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Arts & Letters, April 2018

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Most of this I glean from her Saturday assistant. The lonely<br />

crone is full of frivolous talk. My charms, and the treats I buy<br />

her at the tea shop, unlock secrets<br />

enced artiste.<br />

Her family is a small one—the parents have retired to their village home<br />

in Rajshahi, and two elder brothers live in nearby cities. Ayesha is almost<br />

twenty-four, and is often pressed to marry. Concerned relatives regularly<br />

send messages praising this or that bachelor. But Ayesha shows no interest<br />

in meeting a man to share her days with.<br />

Most of this I glean from her Saturday assistant. The lonely crone is<br />

full of frivolous talk. My charms, and the treats I buy her at the tea shop,<br />

unlock secrets. This woman fits perfectly into this slatternly megalopolis;<br />

her hands are crude and square and they look as capable of murder as<br />

they are of washing the fragile garments of sweet Ayesha.<br />

I know this shrew well, as well as I know this city of my birth. This<br />

great labyrinth of men and beasts shrieks and groans in the night as its<br />

bones stretch, as new buildings swell and bridges collapse, as red dust<br />

fills the air, and as cement bags, glass slabs, and iron rods stifle the sounds<br />

of childbirth, of pedestrians run over by VVIPs, of bulldozers clearing<br />

shanty-towns and forests, of women trafficked and raped and of worried<br />

children that pray in square madrasas. And our gentle youths sit by nonplussed,<br />

only to blow smoke into the skies. All of this takes place as motors<br />

and politicians belch carbon at us, and as compromised soldiers take<br />

aim, as seasons disappear, as idols topple and burn and as generations are<br />

buried in peaty and foreign marshes on their way to seek employment<br />

abroad.<br />

In daylight, just as at night when the power cuts arrive, this colossus of<br />

a city groans under the weight of its own frame, and as bones turn to diamond<br />

under the crush they are mined and shipped away quietly. While<br />

some acquire furs, others hunt frogs and rodents and monitor-lizards. But<br />

there is no right or wrong side for me—we are all tormented by gnats and<br />

give chase to flashy flags, in this mad, striped merry-go-round, while behind<br />

us we hear the hiss and gurgle of a tidal surge assuming shape.<br />

In my own days, as a marketing mercenary, I shielded myself from the<br />

squalor. I made money for myself – an astute and ruthless tradesman, my<br />

returns were high. But then, just as I thought there was nothing left in<br />

this warren for me to learn, nothing left to beat or break, I found Ayesha.<br />

The first day I spied on her, she was waiting for a bus. Tender-footed<br />

rascals horded about her, but Ayesha was patient. A rock, she held them<br />

down like bits of flapping papers. In all her simplicity, she struck me in the<br />

gut with the undeniable realization that before me stood the last, unpolluted<br />

woman in this city. And I knew then that she must be mine.<br />

I have been watching her since, to measure my stratagem.<br />

It is a minor irritation to discern that there is a competitor for my attention.<br />

The buffoon, his name is Kamal. Though he works in the restaurant<br />

as a waiter, he has his petty aspirations: His brother owns the restaurant.<br />

Kamal has been working there for three years and his sister attends a<br />

boarding school in the village. She visits her two brothers over the summer<br />

and on holidays. I study Kamal as closely as I watch the lesions that<br />

increasingly break over my skin.<br />

I have heard that for three years now, rain or shine, this jester has been<br />

wooing Ayesha. He never looks at any other. While he has never missed<br />

a morning, he does not try to approach or speak to her. He just sticks to<br />

his laughing and clapping thing, oblivious to the world that slows down<br />

to observe the encounter. It is not unusual for Ayesha to peer shyly when<br />

pedestrians confront Kamal and demand that he cease harassing her. But<br />

he, this bizarre man, keeps laughing with delight and their objections<br />

melt away in the face of his absurd innocence.<br />

Local shopkeepers tell me that Ayesha knows his name, but never<br />

speaks of him. Residents in the quarter are well accustomed to the daily<br />

ceremony. Kamal never fails to plant himself in his spot, greeting everyone.<br />

The imbecile is well-liked by neighborhood regulars—laborers pause<br />

to address him, housewives procuring groceries chuckle on espying him,<br />

and elders sit down to adda with him. They commonly anticipate Ayesha’s<br />

arrival. Children of the mohallah patrol the road and shout to Kamal that<br />

no, she was not there, or yes, she’s on the way, she’s almost here. Ayesha<br />

knows most of these children by name. They follow her, but she eventual<br />

15<br />

DHAKA TRIBUNE | SATURDAY, APRIL 14, <strong>2018</strong> ARTS & LETTERS

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