hold the world<br />

premiere of the film.<br />

WORLD<br />

PREMIERE<br />

DIRECTOR<br />

Q&A<br />

4<br />

THE LONDON INTERNATIONAL FESTIVAL OF SCIENCE FICTION AND FANTASTIC FILM 1 — 7 MAY <strong>2018</strong>


THE OUTER WILD<br />

The apocalypse came and went, the<br />

survivors are few and far between.<br />

Where some have banded together<br />

they still battle for power and use<br />

slavery to ‘better’ their lot. In one<br />

group, that forces young women to<br />

be breeders, Laura decides to escape<br />

her high-tech prison, but a bounty<br />

hunter, Cole, is sent after her.<br />

When she meets Cole, things change<br />

for them both and they must now<br />

face new threats together. They head<br />

across the wilderness to find a fabled<br />

sanctuary that can either save or<br />

destroy what’s left of humanity.<br />

Action packed, witty and surreal<br />

at times, this is the second feature<br />

by Philip, who had the brilliant<br />

Frankensteinesque SUBJECT TWO<br />

in the festival many years ago, which<br />

we screen as part of our Frankenstein<br />

Alldayer.<br />

This is the world premiere of THE<br />

OUTER WILD and Philip will join us<br />

to present the film.<br />

Love Mad Max, The 100, The<br />

Handmaid’s Tale? This is a fresh,<br />

succinct mash-up of all your<br />

favourite PA films.<br />

SAT 5 MAY<br />

4.50PM<br />

STRATFORD<br />

PICTUREHOUSE<br />

Dir: Philip Chidel<br />

Year: <strong>2018</strong><br />

Language: English<br />

Runtime: 84<br />

Country: USA<br />

WORLD<br />

PREMIERE<br />

DIRECTOR<br />

Q&A<br />

THE LONDON INTERNATIONAL FESTIVAL OF SCIENCE FICTION AND FANTASTIC FILM 1 — 7 MAY <strong>2018</strong> 5


CENSOR<br />

SAT 5 MAY<br />

9.00PM<br />

STRATFORD<br />

PICTUREHOUSE<br />

Dir: Konstantin<br />

Shelepov<br />

Year: 2017<br />

Language: Russian/<br />

English subtitles<br />

Runtime: 133<br />

Country: Russia<br />

UK<br />

PREMIERE<br />

Virtual reality, so real it’s<br />

indistinguishable from real life.<br />

Zombies, Nazis, Knights in armour -<br />

the game has it all.<br />

After some real-world violent crimes<br />

are linked to gamers, the Ministry<br />

of Internal Affairs creates a new<br />

department, “C”, whose agents are<br />

censors. They must play the games<br />

and try to exceed the permitted level<br />

of violence. But two of them become<br />

rivals and the lines between the real<br />

and game worlds blur.<br />

This dark cyberpunk story is as much<br />

about the fear that computers will<br />

do our thinking for us as the dangers<br />

posed by the people who develop<br />

and control them.<br />

Censor’s director says, “As we<br />

develop this tech, should censorship<br />

become more important? Sci-fi is not<br />

about tomorrow. It is about today”<br />

Censor makes Hardcore Henry<br />

look like a Disney film and slams its<br />

message down your throat!<br />

You Ready Player One?<br />

6<br />

THE LONDON INTERNATIONAL FESTIVAL OF SCIENCE FICTION AND FANTASTIC FILM 1 — 7 MAY <strong>2018</strong>


CYGNUS<br />

Fabián, is an astronomer on a<br />

quest to discover the nature of an<br />

unknown object near the Cygnus<br />

constellation 30,000 light years from<br />

Earth. One night, a strange signal<br />

gives him hope that he might be close<br />

to solving the mystery of Cygnus.<br />

His colleagues say he is wasting<br />

his time, but he thinks the signal<br />

is targeted at Earth rather than a<br />

random discovery.<br />

His superior’s attitude changes and<br />

Fabián becomes fearful that they will<br />

steal his discovery.<br />

He becomes more paranoid and<br />

strange things begin to take place in<br />

the observatory.<br />

Did he really find something or was<br />

the signal waiting to be found?<br />

Amazing landscapes and great<br />

performances make this a solid sci-fi<br />

tale.<br />

WED 2 MAY<br />

9.00PM<br />

STRATFORD<br />

PICTUREHOUSE<br />

Dir: Hugo Félix<br />

Mercado<br />

Year: 2017<br />

Language: Spanish/<br />

English subtitles<br />

Runtime: 87<br />

Country: Mexico<br />

UK<br />

PREMIERE<br />

THE LONDON INTERNATIONAL FESTIVAL OF SCIENCE FICTION AND FANTASTIC FILM 1 — 7 MAY <strong>2018</strong> 7


BLOGGERS<br />

FRI 4 MAY<br />

11.00PM<br />

STRATFORD<br />

PICTUREHOUSE<br />

Dir: Angel M. Chivite,<br />

Alberto Estévezr<br />

Year: 2017<br />

Language: Spanish/<br />

English subtitles<br />

Runtime: 73<br />

Country: Spain<br />

The year is 2078 and the Earth’s<br />

energy sources are exhausted.<br />

Nuclear and renewables can’t cope<br />

with demand.<br />

Meanwhile, a new power source,<br />

‘Coltan’ has been discovered on<br />

Mercury and mining has started, run<br />

by a multinational conglomerate.<br />

Helena is the Captain of a ship<br />

returning from the mines, it should<br />

be routine but things on-board are<br />

not what they seem.<br />

This Spanish film swims in the<br />

memories of many a great ‘space’<br />

movie. At times gory and chilling,<br />

the modesty of the budget is<br />

impossible to detect, and the set<br />

design is really cool.<br />

We love a good space slasher and<br />

this is a very solid example.<br />

UK<br />

PREMIERE<br />

8<br />

THE LONDON INTERNATIONAL FESTIVAL OF SCIENCE FICTION AND FANTASTIC FILM 1 — 7 MAY <strong>2018</strong>


PRECOGNITION<br />

Ripe technologies are a pseudogovernmental<br />

organisation which<br />

appear to be trying to create a safer<br />

and fairer world with new implant<br />

technology. Negative thought and<br />

memories have been removed,<br />

people are given careers and<br />

relationships they ‘deserve’ based<br />

on an in-app Karma rating system.<br />

This world in which every citizen<br />

lives connected to Ripe’s system<br />

seems almost perfect, at least on the<br />

surface. But the digital utopia is not<br />

without its ghosts. Soon the reality<br />

with which the characters surround<br />

themselves starts to unravel, as the<br />

true nature of the world surfaces.<br />

Samantha, who secretly works for<br />

