artstrike 1 9 9 0 - PhotoStatic Magazine - Detritus
artstrike 1 9 9 0 - PhotoStatic Magazine - Detritus
artstrike 1 9 9 0 - PhotoStatic Magazine - Detritus
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<strong>PhotoStatic</strong> <strong>Magazine</strong> Nº37 P R O D U C T I O N ,<br />
tive mental pictures rather than actions<br />
which have been rationally theorized.<br />
In 1985, when the PRAXIS group declared<br />
their intention to organize an Art Strike<br />
for the period 1990–1993, it resolved<br />
the question of what members of this<br />
group should do with their time for the<br />
five year period leading up to the strike.<br />
This period has been characterized by an<br />
ongoing struggle against the received<br />
culture of the reigning society (and has<br />
been physically manifested in the adop-<br />
tion of multiple identities such as Karen<br />
Eliot and the organization of events such<br />
as Festivals Of Plagiarism). What the<br />
organization of the Art Strike left unresolved<br />
was how members of PRAXIS and<br />
their supporters should use their time<br />
over the period of the strike. Thus, the<br />
strike has been positioned in clear opposition<br />
to closure—for every ‘problem’<br />
it has ‘resolved’, at least on new ‘problem’<br />
has been ‘created’.<br />
Stewart Home (1989)<br />
1382 A U G U S T