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N O T R E P R O D U C T I O N Retrofuturism Nº10<br />

P R Æ C I S I O<br />

by Geof Huth<br />

How can doing be nothing? How can<br />

I not-act? How can I not-move? I cannot<br />

stop my heart from its incessant<br />

beating, not stop my lungs from their<br />

filling and blowing out. Even my brain<br />

seems to writhe w/in my skull, thinking<br />

it over.<br />

Yet it is possible to do (almost literally)<br />

nothing. Maybe to actually do<br />

nothing we have to have never existed,<br />

but there are types of inaction that<br />

have meaning as action, & these are<br />

the præcisio we perform by.<br />

“The Dead String Quartet” is a skit<br />

by the original troupe of Saturday<br />

Night Live. The skit opens w/ the Dead<br />

String Quartet set up to play: four dead<br />

people seated in chairs w/ their instruments<br />

somehow propped in their laps,<br />

btwn their legs. No music plays. No<br />

one moves. The performance (such as<br />

it isn’t) is complete. (Destroying the<br />

purity of præcisio, at the end of the<br />

skit, the musicians begin to slip out<br />

of their positions, an imprecise music<br />

is aleatorically played on their instruments,<br />

& the quartet topples our of<br />

their seats.)<br />

It’s Gary Shandling’s Show is a program<br />

famous for the attention it pays<br />

to the “fourth wall”, the proscenium,<br />

that open wall that the audience can<br />

see thru. On television, this wall is our<br />

screen & is a tangible surface, an actual<br />

barrier btwn reality & video. It’s<br />

Gary Shandling’s Show attempts to<br />

break down this wall, to acknowledge<br />

its presence by talking to the audience<br />

& by admitting it is, after all, a television<br />

program. & in one episode, the<br />

program began with no-one. No person<br />

to talk to the audience, no Gary<br />

Shandling, the familiar stage, but<br />

Gary’d forgotten that his show was abt<br />

begin & he was busy somewhere else.<br />

The performance was absent. (Tho<br />

soon someone appeared on the stage,<br />

looking for Gary. Television producers<br />

don’t think their audiences are<br />

ready for præcisio.)<br />

Those præcisio actions turned into<br />

real action. For only a moment (a<br />

heartbeat) they existed before us (inhale,<br />

exhale) as nothing. But there are<br />

some examples of true præcisio<br />

nonperformances. Ramsey Clark, a<br />

former Attorney General of the United<br />

States, once began his defense of a<br />

group of 1960s demonstrators by resting<br />

his case. “I rest my case” (or something<br />

like this), he said. The case<br />

against his clients, he was telling us,<br />

was too ridiculous to warrant a defense.<br />

&, most incredible of all, Clark<br />

won his case.<br />

We perform nonaction every day,<br />

somewhere. We pass a disabled automobile<br />

on the road, not-stopping, nothelping.<br />

We don’t tell someone what<br />

they need to know. & we are fragile<br />

vessels of consciousness, carrying this<br />

nonaction with us wherever we go.<br />

Our past, a history of our future. Our<br />

thots, a memory of acts that never<br />

were. Nihil obstat [Nº7<br />

NOTES FROM<br />

THE STREET<br />

by R.K. Courtney<br />

I had been saving notes picked<br />

up in the street for about a year,<br />

even though I would probably<br />

not use many as collage material.<br />

So it was almost revelatory<br />

when I picked up the first slip in<br />

this series:<br />

Fri<br />

T__– Howdy!<br />

I didnt mean to be rude or anything<br />

yesterday. My xx for not<br />

saying more than hi –my mind<br />

was going a 1000mph. –but<br />

that’s no excuse. Have a good<br />

wkend & wk next wk.<br />

B.<br />

See the mark<br />

on your tire?<br />

Came today.<br />

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