Ripe and manipulates memories,<br />

discovers her husband James<br />

beginning to experience visions of a<br />

woman he doesn’t recognise.<br />

Unable to correct James’ visions,<br />

Samantha puts her life on the line.<br />

Solid scifi story that shows what<br />

low-budgets can achieve.<br />

SUN 6 MAY<br />

2.50PM<br />

STRATFORD<br />

PICTUREHOUSE<br />

Dir: Luke Tedder<br />

Year: <strong>2018</strong><br />

Language: English<br />

Runtime: 107<br />

Country: UK<br />

UK<br />

PREMIERE<br />

DIRECTOR<br />

Q&A<br />

THE LONDON INTERNATIONAL FESTIVAL OF SCIENCE FICTION AND FANTASTIC FILM 1 — 7 MAY <strong>2018</strong> 9


DEFECTIVE<br />

TUE 1 MAY<br />

5.00PM<br />

STRATFORD<br />

PICTUREHOUSE<br />

Dir: Reese<br />

Eveneshen<br />

Year: 2017<br />

Language: English<br />

Runtime: 101<br />

Country: Canada<br />

UK<br />

PREMIERE<br />

A new corporation, the S.E.A. have<br />

been set up to trial a new type of<br />

police in North America. Uniformed,<br />

anonymous Preservers of Peace<br />

investigate, judge, and sentence<br />

people for even the smallest of<br />

crimes.<br />

Rhett, a disillusioned, middle-aged<br />

man, witnesses first-hand this<br />

newest law-enforcement mandate,<br />

which decrees citizens as “defective.”<br />

The punishment? Instant public<br />

execution at the hands of ruthless<br />

enforcers. Rhett, has a run-in with<br />

the Preservers and has to flee across<br />

state borders to escape them.<br />

But, after a surprise visit from<br />

Jean, his estranged sister, Rhett<br />

reluctantly now has his sister in tow,<br />

with the state in close pursuit.<br />

Dredd?, Robocop? How long before<br />

we see this kind of ‘protection’ on<br />

our streets?<br />

DIRECTOR<br />

Q&A<br />

10<br />

THE LONDON INTERNATIONAL FESTIVAL OF SCIENCE FICTION AND FANTASTIC FILM 1 — 7 MAY <strong>2018</strong>


HIDDEN RESERVES<br />

The corporation sells ‘death<br />

insurance’. Those who don’t have<br />

it are forced to remain alive (in<br />

body only) as repositories of other<br />

people’s consciousnesses until any<br />

‘life debt’ they had is repaid.<br />

Vincent, a top insurance salesmen,<br />

firmly on the way up the corporate<br />

ladder, is secure in his work, sleeping<br />

with his boss, and able to afford an<br />

extravagent lifestyle, a life that many<br />

Wall Street brokers would envy.<br />

One day he meets Lisa, part of an<br />

activist group that wants an end to<br />

the storage facilites and the release<br />

of the human data machines.<br />

After Vincent fails to secure a rich<br />

client and is demoted, his one chance<br />

of regaining his former status is to<br />

infiltrate this resistance via Lisa.<br />

Of course, Vincent is drawn to her,<br />

and questions his own values and his<br />

drive for power.<br />

A very slick dystopian noir.<br />

THU 3 MAY<br />

7.15PM<br />

STRATFORD<br />

PICTUREHOUSE<br />

Dir: Valentin Hitz<br />

Year: 2016<br />

Language: German/<br />

Russian/English<br />

subtitles<br />

Runtime: 96<br />

Country: Austria<br />

UK<br />

PREMIERE<br />

THE LONDON INTERNATIONAL FESTIVAL OF SCIENCE FICTION AND FANTASTIC FILM 1 — 7 MAY <strong>2018</strong> 11


HOSTILE<br />

FRI 4 MAY<br />

5.15PM<br />

STRATFORD<br />

PICTUREHOUSE<br />

Dir: Mathieu Turi<br />

Year: 2017<br />

Language: English<br />

Runtime: 83<br />

Country: France<br />

A global disaster and epidemic has<br />

left a barren world with strange<br />

creatures that hunt at night.<br />

Juliette is one of the few survivors<br />

left and part of a small organised<br />

group. She spends her days looking<br />

for supplies in the dry wastelands,<br />

using a van that has seen better days.<br />

Her two-way battery powered radio<br />

keeps her in contact with home base.<br />

One day, as she travels back to base,<br />

an incident causes her to crash. She<br />

radios base but they can’t get to her<br />

for hours and darkness is closing in.<br />

As she tries to get through the night<br />

she remembers the life she had<br />

before.<br />

By turns both romantic and<br />

terrifying, HOSTILE is an emotional<br />

roller coaster. It’s perfect for<br />

cuddling up with a loved one.<br />

If you like scary movies, you’ll love half<br />

this film. If you like love stories, you’ll<br />

enjoy the other half... If you cherish a<br />

good story, then you’ll love the whole<br />

thing. AintItCoolNews<br />

UK<br />

PREMIERE<br />

12<br />

THE LONDON INTERNATIONAL FESTIVAL OF SCIENCE FICTION AND FANTASTIC FILM 1 — 7 MAY <strong>2018</strong>


NOTHING REALLY HAPPENS<br />

You’re having having a conversation<br />

with someone... and neither of you<br />

cares... know that feeling?<br />

Dave Stimple, an unfocused mattress<br />

store owner, is having issues<br />

connecting with everyone around<br />

him.<br />

He arrives at the shop one morning<br />

to find the local health and safety<br />

people have shut him down. Bugs,<br />

huge bed bugs and lots of complaints<br />

are cited as the reason.<br />

Dave is really confused and his<br />

relationships with his wife, friends,<br />

and his own humanity seem to<br />

be devolving and increasingly<br />

distracting anomalies begin to take<br />

over his reality. But his issues may<br />

not be as internal as they seem.<br />

This is a proper WTF movie that you<br />

will enjoy unravelling. Sometimes,<br />

modern life makes us all feel like<br />

mattress sellers at times.<br />

WED 2 MAY<br />

7.10PM<br />

STRATFORD<br />

PICTUREHOUSE<br />

Dir: Justin Petty<br />

Year: 2017<br />

Language: English<br />

Runtime: 101<br />

Country: USA<br />

UK<br />

PREMIERE<br />

THE LONDON INTERNATIONAL FESTIVAL OF SCIENCE FICTION AND FANTASTIC FILM 1 — 7 MAY <strong>2018</strong> 13


PEACHES<br />

SAT 5 MAY<br />

2.50PM<br />

STRATFORD<br />

PICTUREHOUSE<br />

Dir: Héctor M. Valdez<br />

Year: 2016<br />

Language: English<br />

Runtime: 80<br />

Country: Dominican<br />

Republic<br />

FESTIVAL<br />

PREMIERE<br />

If time is truly linear and we can’t<br />

