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BeatRoute Magazine [AB] print e-edition - [May 2018]

BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics.

BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics.

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Proud Mary<br />

All The Money In The World<br />

Molly’ Game<br />

THE VIDIOT<br />

fresh and funny<br />

THE GREATEST SHOWMAN<br />

Being the ringmaster of a circus means that<br />

you get your pick of the freaks to marry.However,<br />

that rule doesn’t apply to the host in this<br />

musical because he’s already wed.<br />

Following a string of dead-end ventures, entrepreneur<br />

P. T. Barnum (Hugh Jackman) finally<br />

finds his calling under the big top. After trading<br />

in his curio exhibit for the real-thing, adding<br />

a trapeze artist (Zendaya) and a songbird<br />

(Rebecca Ferguson) to his menagerie, Barnum<br />

then partners with an eminent dramatist (Zac<br />

Efron) to bring his show to the masses. Seduced<br />

by his success, Barnum now risks losing his wife<br />

(Michelle Williams) and his performers.<br />

While this socially conscience reinterpretation<br />

of Barnum’s real life has a number of toe<br />

tapping tunes and dance numbers to its credit,<br />

as well as a dynamic performance from Jackman,<br />

it is completely fictional and misleading.<br />

Incidentally, circus sideshows still exist;<br />

they’re just called Walmarts now.<br />

ALL THE MONEY IN THE WORLD<br />

You know you’ve made it when strangers<br />

kidnap your children for ransom.<br />

So, for the industrialist in this drama, payoffs<br />

are just part of everyday life.<br />

When her son is taken hostage Gail Harris<br />

(Michelle Williams) asks her father-in-law J.<br />

Paul Getty (Christopher Plummer) for the<br />

$17M ransom to free him, but the oil magnate<br />

flatly refuses for fear it will encourage copycats.<br />

He does, however, hire ex-CIA agent Fletcher<br />

Chase (Mark Wahlberg) to look into his grandson’s<br />

release. But when the payment is delayed,<br />

the kidnappers send the heir’s ear in the mail.<br />

Based on the real-life events of 1973 that<br />

brought the reclusive miser into the media<br />

spotlight, exposing his cruelty and stinginess to<br />

the world, director Ridley Scott and cast tell a<br />

compelling and complex tale of the failings of<br />

fortune and family.<br />

Incidentally, avoid kidnapping middle children<br />

as they yield the least amount of ransom.<br />

​MOLLY’S GAME<br />

Poker is one activity where the facially deformed<br />

can really clean up. Unfortunately, the<br />

action in this drama is only open to handsome<br />

Hollywood actors.<br />

From slinging suds in a nightclub to hosting<br />

an underground poker match for her boss that<br />

included celebrity players to eventually running<br />

her own game, Molly Bloom (Jessica Chastain)<br />

was on top of the world by 26. But when an<br />

unspecified celebrity (Michael Cera), doesn’t<br />

get a cut of the take he forces Molly out of LA.<br />

Things go better in NYC, until the mafia and<br />

FBI reshuffle her deck.<br />

The Greatest Showman<br />

Written and directed by Aaron Sorkin, this<br />

18 | MAY <strong>2018</strong> • BEATROUTE<br />

BY SHANE SELLAR<br />

adaptation of Bloom’s own book is reinterpreted<br />

through the acerbic scribe’s witticisms and<br />

rapid-pace repartee. Thankfully, his writing skills<br />

translate to behind the camera, where he gets a<br />

powerhouse performance from Chastain.<br />

Fortunately, you can make up gambling<br />

losses to a movie star by pirating their next<br />

blockbuster.<br />

INSIDIOUS: THE LAST KEY<br />

Scientists have concluded that monsters live<br />

underneath beds because they drink kid pee.<br />

Fortunately, the fiend in this horror movie feeds<br />

off of fear, not tinkle.<br />

When medium Elise (Lin Shaye) agrees to<br />

help the new owner of her ancestral home<br />

get rid of the evil spirits within, she takes the<br />

opportunity to reconnect with her estranged<br />

brother (Bruce Davison) and family. But when a<br />

creature called Key Face captures Elise’s niece’s<br />

soul to feed upon, she must travel to the astral<br />

plane to reclaim it, and destroy the entity that<br />

has hounded her family for years.<br />

While this prequel, and fourth installment<br />

in the metaphysical franchise, ties nicely into<br />

the original movie, the mystical realm concept<br />

has definitely run its course. What’s more, the<br />

key-centric villain is utterly laughable, while the<br />

scares are predictable.<br />

Besides, this lady should just be thankful that<br />

her childhood home hasn’t become an infill.<br />

