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BAS Summer Brochure 18 (Online)

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Ashe Peacock<br />

Ashe Peacock studied fine art in Perth, Western Australia and<br />

began painting in oils 5 years ago after leaving the fashion<br />

industry in London.<br />

Ashe works traditionally in oils, concentrating mainly on<br />

portrait commissions and still life.<br />

Richard Milo<br />

Jane Sheppard<br />

Working with clay in a direct and personal way is deeply connecting. My forms are<br />

made using simple processes (coiling, pinching, smoke firing) which allow me to<br />

work spontaneously and with the elements. The work varies in scale from large<br />

sculptural forms based on monoliths, to simple tiny bowls made in the palm of my<br />

hand under a full moon or beneath a tree. Embracing imperfection is important, to<br />

create unique pieces that sing in their own space.<br />

Clay is a very receptive medium and I work with large, universal themes - death,<br />

rebirth, and the interface where the sacred meets the domestic. Universal symbols<br />

and patterns find their way into surface decoration<br />

until it’s hard to place the pieces in a historical or<br />

cultural framework.<br />

Ultimately, it’s the process of making that excites me<br />

the most. Each piece provides a gift in the form of<br />

a journey rooted in the rhythm of history. They are<br />

markers of time, humanity and mystery.<br />

87<br />

Above: Ceramic work by Jane Sheppard<br />

(pictured to the right)<br />

Richard Milo is a painter and illustrator and was<br />

born in Edinburgh 1971. He finished College of<br />

applied arts, graphics department and Academy<br />

of fine arts, graphics department in Skopje.<br />

Had solo exhibitions in Skopje, Malmo and<br />

Stuttgart. Worked as Set designer for numerous<br />

theatre and film projects. Animation, antique<br />

paintings restaurateur, Illustrator and designer.<br />

Author of a coming of age novel. Lived and<br />

worked in London, Brighton, Zurich, Prague,<br />

Skopje, Schaffhausen, Winterthur. Bath resident<br />

since 2015. His latest work is portraiture and<br />

illustration.<br />

“I study the invisible as much as I study the<br />

appearance. I resort to forms of expression<br />

suitable to the subject so my work is not much<br />

bound to style or medium. As for the inspiration<br />

I am very much taken by the splendour of<br />

transience.”<br />

98

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