go back, don’t we just have to<br />

remember the good times?<br />

Diego loves his girlfriend but after<br />

a disastrous anniversary trip, she<br />

declares she’s had enough of him and<br />

wants to split up.<br />

He tries to explain why he’s changed<br />

and reminds her of the ‘good times’<br />

they had. t’s not enough!<br />

Diego has a time machine and vows<br />

to amend or fix what has happened,<br />

even if it means competing with<br />

different versions of himself when<br />

travelling through time.<br />

This is a fun-filled play on time-travel<br />

paradoxes and has some fabulous<br />

future tech - we love the anti-grav<br />

Mini.<br />

Loosley inspired by an Australian<br />

movie called THE INFINITE MAN<br />

which we screened in association<br />

with the London Comedy Film<br />

Festival.<br />

14<br />

THE LONDON INTERNATIONAL FESTIVAL OF SCIENCE FICTION AND FANTASTIC FILM 1 — 7 MAY <strong>2018</strong>


THE GATEWAY<br />

Jane is a particle physicist working<br />

on the fringe, trying to create a<br />

teleportation device “you know, like<br />

in Star Trek” as she says. But the<br />

machine they’ve built opens a route<br />

to a parallel dimension.<br />

The excitement about this is cut<br />

short however, as Jane receives an<br />

odd call from her husband saying he<br />

loves her before hanging up. Later<br />

she discovers him dead.<br />

Like ANOTHER EARTH or RANDOM<br />

QUEST, The Gateway takes us<br />

through to another universe in<br />

search of Jane’s husband - perhaps<br />

he still lives there.<br />

In the parallel world she finds him<br />

again, bringing him across to our<br />

world, but no one guessed there<br />

would be dire consequences for her<br />

and her family.<br />

With a great cast and beautifully<br />

shot, The Gateway is the kind of<br />

grown-up sci-fi we love.<br />

SUN 6 MAY<br />

5.15PM<br />

STRATFORD<br />

PICTUREHOUSE<br />

Dir: John V. Soto<br />

Year: 2017<br />

Language: English<br />

Runtime: 90<br />

Country: Australia<br />

UK<br />

PREMIERE<br />

DIRECTOR<br />

Q&A<br />

THE LONDON INTERNATIONAL FESTIVAL OF SCIENCE FICTION AND FANTASTIC FILM 1 — 7 MAY <strong>2018</strong> 15


THE ASTRONAUTS’ BODIES<br />

SAT 5 MAY<br />

1.00PM<br />

STRATFORD<br />

PICTUREHOUSE<br />

Dir: Alisa Berger<br />

Year: 2017<br />

Language: German/<br />

English subtitles<br />

Runtime: 74<br />

Country: Germany<br />

They say twins can sometimes<br />

experience each other’s emotions<br />

and in a dysfunctional family this<br />

surely can’t be a good thing.<br />

Anton and Linda are 19 year old<br />

twins who decide to flee the nest.,<br />

leaving behind, Michael, their single<br />

alcoholic father and their younger<br />

sister. Michael stops taking care of<br />

himself in protest.<br />

Anton wants to go to space and joins<br />

a research project, while his sister<br />

Linda is in search first love is drawn<br />

to a young man who seems to have<br />

similar problems to her father.<br />

Enigmatic and serene, this film is a<br />

poetic story about the progression<br />

of thought, dreams of space and the<br />

organic beauty of the human body,<br />

its desires and longings. A stunning<br />

debut.<br />

UK<br />

PREMIERE<br />

16<br />

THE LONDON INTERNATIONAL FESTIVAL OF SCIENCE FICTION AND FANTASTIC FILM 1 — 7 MAY <strong>2018</strong>


VIOLENTIA<br />

Adam Anderson is a nano-tech<br />

engineer who has found a way to<br />

interact with our memories.<br />

Following his daughter’s death in<br />

a high school shootout, Anderson<br />

wants to use his tech to scan through<br />

the criminal’s memories in an<br />

obsessive quest to understand why<br />

he did it and find a cure for violence.<br />

Enlisted into a government program<br />

he’s given access to a psychopath’s<br />

memories as testing ground, leading<br />

him down a dark path where the<br />

lines between reality and memory<br />

begin to blur.<br />

A very smart and eerie film with<br />

some great ideas, Violentia takes us<br />

one step nearer to the potential of<br />

mind control and its consequences.<br />

We are delighted to hold the<br />

international premiere of the film<br />

and have the director with us for a<br />

Q&A.<br />

THU 3 MAY<br />

9.00PM<br />

STRATFORD<br />

PICTUREHOUSE<br />

Dir: Ray Raghavan<br />

Year: 2017<br />

Language: English<br />

Runtime: 83<br />

Country: USA<br />

UK<br />

PREMIERE<br />

THE LONDON INTERNATIONAL FESTIVAL OF SCIENCE FICTION AND FANTASTIC FILM 1 — 7 MAY <strong>2018</strong> 17


CLOSER THAN WE THINK<br />

FRI 4 MAY<br />

7.10PM<br />

STRATFORD<br />

PICTUREHOUSE<br />

Dir: Brett Ryan<br />

Bonowicz<br />

Year: 2017<br />

Language: English<br />

Runtime: 85<br />

Country: USA<br />

DIRECTOR<br />

Q&A<br />

Predicting the future is very<br />

difficult. We might be able to<br />

forecast how a trend will develop,<br />

but individual products? Much<br />

harder. This is why the work of<br />

Arthur Radebaugh is so amazing.<br />

Closer Than We Think is about the<br />

mid–20th-century comic strip and its<br />

creator, Arthur Radebaugh.<br />

The film provides important<br />

insight into what made the comic a<br />

foundation for other popular science<br />

fiction endeavors. More importantly,<br />

it shows how the strip directly<br />

encouraged nascent engineers and<br />

scientists to actualize the future<br />

described therein.<br />

The film also contains interviews<br />

with the legendary Syd Mead (TRON,<br />

BLADE RUNNER).<br />

A must-see for everyone, but<br />

certainly for those into futurism,<br />

tech, design, advertising or a<br />

nostalgic view of the future.<br />

UK<br />

PREMIERE<br />

documentary programme<br />

18<br />

THE LONDON INTERNATIONAL FESTIVAL OF SCIENCE FICTION AND FANTASTIC FILM 1 — 7 MAY <strong>2018</strong>


WORD FROM A GAMER<br />

Have you played Dungeons and<br />

Dragons, Catan, Magic The<br />

Gathering or any of the myriad<br />

other tabletop games? If the answer<br />

is yes you’ll love the warmth and<br />

