BeatRoute Magazine [AB] print e-edition - [May 2018]
BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics.
BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics.
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ROOTS<br />
JILL BARBER<br />
her head and heart in the game<br />
t’s the story of my life!” exclaims Jill Barber<br />
“Iover the phone from the quiet nook of a<br />
Vancouver public library. This reaction came<br />
from discussing both the implications and<br />
liberties of not neatly fitting in any box. The<br />
singer-songwriter’s thoughts on the matter are<br />
dusted with the wisdom of someone who has<br />
unabashedly given their heart to their craft.<br />
“At the heart of it all, I am a singer-songwriter.<br />
I love to write songs. Across genres I am a<br />
sucker for a hook, a strong chorus, lyrics, an<br />
awesome bridge. I believe in the great three or<br />
four-minute song that takes you out of where<br />
you were before, and delivers you to a new<br />
place at the end of it. It stirs something in you,<br />
moves you, makes you want to dance or want<br />
to call somebody. I think songs are amazing<br />
vehicles for experiences. And much like my<br />
record collection, which is not any one genre,<br />
my body of work is reflective of different<br />
influences and styles. I go through different<br />
phases of exploring, but at the end of the day<br />
I’m just writing songs. Songs that hopefully<br />
can transcend genres.”<br />
Overcome with a burst of creativity, Barber<br />
injected her forthcoming album, Metaphora,<br />
with the newfound energy and excitement she<br />
felt pulsing through her veins. The record—to<br />
be released in June—takes an unlikely, but<br />
rousing turn into the realm of contemporary<br />
pop. Her eighth solo album under her belt,<br />
Barber continues to prove that there is no<br />
expiry date on creative growth.<br />
“The number one thing that was different<br />
for me with the process of making this record<br />
is that I worked with 100 percent new people.<br />
Everyone that contributed to this record,<br />
from the song writing to the production, is<br />
BY ALIX BRUCH<br />
someone that I’ve never worked with before.<br />
So the spirit of new and different collaboration<br />
was very much alive on this record. That made<br />
things really exciting for me.”<br />
One such collaboration was with Ryan<br />
Guldemond, from the popular Canadian indie<br />
band Mother, Mother. Those familiar with<br />
each respective artist, this isn’t an obvious<br />
pairing, but one that offered the excitement<br />
and fresh approach Barber was craving.<br />
“I really wanted to work with people that<br />
were outside of my musical milieu,” explains<br />
Barber. “In the last four years since my last<br />
record came out, I feel the desire to be more<br />
energetic in my music and I need it as an outlet<br />
more than ever before. I wanted to groove<br />
a little bit more, I wanted to dance, I wanted to<br />
throw my body into it.”<br />
As a result of dancing up a storm, the<br />
spirited songstress has brought us new material<br />
that is empowering, and well, downright<br />
catchy. Metaphora is a marriage of the<br />
head and the heart: a powerful combination<br />
of strength and vulnerability. Barber has felt<br />
a change in the winds, bringing into relief<br />
the state of the world as pertaining to politics,<br />
power, and sexuality.<br />
“Over the last four years I’ve realized<br />
there’s a lot that I want to say, and a lot of<br />
the nature of what I wanted to say needed a<br />
new musical vehicle. I wanted to get a little<br />
political for the first time as a writer. Matters<br />
of the heart have been my mainstay theme,<br />
and as a woman living in <strong>2018</strong> I felt the urge<br />
to start expressing myself and my beliefs in<br />
my music a little bit more. I think there’s a lot<br />
of good that can come of me just expressing<br />
how my heart feels, but I think my head is a<br />
little more in the game now.”<br />
Prior to this new venture, Barber was busy<br />
with a special project that saw her teaming<br />
up with her older brother and fellow musical<br />
comrade, Matthew Barber. The siblings released<br />
The Family Album in 2016; an endeavour<br />
that was always on the horizon and at long<br />
last came to fruition.<br />
“We are big fans of one another, and we<br />
have a lot of mutual respect for one another,<br />
so that was a good starting place. We had a lot<br />
of fun making this record and touring together,<br />
but I think we were also happy to return to<br />
our own original projects as well. We’re both<br />
creators, and at the end of the day we want to<br />
do things our own way.”<br />
Jill Barber performs at the Bragg Creek Community<br />
Centre, Sat., <strong>May</strong> 5.<br />
ROOTS BEATROUTE • MAY <strong>2018</strong> | 47