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BassPlayer 2017-03

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S<br />

SPECIFICATIONS<br />

the name.) The neck pickup is the perfect foil to<br />

its aggro bridge partner. It sounds soft, woolly,<br />

and hollow—a nice first step in getting the kind<br />

of thwonk that characterized a lot of groovy ’60s<br />

tones. Peeking behind the big pickguard revealed a<br />

fairly messy installation, although there was nothing<br />

that impeded the bass’ function.<br />

Our D64 had excellent playability and only<br />

exhibited a small bit of neck dive, due in part to<br />

the lightweight headstock hardware. Construction<br />

and fit-and-finish was average for the price;<br />

as I’ve said before, these days of CNC-machined<br />

instruments mean that egregiously terrible build<br />

quality is virtually extinct. Overall there was nothing<br />

to prevent the bass from lasting many generations,<br />

given proper maintenance.<br />

Dano Sound<br />

For some reason, I was less inclined to test the<br />

D64 with my usual suite of high-end reference<br />

gear than I was to turn to the vibier amps in my<br />

collection. Not to say it sounded bad with the hi-fi<br />

stuff, it’s just that I imagined the typical player of<br />

a high-personality bass like the D64 would be open<br />

to making the amp a part of the fun. I plugged the<br />

D64 into my vintage Echolette M40, an all-tube<br />

German PA that I repurposed for bass amp duties.<br />

Cool combo! The plush envelope and grind of a panting<br />

all-tube head was just the ticket for the Dano,<br />

especially with the high-output bridge pickup in<br />

the mix. With a Fender Bassman reissue, I was able<br />

to coax deliciously warm and woolly tone out of<br />

the neck pickup—an excellent studio sound for a<br />

vintage-style soul or R&B cut. Plugged into a Neve<br />

DI, I explored the D64’s recording prowess more<br />

thoroughly. It sat well in tracks, especially when I<br />

enhanced its already florid midrange with a touch<br />

of grit courtesy a Darkglass Microtubes pedal.<br />

The D64 isn’t for everyone, but the players who<br />

get it will absolutely find a ton of use for the instrument.<br />

While it’s a departure from Danelectro’s own<br />

rich heritage, bringing back a well-made and solidsounding<br />

instrument from rock’s childhood could be<br />

just the thing for modern-day hep cats. BP<br />

SPECS DANeLECTRO<br />

Pros Perfect look for a surf band; solid construction;<br />

lovably quirky tone with surprising<br />

diversity<br />

Cons Mildly messy electronics installation<br />

Bottom Line This rehash of a ’60s classic<br />

hits all the right notes.<br />

Construction Bolt-on<br />

Body Cyprus<br />

Neck Maple<br />

Neck width at nut 1y"<br />

Fingerboard Rosewood<br />

Frets 21<br />

String spacing 19mm<br />

Tuners Kluson-style<br />

Bridge Adjustable stop-tailpiece<br />

Pickups Bridge, Danelectro dual-lipstick<br />

humbucker with coil-split switch; neck,<br />

vintage-style single-coil<br />

Scale length 34"<br />

Controls Volume, tone, 3-way pickup selector<br />

Weight 8.0 lbs<br />

Made in China<br />

Contact danelectro.com<br />

bassplayer.com / march<strong>2017</strong> 49

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