testimony in this film. If you are<br />

new to these kind of games, you’ll<br />

probably rush out after and grab<br />

some dice and a few books!<br />

Word From a Gamer is a heart-felt<br />

love letter of a documentary, that<br />

explores the tabletop gaming world,<br />

the people who make the games, and<br />

the people who play them.<br />

Interviews with D&D creators, TSR,<br />

with the editors of Dragon magazine,<br />

and numerous conventions goers<br />

and players of all types, make this a<br />

documentary designed to get you<br />

lost in a game world!<br />

To help you along, our friends at<br />

EXP, the gaming bar, will be playing<br />

games in the foyer - don’t be shy,<br />

come play something!<br />

In association with<br />

SUN 6 MAY<br />

1.00PM<br />

STRATFORD<br />

PICTUREHOUSE<br />

Dir: Steve Wollett<br />

Year: 2017<br />

Language: English<br />

Runtime: 92<br />

Country: USA<br />

documentary programme<br />

UK<br />

PREMIERE<br />

THE LONDON INTERNATIONAL FESTIVAL OF SCIENCE FICTION AND FANTASTIC FILM 1 — 7 MAY <strong>2018</strong> 19


<strong>PROGRAMME</strong><br />

SCI-FI-LONDON <strong>2018</strong><br />

TITLE VENUE DATE TIME<br />

SHORTS 1 SPH TUE 1 MAY 1.00PM<br />

SHORTS 2 SPH TUE 1 MAY 3.00PM<br />

DEFECTIVE SPH TUE 1 MAY 5.00PM<br />

CHIMERA SPH TUE 1 MAY 8.00PM<br />

SHORTS 1 SPH WED 2 MAY 3.10PM<br />

SHORTS 2 SPH WED 2 MAY 5.00PM<br />

NOTHING REALLY HAPPENS SPH WED 2 MAY 7.10PM<br />

48HOUR CHALLENGE AWARDS SPH WED 2 MAY 8.45PM<br />

CYGNUS SPH WED 2 MAY 9.00PM<br />

SHORTS 3 SPH THU 3 MAY 1.00PM<br />

SHORTS 4 SPH THU 3 MAY 1.10PM<br />

SHORTS 5 SPH THU 3 MAY 3.00PM<br />

SHORTS 1 SPH THU 3 MAY 3.10PM<br />

SHORTS 2 SPH THU 3 MAY 5.10PM<br />

<strong>SFL</strong> PUB QUIZ & COMEDY NIGHT PITCH THU 3 MAY 7.00PM<br />

HIDDEN RESERVES SPH THU 3 MAY 7.15PM<br />

VIOLENTIA SPH THU 3 MAY 9.00PM<br />

#HACKSTOCK: L00PSPACE EVENT SPH FRI 4 MAY 1.00PM<br />

SHORTS 3 SPH FRI 4 MAY 1.00PM<br />

SHORT FILM AT PITCH PITCH FRI 4 MAY 2.00PM<br />

SHORTS 4 SPH FRI 4 MAY 3.00PM<br />

HOSTILE SPH FRI 4 MAY 5.15PM<br />

CLOSER THAN WE THINK SPH FRI 4 MAY 7.10PM<br />

KATRINA’S DREAM SPH FRI 4 MAY 9.00PM<br />

BLOGGERS SPH FRI 4 MAY 11.00PM<br />

SHORTS 5 SPH SAT 5 MAY 11.00AM<br />

THE ASTRONAUTS’ BODIES SPH SAT 5 MAY 1.00PM<br />

SHORT FILM AT PITCH PITCH SAT 5 MAY 2.00PM<br />

PEACHES SPH SAT 5 MAY 2.50PM<br />

SCI-FIDO COSPLAY FOR DOGS SPH SAT 5 MAY 3.00PM<br />

THE OUTER WILD SPH SAT 5 MAY 4.50PM<br />

20<br />

THE LONDON INTERNATIONAL FESTIVAL OF SCIENCE FICTION AND FANTASTIC FILM 1 — 7 MAY <strong>2018</strong>


THE MADS - LIVE RIFF SHOW SPH SAT 5 MAY 7.00PM<br />

CENSOR SPH SAT 5 MAY 9.00PM<br />

MST3K SCREENING SPH SAT 5 MAY 11.10PM<br />

WORD FROM A GAMER SPH SUN 6 MAY 1.00PM<br />

PRECOGNITION SPH SUN 6 MAY 2.50PM<br />

THE GATEWAY SPH SUN 6 MAY 5.15PM<br />

DIVISION 19 SPH SUN 6 MAY 7.30PM<br />

FRANKENSTEIN ALLDAYER SPH MON 7 MAY 1.00PM<br />

For those of you who want to stay out a bit later, festival visitors are welcome to use the bar at Moxy Stratford until 1.00am<br />

each night - it’s just across the road from the cinema!<br />

HOW TO GET TO STRATFORD:<br />

OUR VENUES:<br />

STRATFORD PICTUREHOUSE (SPH)<br />

Salway Rd, London E15 1BX<br />

0871 902 5740<br />

www.picturehouses.com<br />

@SEPicturehouse<br />

PITCH STRATFORD (P)<br />

2 Bridge Terrace, London E15 3FF<br />

www.pitchstratford.com<br />

@PitchStratford<br />

MOXY HOTEL: STRATFORD<br />

86 Great Eastern Road E15 1GR<br />

020-3608 9864<br />

#ATTHEMOXY<br />

Ticket prices vary – see relevant pages for links or online at sci-fi-london.com<br />

THE LONDON INTERNATIONAL FESTIVAL OF SCIENCE FICTION AND FANTASTIC FILM 1 — 7 MAY <strong>2018</strong> 21


M<br />

ODERN<br />

PROMETHEUS<br />

FRANKENSTEIN ALLDAYER<br />

200 years ago, the gothic science fiction<br />

novel, Frankenstein, or The Modern Prometheus,<br />

was written by Mary Wollstonecraft Shelley.<br />

There have been many portrayals of ‘the<br />

monster’ in film, the most recognisable being<br />

Karloff’s. Join us for a day that celebrates the<br />

author, the book and the monster.<br />

The line-up includes:<br />

• YOUNG FRANKENSTEIN<br />

• ABBOTT & COSTELLO MEET FRANKENSTEIN<br />

• SUBJECT TWO<br />

• BRIDE OF FRANKENSTEIN<br />

• THE ROCKY HORROR PICTURESHOW<br />

MON 7 MAY £15.00<br />

1.00 - 10.00PM<br />

TICKETS FROM:<br />

sfl.to/frank<br />

22<br />

KARLOFF’S FACE MASK?<br />

FRANK N. FURTER’S STOCKINGS?<br />

COME DRESSED UP<br />

PRIZES FOR THE BEST!!!<br />

THE LONDON INTERNATIONAL FESTIVAL OF SCIENCE FICTION AND FANTASTIC FILM 1 — 7 MAY <strong>2018</strong>


LIVE MOVIE RIFFING!<br />

Before Beavis & Butthead did it,<br />

talking over crappy video, or riffing<br />

as it is known, was pioneered by<br />

an American comedy show called<br />

Mystery Science Theater 3000<br />

(MST3K).<br />

The movies are bad, but the riffs<br />

are brilliant and will make you cry<br />

laughing!<br />

We are delighted that two of the<br />

original MST3K cast, Frank Conniff<br />

and Trace Beaulieu, are coming from<br />

the USA to ‘riff’ live over one of Ed<br />

Wood’s terrible films; GLEN OR<br />

GLENDA. Ed made the classic Plan<br />

9 from Outer Space before he made<br />

Glen.<br />

It is his statement on cross-dressing<br />

- it’s a corker with a message and<br />

features some surreal moments<br />

with horror legend Bela Lugosi.<br />

This is a one-off UK appearance<br />

by The Mads, and a night not to<br />

be missed.<br />

Tickets from:<br />

sfl.to/mads<br />

SAT 5 MAY<br />

7.00PM<br />

TICKETS FROM<br />

<strong>SFL</strong>.TO/MADS<br />

in association with<br />

THE LONDON INTERNATIONAL FESTIVAL OF SCIENCE FICTION AND FANTASTIC FILM 1 — 7 MAY <strong>2018</strong> 23


discovering<br />

creating<br />

evolving<br />

proud to support<br />

@fatcontman<br />

FatContManagementLtd<br />

@fatcontman<br />

www.fb.com/fatcontman


BLINK OF AN EYE<br />

SHORT FILM <strong>PROGRAMME</strong><br />

SCI-FI-LONDON loves short film! We think short film is perfect for science fiction, it<br />

