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BeatRoute Magazine [AB] print e-edition - [May 2018]

BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics.

BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics.

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ROOTS<br />

JILL BARBER<br />

her head and heart in the game<br />

t’s the story of my life!” exclaims Jill Barber<br />

“Iover the phone from the quiet nook of a<br />

Vancouver public library. This reaction came<br />

from discussing both the implications and<br />

liberties of not neatly fitting in any box. The<br />

singer-songwriter’s thoughts on the matter are<br />

dusted with the wisdom of someone who has<br />

unabashedly given their heart to their craft.<br />

“At the heart of it all, I am a singer-songwriter.<br />

I love to write songs. Across genres I am a<br />

sucker for a hook, a strong chorus, lyrics, an<br />

awesome bridge. I believe in the great three or<br />

four-minute song that takes you out of where<br />

you were before, and delivers you to a new<br />

place at the end of it. It stirs something in you,<br />

moves you, makes you want to dance or want<br />

to call somebody. I think songs are amazing<br />

vehicles for experiences. And much like my<br />

record collection, which is not any one genre,<br />

my body of work is reflective of different<br />

influences and styles. I go through different<br />

phases of exploring, but at the end of the day<br />

I’m just writing songs. Songs that hopefully<br />

can transcend genres.”<br />

Overcome with a burst of creativity, Barber<br />

injected her forthcoming album, Metaphora,<br />

with the newfound energy and excitement she<br />

felt pulsing through her veins. The record—to<br />

be released in June—takes an unlikely, but<br />

rousing turn into the realm of contemporary<br />

pop. Her eighth solo album under her belt,<br />

Barber continues to prove that there is no<br />

expiry date on creative growth.<br />

“The number one thing that was different<br />

for me with the process of making this record<br />

is that I worked with 100 percent new people.<br />

Everyone that contributed to this record,<br />

from the song writing to the production, is<br />

BY ALIX BRUCH<br />

someone that I’ve never worked with before.<br />

So the spirit of new and different collaboration<br />

was very much alive on this record. That made<br />

things really exciting for me.”<br />

One such collaboration was with Ryan<br />

Guldemond, from the popular Canadian indie<br />

band Mother, Mother. Those familiar with<br />

each respective artist, this isn’t an obvious<br />

pairing, but one that offered the excitement<br />

and fresh approach Barber was craving.<br />

“I really wanted to work with people that<br />

were outside of my musical milieu,” explains<br />

Barber. “In the last four years since my last<br />

record came out, I feel the desire to be more<br />

energetic in my music and I need it as an outlet<br />

more than ever before. I wanted to groove<br />

a little bit more, I wanted to dance, I wanted to<br />

throw my body into it.”<br />

As a result of dancing up a storm, the<br />

spirited songstress has brought us new material<br />

that is empowering, and well, downright<br />

catchy. Metaphora is a marriage of the<br />

head and the heart: a powerful combination<br />

of strength and vulnerability. Barber has felt<br />

a change in the winds, bringing into relief<br />

the state of the world as pertaining to politics,<br />

power, and sexuality.<br />

“Over the last four years I’ve realized<br />

there’s a lot that I want to say, and a lot of<br />

the nature of what I wanted to say needed a<br />

new musical vehicle. I wanted to get a little<br />

political for the first time as a writer. Matters<br />

of the heart have been my mainstay theme,<br />

and as a woman living in <strong>2018</strong> I felt the urge<br />

to start expressing myself and my beliefs in<br />

my music a little bit more. I think there’s a lot<br />

of good that can come of me just expressing<br />

how my heart feels, but I think my head is a<br />

little more in the game now.”<br />

Prior to this new venture, Barber was busy<br />

with a special project that saw her teaming<br />

up with her older brother and fellow musical<br />

comrade, Matthew Barber. The siblings released<br />

The Family Album in 2016; an endeavour<br />

that was always on the horizon and at long<br />

last came to fruition.<br />

“We are big fans of one another, and we<br />

have a lot of mutual respect for one another,<br />

so that was a good starting place. We had a lot<br />

of fun making this record and touring together,<br />

but I think we were also happy to return to<br />

our own original projects as well. We’re both<br />

creators, and at the end of the day we want to<br />

do things our own way.”<br />

Jill Barber performs at the Bragg Creek Community<br />

Centre, Sat., <strong>May</strong> 5.<br />

ROOTS BEATROUTE • MAY <strong>2018</strong> | 47

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