PROUD MARY<br />

You don’t see many hitwomen around because<br />

they refuse to kill anyone who is cute.<br />

Luckily, the button lady in this action movie<br />

only has ugly marks to eliminate.<br />

When contract killer Mary (Taraji P.<br />

Henson) takes in an underage hustler, she<br />

is forced to kill his connected boss in order<br />

to gain his freedom. But when Mary’s boss<br />

(Danny Glover) is blamed for the hit, it<br />

sets off a turf war with Mary and her ward<br />

caught in the middle. Meanwhile, Mary’s<br />

unexplained guilt towards the child becomes<br />

clearer as the bodies pile up.<br />

Although it harkens back to the violence<br />

of the 1970s Blaxploitation genre, this<br />

modernization of those urban actioneers<br />

lacks their social conscience. Instead, this is<br />

just a muddled mess with highly improbable<br />

action scenes, lackluster dialogue and a<br />

clawless performance from Henson.<br />

Incidentally, female assassins would be<br />

more successful if they stopped sending<br />

condolence cards.<br />

He’s the Burnt Toast of the Town. He’s<br />

the…. Vidiot<br />

Four Films in <strong>May</strong><br />

April (snow) showers bring <strong>May</strong> films. Can you think of a better<br />

place to usher in spring than a cool, dark theatre or a hip coffee<br />

shop after dark? Neither can we.<br />

Uncle Boonmee Who Can Recall His Past Lives is an universal<br />

experience which every creature must endure. Boonmee (Thanapat<br />

Saisaymar) has led a tumultuous life and now is facing death<br />

due to a kidney disease. Sister-in-law Jen (Jenjira Pongpas) and<br />

caretakers help for Boonmee in his home in the jungle. Over the<br />

course of the film the ghost of Boonmee’s wife appears to him as<br />

help, his son returns as a type of yeti, and additional otherworldly<br />

creatures appear. With firm subject matter, Director Apichatpong<br />

Weerasethakul uses surrealist themes for the subject of<br />

death.<br />

Uncle Boonmee Who Can Recall His Past Lives plays at the Globe<br />

Cinema on <strong>May</strong> 5 at 7 p.m.<br />

The Great Silence is a spaghetti-western directed by Italian director<br />

Sergio Corbucci. Silence (Jean-Louis Trintignant) is a mute<br />

due to bounty-hunters slicing his vocal cords. Silence joins a<br />

team of outlaws and a widow (Vonetta McGee) in a showdown<br />

between corrupt bounty hunters. A star of many Herzog films,<br />

Klaus Kinski plays Loco, the leader of the blood thirsty bounty<br />

hunters. This film shows the extents taken for survival, disregarding<br />

whether the audience will find the choices favourable or not.<br />

Corbucci was influenced by the deaths of both Malcolm X and<br />

Che Guevara. With this he intertwines politically-driven themes<br />

within the film.<br />

The Great Silence Screens at the Globe Cinema on <strong>May</strong> 12 at 7 p.m.<br />

Lowlife is separated into four vignettes showing pieces of each<br />

character. Crystal (Nicki Micheaux) is a motel owner who houses<br />

undocumented immigrants. One night she is raided due to<br />

Teddy (Mark Burnham), a man of many trades who sells organs<br />

taken from these workers or forces them into prostitution. El<br />

Monstruo (Ricardo Adam Zarate), is a Mexican wrestler with<br />

simmering anger issues working for Teddy. We meet the ex-convict<br />

Randy (Jon Oswald) fresh out of prison with a swastika<br />

tattooed on his face. Regardless of the raid, Crystal comes to<br />

Teddy asking for a kidney for her husband who soon may die.<br />

This strange crew of individuals come together in a messy plan<br />

of getting an kidney for Crystal’s husband. Lowlife is brought to<br />

the screen by Ryan Prows who provides a journey of adrenaline<br />

rushes, tender moments, and dark humour at its finest.<br />

Lowlife opens <strong>May</strong> 4 at the Globe Cinema<br />

The Big Sleep stars the seductive couple of 1940s Hollywood,<br />

Humphrey Bogart and Lauren Bacall, with Bogart playing<br />

detective Philip Marlowe. General Sternwood (Charles Waldron)<br />

hires Marlowe to handle a blackmailer out to get his daughter,<br />

Carmen (Martha Vickers) and meets her husky-voiced sibling,<br />

Vivian (Bacall). As the case goes on Marlowe becomes entangled<br />

in murders of porn dealers and gambling houses in which Vivian<br />

spends most nights. Director Howard Hawks delivers the classic<br />

Raymond Chandler tale as a film noir showing the seedy underbelly<br />

of life and the consequences of being witness to it.<br />

EspressoKino presents The Big Sleep at The Roasterie on <strong>May</strong> 10 at<br />

9 p.m.<br />

• CHLOE LAWSON<br />

FILM

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