gives filmmakers the chance to play with ideas and high concepts without having to<br />

add drama for the sake of filling ninety minutes. We’ve watched hundreds of films and<br />

selected our favourites! We hope you can make it one of our shorts programmes at<br />

Stratford Picturehouse - see them on the big screen!<br />

THE REPLACEMENT<br />

BEST SHORT FILM <strong>2018</strong><br />

THE REPLACEMENT (SHORTS 1)<br />

(Dir. Sean Miller. 17mins, 2017, United States.)<br />

Some days, don’t you think that in a parallel universe there must<br />

be a better version of you? Well, in this smart film, your clones<br />

can be better than you! On election night 2036, a janitor feels<br />

cheated out of a life he might have lived when his own clone<br />

becomes President. We loved this film.<br />

SHORT FILM TIMETABLE<br />

SHORTS 1<br />

SHORTS 2<br />

1 MAY 1.00PM 1 MAY 3.00PM<br />

2 MAY 3.10PM 2 MAY 5.00PM<br />

3 MAY 3.10PM 3 MAY 5.10PM<br />

SHORTS 3<br />

2 MAY 1.00PM<br />

3 MAY 1.00PM<br />

4 MAY 1.00PM<br />

SHORTS 4<br />

2 MAY 1.10PM<br />

3 MAY 1.10PM<br />

4 MAY 3.00PM<br />

SHORTS 5<br />

2 MAY 3.00PM<br />

3 MAY 3.00PM<br />

5 MAY 11.00AM<br />

We also have selected shorts from the selection playing all day<br />

Friday and Saturday on the outdoor screen at Pitch.<br />

LOOK OUT FOR HEADSETS AROUND THE FESTIVAL SHOWING OUR VR SHORTS<br />

THE TRAIN HAMASEN 7DS THE ARGOS FILE TOXIC AVENGER DREAMS OF BLUE<br />

THE TRAIN HAMASEN. Kuan Yuan LAI (8mins, 2017, Taiwan)<br />

People waiting for a train to start a journey through time and space.<br />

7DS. Axel Bonnot (4.5mins, 2017, France)<br />

Which deadly sin are you guilty of?<br />

THE ARGOS FILE. Josema Roig (3.5mins, 2017, USA)<br />

In 2029, 5.6 billion people have the Argos Mnemo Chip implanted.<br />

THE TOXIC AVENGER : HEART OF FARTNESS. Lloyd Kaufman (15mins, 2017, USA)<br />

Toxie has a major mid-life crisis and must travel to a mythical land.<br />

DREAMS OF BLUE. Valentina Paggiarin (12mins, 2017, Italy)<br />

What happens inside the “mind” of an Artificial Intelligence.<br />

THE LONDON INTERNATIONAL FESTIVAL OF SCIENCE FICTION AND FANTASTIC FILM 1 — 7 MAY <strong>2018</strong> 25


BLINK OF AN EYE<br />

SHORT FILM <strong>PROGRAMME</strong><br />

ATTACK OF THE CYBER OCTOPUSES<br />

SHORTS 1<br />

ATTACK OF THE CYBER OCTOPUSES<br />

(Dir. Nicola Piovesan. 20mins, 2017, Estonia.)<br />

Neo-Berlin, 2079. A dark city run by mega corporations - where the only way<br />

to enjoy life is in cyberspace. Ready player one?<br />

BRIDE OF FRANKIE<br />

M.A.M.O.N<br />

OUTPOST<br />

REFUGE<br />

ROGUE TROOPER<br />

THE BOOGEYS<br />

THE ENDLESS<br />

THE REPLACEMENT<br />

BRIDE OF FRANKIE<br />

(Dir. Devi Snively. 19mins, 2017, United States.)<br />

A feminist nod to Shelley’s FRANKENSTEIN, a not-so-mad scientist builds a<br />

mate for her mentor’s lonely creation with electrifying results.<br />

M.A.M.O.N. (MONITOR AGAINST MEXICANS OVER<br />

NATIONWIDE)<br />

(Dir. Alejandro Damiani. 6mins, 2016, Uruguay.)<br />

Mexico and the USA are divided by an enormous wall, war breaks out<br />

between a Trump-like mecha robot and the stereotyped Mexicans.<br />

OUTPOST<br />

(Dir. Justin Giddings, Ryan Welsh. 17mins, <strong>2018</strong>, United States.)<br />

In the furthest outpost in space the astronaut is forced to protect his<br />

humanity.<br />

REFUGE<br />

(Dir. Simon Bishopp. 4mins, 2017, United Kingdom.)<br />

A woman seeks retribution after being displaced by the arrival of refugees<br />

from a future civilisation.<br />

ROGUE TROOPER: THE QUARTZ MASSACRE<br />

(Dir. Adam Kirley. 7mins, <strong>2018</strong>, United Kingdom.)<br />

Based on the Rebellion Comic character, Rogue Trooper once again faces<br />

impossible odds in another alien war.<br />

THE BOOGEYS<br />

(Dir. Sanjay François Sharma. 15mins, 2017, Canada.)<br />

Earth is now a ghetto run by alien overlords. Dawkins, an ex-cop must track<br />

down a missing child about to be sold to the ‘Boogeys’.<br />

THE ENDLESS<br />

(Dir. Edouard Calemard. 4mins, 2017, France.)<br />

At the top of a tower high above the clouds, a technician is drawn towards a<br />

mysterious phenomenon in the sky.<br />

THE REPLACEMENT<br />

(Dir. Sean Miller. 17mins, 2017, United States.)<br />

On election night 2036, a janitor feels cheated out of a life he might have<br />

