artstrike 1 9 9 0 - PhotoStatic Magazine - Detritus
artstrike 1 9 9 0 - PhotoStatic Magazine - Detritus
artstrike 1 9 9 0 - PhotoStatic Magazine - Detritus
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
N O T R E P R O D U C T I O N Retrofuturism Nº10<br />
P R Æ C I S I O<br />
by Geof Huth<br />
How can doing be nothing? How can<br />
I not-act? How can I not-move? I cannot<br />
stop my heart from its incessant<br />
beating, not stop my lungs from their<br />
filling and blowing out. Even my brain<br />
seems to writhe w/in my skull, thinking<br />
it over.<br />
Yet it is possible to do (almost literally)<br />
nothing. Maybe to actually do<br />
nothing we have to have never existed,<br />
but there are types of inaction that<br />
have meaning as action, & these are<br />
the præcisio we perform by.<br />
“The Dead String Quartet” is a skit<br />
by the original troupe of Saturday<br />
Night Live. The skit opens w/ the Dead<br />
String Quartet set up to play: four dead<br />
people seated in chairs w/ their instruments<br />
somehow propped in their laps,<br />
btwn their legs. No music plays. No<br />
one moves. The performance (such as<br />
it isn’t) is complete. (Destroying the<br />
purity of præcisio, at the end of the<br />
skit, the musicians begin to slip out<br />
of their positions, an imprecise music<br />
is aleatorically played on their instruments,<br />
& the quartet topples our of<br />
their seats.)<br />
It’s Gary Shandling’s Show is a program<br />
famous for the attention it pays<br />
to the “fourth wall”, the proscenium,<br />
that open wall that the audience can<br />
see thru. On television, this wall is our<br />
screen & is a tangible surface, an actual<br />
barrier btwn reality & video. It’s<br />
Gary Shandling’s Show attempts to<br />
break down this wall, to acknowledge<br />
its presence by talking to the audience<br />
& by admitting it is, after all, a television<br />
program. & in one episode, the<br />
program began with no-one. No person<br />
to talk to the audience, no Gary<br />
Shandling, the familiar stage, but<br />
Gary’d forgotten that his show was abt<br />
begin & he was busy somewhere else.<br />
The performance was absent. (Tho<br />
soon someone appeared on the stage,<br />
looking for Gary. Television producers<br />
don’t think their audiences are<br />
ready for præcisio.)<br />
Those præcisio actions turned into<br />
real action. For only a moment (a<br />
heartbeat) they existed before us (inhale,<br />
exhale) as nothing. But there are<br />
some examples of true præcisio<br />
nonperformances. Ramsey Clark, a<br />
former Attorney General of the United<br />
States, once began his defense of a<br />
group of 1960s demonstrators by resting<br />
his case. “I rest my case” (or something<br />
like this), he said. The case<br />
against his clients, he was telling us,<br />
was too ridiculous to warrant a defense.<br />
&, most incredible of all, Clark<br />
won his case.<br />
We perform nonaction every day,<br />
somewhere. We pass a disabled automobile<br />
on the road, not-stopping, nothelping.<br />
We don’t tell someone what<br />
they need to know. & we are fragile<br />
vessels of consciousness, carrying this<br />
nonaction with us wherever we go.<br />
Our past, a history of our future. Our<br />
thots, a memory of acts that never<br />
were. Nihil obstat [Nº7<br />
NOTES FROM<br />
THE STREET<br />
by R.K. Courtney<br />
I had been saving notes picked<br />
up in the street for about a year,<br />
even though I would probably<br />
not use many as collage material.<br />
So it was almost revelatory<br />
when I picked up the first slip in<br />
this series:<br />
Fri<br />
T__– Howdy!<br />
I didnt mean to be rude or anything<br />
yesterday. My xx for not<br />
saying more than hi –my mind<br />
was going a 1000mph. –but<br />
that’s no excuse. Have a good<br />
wkend & wk next wk.<br />
B.<br />
See the mark<br />
on your tire?<br />
Came today.<br />
1 9 8 9 1385