BassPlayer 2017-03
BassPlayer 2017-03
BassPlayer 2017-03
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S<br />
SPECIFICATIONS<br />
the name.) The neck pickup is the perfect foil to<br />
its aggro bridge partner. It sounds soft, woolly,<br />
and hollow—a nice first step in getting the kind<br />
of thwonk that characterized a lot of groovy ’60s<br />
tones. Peeking behind the big pickguard revealed a<br />
fairly messy installation, although there was nothing<br />
that impeded the bass’ function.<br />
Our D64 had excellent playability and only<br />
exhibited a small bit of neck dive, due in part to<br />
the lightweight headstock hardware. Construction<br />
and fit-and-finish was average for the price;<br />
as I’ve said before, these days of CNC-machined<br />
instruments mean that egregiously terrible build<br />
quality is virtually extinct. Overall there was nothing<br />
to prevent the bass from lasting many generations,<br />
given proper maintenance.<br />
Dano Sound<br />
For some reason, I was less inclined to test the<br />
D64 with my usual suite of high-end reference<br />
gear than I was to turn to the vibier amps in my<br />
collection. Not to say it sounded bad with the hi-fi<br />
stuff, it’s just that I imagined the typical player of<br />
a high-personality bass like the D64 would be open<br />
to making the amp a part of the fun. I plugged the<br />
D64 into my vintage Echolette M40, an all-tube<br />
German PA that I repurposed for bass amp duties.<br />
Cool combo! The plush envelope and grind of a panting<br />
all-tube head was just the ticket for the Dano,<br />
especially with the high-output bridge pickup in<br />
the mix. With a Fender Bassman reissue, I was able<br />
to coax deliciously warm and woolly tone out of<br />
the neck pickup—an excellent studio sound for a<br />
vintage-style soul or R&B cut. Plugged into a Neve<br />
DI, I explored the D64’s recording prowess more<br />
thoroughly. It sat well in tracks, especially when I<br />
enhanced its already florid midrange with a touch<br />
of grit courtesy a Darkglass Microtubes pedal.<br />
The D64 isn’t for everyone, but the players who<br />
get it will absolutely find a ton of use for the instrument.<br />
While it’s a departure from Danelectro’s own<br />
rich heritage, bringing back a well-made and solidsounding<br />
instrument from rock’s childhood could be<br />
just the thing for modern-day hep cats. BP<br />
SPECS DANeLECTRO<br />
Pros Perfect look for a surf band; solid construction;<br />
lovably quirky tone with surprising<br />
diversity<br />
Cons Mildly messy electronics installation<br />
Bottom Line This rehash of a ’60s classic<br />
hits all the right notes.<br />
Construction Bolt-on<br />
Body Cyprus<br />
Neck Maple<br />
Neck width at nut 1y"<br />
Fingerboard Rosewood<br />
Frets 21<br />
String spacing 19mm<br />
Tuners Kluson-style<br />
Bridge Adjustable stop-tailpiece<br />
Pickups Bridge, Danelectro dual-lipstick<br />
humbucker with coil-split switch; neck,<br />
vintage-style single-coil<br />
Scale length 34"<br />
Controls Volume, tone, 3-way pickup selector<br />
Weight 8.0 lbs<br />
Made in China<br />
Contact danelectro.com<br />
bassplayer.com / march<strong>2017</strong> 49