lived when his own clone becomes President.<br />

THE VERY NEAR FUTURE<br />

(Dir. Sebastian Egert. 4mins, 2017, Germany.)<br />

In the very near Future a man tries to order a pizza online.<br />

THE VERY NEAR FUTURE<br />

26<br />

THE LONDON INTERNATIONAL FESTIVAL OF SCIENCE FICTION AND FANTASTIC FILM 1 — 7 MAY <strong>2018</strong>


BLINK OF AN EYE<br />

SHORT FILM <strong>PROGRAMME</strong><br />

SHORTS 2<br />

CAPTURE<br />

(Dir. Alex Igbanoi. 10mins, 2017, United Kingdom.)<br />

A women steals the world’s most advanced breakthrough in technology. Her<br />

attempt to control it accidentally puts the lives of others at risk.<br />

CARONTE<br />

(Dir. Luis Tinoco Pineda. 15mins, 2017, Spain.)<br />

A space fighter pilot tries to survive a huge space battle while a girl lies in<br />

hospital in another time and place.<br />

CELL<br />

(Dir. Paul Holbrook. 10mins, 2017, United Kingdom.)<br />

At the height of WW2, a deserter awakens in a Nazi prison alongside a<br />

female prisoner. Unwitting test subjects in a cruel experiment.<br />

COSMIC DENTAL ASSOCIATES OF CLIFTON, NJ<br />

(Dir. J.P. Chan. 3mins, 2017, United States.)<br />

Cosmic Dental Associates of Clifton, NJ is the leading astro-dentistry<br />

practice in the tri-state area.<br />

DOCTOR OF MONSTER<br />

(Dir. Gustavo Teixeira. 11mins, 2017, Brazil.)<br />

Young Dudu has already chosen his future profession, he will face his fears to<br />

become a Doctor for Monsters.<br />

GHOSTCODE<br />

(Dir. Patrick Defasten/Audint. 9mins, 2017, Germany.)<br />

Advancements in sonic warfare lead to a net-born artificial intelligence.<br />

GLITCH<br />

(Dir. Richard Bodsworth. 10mins, 2017, United Kingdom.)<br />

A desperate wife must take extreme measures to save her husband while<br />

overcoming the challenge of a technology bent on thwarting her efforts.<br />

THE COSMONAUT<br />

(Dir. Nina Parker Noon. 5mins, 2017, United Kingdom.)<br />

A tale of stupidity winning over intelligence. Using an unsual 2-D cut out<br />

animation on real stop-motion sets.<br />

THE JUMP<br />

(Dir. Andy Sowerby. 9mins, 2017, United Kingdom.)<br />

An astronaut braves a pioneering solo mission into deep space, leaving<br />

behind her loving husband.<br />

THE SUPER RECOGNISER<br />

(Dir. Jennifer Sheridan. 11mins, 2017, United Kingdom.)<br />

Scott, a seemingly normal young man with a very special talent of 90% facial<br />

recognition, is recruited to work in a secret government initiative.<br />

THE WATER PHOENIX<br />

(Dir. Bola Ogun. 10mins, 2017, United States.)<br />

Mermaid Anya held captive in an aquarium falls out of love with her<br />

caretaker.<br />

CAPTURE<br />

THEY WILL ALL DIE IN SPACE<br />

CELL<br />

COSMIC DENTAL ASSOCIATES<br />

DOCTOR OF MONSTER<br />

GHOSTCODE<br />

GLITCH<br />

THE WATER PHOENIX<br />

THE COSMONAUT<br />

THE JUMP<br />

THE SUPER RECOGNISER<br />

THE LONDON INTERNATIONAL FESTIVAL OF SCIENCE FICTION AND FANTASTIC FILM 1 — 7 MAY <strong>2018</strong> 27


BLINK OF AN EYE<br />

SHORT FILM <strong>PROGRAMME</strong><br />

CHRONOCEPTION<br />

CORPUCIA<br />

E.RO.SION, NOUN<br />

GOOD LIFE<br />

I AM THE DOORWAY<br />

STRINGS<br />

THE LAST DANCE<br />

SHORTS 3<br />

CHRONOCEPTION<br />

(Dir. Nik Perleros. 12mins, 2017, United States.)<br />

If time travellers told you that your firstborn son would be the next Hitler,<br />

would you still have sex?<br />

CORPUCIA<br />

(Dir. Drew V. Marke. 13mins, <strong>2018</strong>, United Kingdom.)<br />

A couple is interrogated by agents who are looking for aliens. One knows<br />

nothing. One is lying. But which one?<br />

E.RO.SION, NOUN<br />

(Dir. Catriona Rubenis-Stevens. 15mins, <strong>2018</strong>, United States.)<br />

A woman checks into the “Goodbye Clinic” to have her life deleted.<br />

GOOD LIFE<br />

(Dir. Shoshana Rae Stark. 12mins, 2017, Austria.)<br />

A cautionary tale about water and big corporate interests.<br />

I AM THE DOORWAY<br />

(Dir. Simon Pearce. 20mins, <strong>2018</strong>, United Kingdom.)<br />

Based on the short story by Stephen King. Astronaut Arthur returns home<br />

and believes alien eyes are forcing their way through the skin of his hands.<br />

STRINGS<br />

(Dir. Ruini Shi. 5mins, 2017, United Kingdom.)<br />

A virtual affair in an obsolete futuristic game.<br />

THE LAST DANCE<br />

(Dir. Chris Keller. 8mins, 2017, United Kingdom.)<br />

Old Hugo is making something… Something great... Something to reunite him<br />

with his wife.<br />

THE PASSING<br />

(Dir. Ankur Kapoor. 10mins, 2017, India.)<br />

The humans of the future have embraced an AI controlled utopia. ‘The<br />

Passing’ is a short documentary from that time.<br />

THE TOLLS<br />

(Dir. Liz Anderson. 20mins, 2017, United States.)<br />

It’s WWII and secret SS technology can send you to an alternative Nazi<br />

occupied San Francisco.<br />

THE PASSING<br />

THE TOLLS<br />

VISAGE<br />

28<br />

THE LONDON INTERNATIONAL FESTIVAL OF SCIENCE FICTION AND FANTASTIC FILM 1 — 7 MAY <strong>2018</strong>


BLINK OF AN EYE<br />

SHORT FILM <strong>PROGRAMME</strong><br />

SHORTS 4<br />

BE MY GUEST<br />

(Dir. David Jermyn. 12mins, 2017, Canada.)<br />

Tim and Claire hope to fix their money problems using mind-transfer<br />

technology that allows Tim to rent out his body.<br />

ECHO AND SOLOMON<br />

(Dir. Jem Garrard. 11mins, 2017, Canada.)<br />

Two women struggle to survive in a world dominated by Artificial<br />

Intelligence.<br />

EYE CONTACT<br />

(Dir. Stuart Mannion. 9mins, 2017, Australia.)<br />

In the future you’ll still be able to meet someone in a bar, but will you be able<br />

to connect?<br />

HOMUNCULUS - CLOCKWORK A.I.<br />

(Dir. Andrew Woodward. 6mins, 2017, United Kingdom.)<br />

An inventor in a dystopian city has a plan to save the world. Featuring<br />

Andrew Woodward’s clockwork metal head sculptures.<br />

MOTHER, A SCI-FI FAIRY TALE<br />

(Dir. Barry J Gibb. 10mins, 2017, United States.)<br />

Jill’s maternal drive is unbearable, she hears of new tech that can ensure the<br />

