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NORTH WEST WORDS<br />
SPRING / SUMMER <strong>2018</strong> ISSUE 9<br />
Editorial<br />
Welcome to the <strong>Spring</strong>/<strong>Summer</strong> issue of the North West Words magazine. We are delighted to<br />
bring you another edition filled with 34 poems <strong>and</strong> 5 short stories from Irel<strong>and</strong> <strong>and</strong> beyond. At the<br />
end of 2017, North West Words ran two adult poetry competitions - one in English <strong>and</strong> one in Irish.<br />
This issue proudly presents the shortlisted <strong>and</strong> winning poems from both of those competitions.<br />
Ten English language poems were shortlisted by poet Kate Newmann, with the overall winner<br />
announced at our January award night: Noel Connor’s poem “Damaged Tins”. Five Irish language<br />
poems were shortlisted by poet <strong>and</strong> fiction writer Proinsias Mac ’Bhaird, with the overall winner<br />
announced at our February award night: Art Ó Súilleabháin’s “Gur fút is breá liom”. Congratulations<br />
to all the shortlisted poets, <strong>and</strong> we hope our readers enjoy, as much as we did, the many voices of<br />
our competition poetry.<br />
Also featured are editors’ selections from our open submissions of both poetry <strong>and</strong> fiction, a new<br />
review section by Deirdre Hines, <strong>and</strong> a writing group showcase with the Station House Writers.<br />
Images included in this issue are from Donegal natives, Lorraine Carey (a poet <strong>and</strong> an artist), <strong>and</strong><br />
Eamonn Bonner (a poet <strong>and</strong> photographer).<br />
When Emily Dickinson required a symbol for herself, she chose the wren, clover or spider. She was<br />
deeply familiar with the biology of such species. Much of her worldview was formed in her backyard<br />
garden. We are told that human beings are homophilous, that they tend to associate <strong>and</strong> bond with<br />
similar others. Homophily is posited over <strong>and</strong> over again in politics <strong>and</strong> religion <strong>and</strong> in much of our<br />
media as a type of justification for the impossibility of two diametrically opposed sides to ever come<br />
to a real <strong>and</strong> respectful underst<strong>and</strong>ing of each other. And then we have poets. And the best of our<br />
prose writers. Human beings who seem only too willing to enter into the reality of another, to<br />
embrace it, to become it, to write about it, <strong>and</strong> to offer it to the world at large as proof that we are<br />
amorphous beings, that we can <strong>and</strong> do walk in as many different forms as are extant on the world<br />
surface, <strong>and</strong> maybe even beyond that. The writers in this edition of North West Words Magazine all<br />
eschew homophily as a modus oper<strong>and</strong>i. Ali Znaidi's says 'No-one questions the seduction of<br />
corners' in “That Magic Within”. Attracta Fahy enters the throat of the thrush in “Philemos” <strong>and</strong><br />
Sharon Thompson's central character communes with the creatures in the shadows in her short<br />
story “The Healer”.<br />
Writers forage for those truths that hide behind the ostensible meaning of words. Language belongs<br />
to the people <strong>and</strong> with poems like “A Secret” by Michael, Kate Ennals' “What Word Would You<br />
Choose To Be?”, <strong>and</strong> Leo V<strong>and</strong>erpot's “Note Left On A Librarian's Desk”. Language belongs to the<br />
people <strong>and</strong> the writers in this section do just that.<br />
Much writing takes place after deep reflection. Paul Moore's short story “The Librarian” counters<br />
<strong>and</strong> subverts much of the homophily surrounding sectarian divide in the North. Just as importantly<br />
his main characters counter the populist protagonist <strong>and</strong> think just to think.<br />
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