next man she encounters will become the father of her child.<br />

BE MY GUEST<br />

VOYAGER<br />

ECHO AND SOLOMON<br />

EYE CONTACT<br />

HOMUNCULUS - COLCKWORK A.I<br />

OVUM<br />

(Dir. Cidney Hue. 8mins, <strong>2018</strong>, United States.)<br />

Rosalyn must make a hard choice after a mind bending procedure.<br />

PLANET<br />

Dir. Bill Sebastian. 10mins, 2017, United States.)<br />

A husband buys his wife a planet for their anniversary. Five years later, they<br />

find the national space agency at their door.<br />

PULSAR<br />

(Dir. Aurora Fearnley. 17mins, <strong>2018</strong>, United Kingdom.)<br />

A Peacemaker, is on his final mission when a solar storm hits his ship. - A<br />

modern retelling of the story of Jonah in the Belly of the Whale.<br />

THE RIGHT CHOICE<br />

(Dir. Tomisin Adepeju. 10mins, 2017, United Kingdom.)<br />

With the help of The Adviser, a husband and wife must answer three<br />

seemingly harmless questions to create their perfect designer baby.<br />

VISAGE<br />

(Dir. Blake Hodges, Jackson Tobiska. 10mins, 2017, United States.)<br />

It’s a hot topic, the limited minority representation in Hollywood, one actor<br />

will try to change things.<br />

VOYAGER<br />

(Dir. Kjersti Helen Rasmussen. 8mins, 2017, Norway.)<br />

Something has landed on the arctic island of Svalbard where the Global Seed<br />

Vault gets an unexpected visit.<br />

MOTHER, A SCI-FI FAIRY TALE<br />

OVUM<br />

PLANET<br />

PULSAR<br />

THE RIGHT CHOICE<br />

THE LONDON INTERNATIONAL FESTIVAL OF SCIENCE FICTION AND FANTASTIC FILM 1 — 7 MAY <strong>2018</strong> 29


BLINK OF AN EYE<br />

SHORT FILM <strong>PROGRAMME</strong><br />

ANOTHER GAME<br />

RABBITS<br />

CONTRACTOR 014352<br />

EXO<br />

HALEY<br />

BENEFITS<br />

MEMORIAL TO THE FUTURE<br />

ONCE UPON A PLANET<br />

PRENATAL<br />

SHORTS 5<br />

ANOTHER GAME<br />

(Dir. Riyad Barmania. 9mins, 2017, United Kingdom.)<br />

A group has signed up to a mysterious lottery with disturbingly high stakes,<br />

where their thirst for dominance blinds them to the risk they take.<br />

CONTRACTOR 014352<br />

(Dir. SIMON RYNINKS. 14mins, 2017, United Kingdom.)<br />

Real and imaginary worlds collide when a lonely data entry clerk reaches<br />

through his computer screen, in search of a genuine connection.<br />

EXO<br />

(Dir. Hiroki Yokoyama. 9mins, <strong>2018</strong>, Japan.)<br />

A future London where new criminal laws for ex-offenders are enacted.<br />

HALEY<br />

(Dir. Corey Sevier. 20mins, 2017, United States.)<br />

After an alien invasion leaves the world in chaos, a young father treks across<br />

the dying planet in a final act of humanity.<br />

MEMORIAL TO THE FUTURE<br />

(Dir. Patricia McInroy. 7mins, 2017, United States.)<br />

Riverside, Iowa may be one of the few places famous for an event that has<br />

not yet happened. People come there from around the world to celebrate<br />

the future birth of Captain James T. Kirk.<br />

ONCE UPON A PLANET<br />

(Dir. Peter J.S. Regan. 7mins, 2017, United States.)<br />

A young astronomer finds her calls to the stars answered with unexpected<br />

results.<br />

RABBITS<br />

(Dir. Alex Alexandrou. 12mins, 2017, United Kingdom.)<br />

Brothers Richmond and Arthur think they are the last survivors in a postapocalyptic<br />

London until there is a knock on their door.<br />

PRENATAL<br />

(Dir. Bears Fonte. 11mins, 2017, United States.)<br />

Mysteriously eight months pregnant overnight, Katie believes the Angels<br />

responsible, but her sister thinks differently.<br />

THALAMOS<br />

(Dir. Scott Robson, Andrew Jaksch. 23mins, 2017, Australia.)<br />

After a successful mission to the ZRS, a research station orbiting Mars,<br />

astronaut Commander Charlie Shaw finds himself alone on the red planet.<br />

BENEFITS<br />

(Dir. Edward Lomas. 3mins, 2017, United Kingdom.)<br />

England 2028; Adeel, needs his benefit cheque for the month. The welfare<br />

state is crumbling and the public sector is now fully automated.<br />

THALAMOS


369 high street,<br />

stratford,<br />

london,<br />

e15 4qz<br />

@zapspaceldn<br />

@pitchstratford<br />

THE LONDON INTERNATIONAL FESTIVAL OF SCIENCE FICTION AND FANTASTIC FILM 1 — 7 MAY <strong>2018</strong> 31


Bunny Galore, our fabulous Dog Show compère<br />

FREE EVENT<br />

ALL WELCOME!<br />

SCI-FIDO<br />

DOG SHOW<br />

It’s not all serious<br />

dystopias and paranoia<br />

at the festival, DOGSTAR<br />

PHOTOS present our<br />

cosplay for dogs! In aid of<br />

the amazing charity,<br />

ALL DOGS MATTER.<br />

Got a four-legged friend who<br />

likes to dress up as a sci-fi or<br />

fantasy character? Or a pooch<br />

that looks like Leia? Bring<br />

them along to our ‘dressed-up<br />

dog’ photo session.<br />

Hosted by the glamorous<br />

Bunny Galore, parade your<br />

dogs outside Stratford<br />

Picturehouse on SAT 5 MAY<br />

at 3.00PM,<br />

Have your dog professionally<br />

photographed for free and the<br />

best dressed dogs will<br />

win goody bags and<br />

a framed print of their photo!<br />

Sign up at sfl.to/dogstar<br />

SCI-FI-LONDON<br />

PUB QUIZ<br />

Think you know your<br />

Alphas from your Zardoz?<br />

Louis Savy and Tom Hunter<br />

invite you to the toughest<br />

SF quiz in the galactic<br />

spiral arm. Put a team<br />

together and come take the<br />

challenge!<br />

Your ticket gets you:<br />

a cocktail on arrival and<br />

post quiz comedy show<br />

comedy’ show “EVIL<br />

CYBORG SEA MONSTERS” by<br />

Michael Capozzola.<br />

It’s part stand up comedy/<br />

part PowerPoint, ready<br />

made for Sci-Fi & Comic<br />

book fans... like us!<br />

Sign up at sfl.to/pubquiz<br />

SCI-FI-LONDON PUB QUIZ<br />

takes place at PITCH on<br />

Thurs 3 MAY AT 7PM.<br />

Tickets cost £10 per<br />

head and proceeds go to<br />

Clarke’s chosen charity,<br />

REBUILDING SRI LANKA.<br />

THE LONDON INTERNATIONAL FESTIVAL OF SCIENCE FICTION AND FANTASTIC FILM 1 — 7 MAY <strong>2018</strong> 33


THE SCI-FI-LONDON<br />

48 HOUR FILM CHALLENGE and<br />

FLASH FICTION CHALLENGE<br />

It’s simple: make a 5 minute short film or<br />

write 2000 words in two days!<br />

Back in 2008 when Gareth Edwards<br />

(GODZILLA, STAR WARS: ROGUE ONE)<br />

won, we had around 50 teams take part<br />

in the film challenge. This year over 300<br />

teams entered!<br />

Each year we have incredible films and<br />

mind-bending stories submitted, it just<br />

goes to show that you really don’t need<br />

huge budgets and special effects to<br />

make a good sci-fi.<br />

The <strong>2018</strong> film challenge is our 10th<br />

anniversary and we are delighted to<br />

have our first winner, Gareth, on the<br />

jury. We are also pleased to offer some<br />

great prizes to the winners, including kit<br />

from Adobe and Black Magic Design.<br />

Look out for the films online at<br />

sfl.to/48hour.<br />

We also had over 500 people<br />

worldwide writing for the Flash<br />

Fiction challenge in association with<br />

UrbanFantasist.com - tasking people<br />

to write 2000 words in a weekend.<br />

The winners of this year’s challenges<br />

are announced WED 2 MAY, <strong>2018</strong>.<br />

A big thank you to all those who took<br />

part and to our incredible jury panels:<br />

FILM JURY<br />

Michele Fazekas<br />

Tara Butters<br />

Gareth Edwards<br />

Ben Roberts<br />

Glyn Dillon<br />

Garen Daly<br />

WRITING JURY<br />

Dr Una McCormack<br />

Marie O’Regan<br />

Jonathan Pinnock<br />

Charles Christian (Chair)<br />

top down: Michele Fazekas, Tara Butters, Gareth Edwards, Garen Daly, Glyn Dillon, Ben Roberts, Una McCormack, Marie O’Regan, Jonathan Pinnock<br />

34<br />

THE LONDON INTERNATIONAL FESTIVAL OF SCIENCE FICTION AND FANTASTIC FILM 1 — 7 MAY <strong>2018</strong>


#HACKSTOCK: MAY THE FOURTH<br />

SCI-FI-LONDON, DOUBLEME,<br />

PSYCHFI & RAVENSBOURNE PRESENT<br />

THE MIXED REALITY EXPERIENCE<br />

PLAYGROUND<br />

Join us for the HoloLens world premiere of<br />

LoopSpace, a free social holographic mixed reality<br />

experience platform.<br />

You can play with VR, meet some telerobots and<br />

we’ll even have realtime cosplay holoportation<br />

between the Ravensbourne HoloPortal and Stratford<br />

Picturehouse.<br />

We’ll be questioning everything with a pop up<br />

TALKAOKE special, come play with the mixed<br />

reality kit and be ready for the future.<br />

“Tech can be a gateway to empowerment and<br />

information, but a lack of accountability can see its<br />

potential turn sour. Brexit and the rise of Donald<br />

Trump show just how powerful the spread of<br />

unaccountable information can be. More than ever,<br />

authenticity is key in earning the trust of users.<br />

The ethical burden of developing powerful online<br />

mediums should weigh heavy on the shoulders of the<br />

technology giants”<br />

James E. Marks, Youth Marketing Strategy 2017<br />

“In the corner of a UK research center is a<br />

rather unassuming blue room. It’s in this<br />

room, however, where the future of virtual,<br />

augmented & mixed reality content creation<br />

lies – & it’s called HoloPortal.”<br />

MSN News<br />

Supported by<br />

HACKSTOCK: MAY THE FOURTH<br />

4 MAY <strong>2018</strong>, 12.30 – 11.00PM<br />

STRATFORD PICTUREHOUSE &<br />

RAVENSBOURNE. FREE EVENT<br />

THE LONDON INTERNATIONAL FESTIVAL OF SCIENCE FICTION AND FANTASTIC FILM 1 — 7 MAY <strong>2018</strong> 35


SCI-FI-LONDON<br />

CREDITS AND THANKS<br />

Festival Producer<br />

Social Media Jedi:<br />

Web Developer:<br />

Staff Wrangler:<br />

App developer:<br />

Festival PR:<br />

Print Traffic:<br />

Hackstock Curator:<br />

Marta Calderón Quiñones<br />

Georgie Knight<br />

Shazad Ahmed<br />

Ali Hall<br />

Ketan Majmudar<br />

Frazer Nash Communications & PR<br />

Dean Monahan, Media Servicing<br />

James Marks<br />

As is typical in the printed festival programme, we would like to thank<br />

our friends and supporters for helping the festival this year. In no order,<br />

but deserving of a special mention are:<br />

David Lally<br />

Alex Fitch for those excellent Q&As<br />

Vince, Matt and the team at EXP.<br />

Thomas Atherton<br />

The staff at Picturehouse Stratford<br />

Concatenation.org<br />

Glam Sci<br />

The challenge jurors<br />

Charles Christian<br />

Ian Morrison<br />

Suzanne Gorman<br />

Tom Hunter<br />

Lorraine Savy<br />

Amanda Roberts<br />

Tony Watts<br />

Robert Grant<br />

All the people who pushed their<br />

films our way.<br />

Our lovely sponsors and partners<br />

And all the festival volunteers –<br />

couldn’t do it without them.<br />

Sure we have stupidly forgotten a<br />

few and of course there are those<br />

who, quite rightly, wish to remain<br />

anonymous – we thank you all!<br />

[ FESTIVAL APP ]<br />

Put the festival in your pocket<br />

with our <strong>2018</strong> app. It’s got the full<br />

festival programme, access to news,<br />

short films, special offers and an<br />

audio library of old time SF.<br />

It’s free and available for<br />

iOS and Android. sfl.to/app<br />

Errors and omissions? Probably.<br />

Sorry if we made a few typos etc.


moxy<br />

PLAY ON<br />

MOXY LONDON<br />

STRATFORD<br />

ALL SPECIES PLAY ON AT MOXY LONDON STRATFORD.<br />

A PLACE TO GO VIRAL NEAR SCI-FI LONDON<br />

86 GREAT EASTERN ROAD LONDON I +44-20-3608 9864<br />

www.moxylondonstratford.com I crew.lonof@moxylonof.com<br />

#ATTHEMOXY I @MOXYHOTELS I MOXYHOTELS.COM


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