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Cloud Folk

by John Psathas | Percussion Octet and Piano

by John Psathas | Percussion Octet and Piano

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Psathas has always embraced writing for large ensembles, and this has intensified since the<br />

turn of the century. He was selected to score much of the opening ceremony of the Athens<br />

2004 Olympic Games, which led to a proliferation of large-scale projects, collaborating with<br />

artists from dozens of musical traditions. Much of his work since 2010 has overt social and<br />

historical commentary at its core. Psathas handled the orchestral arrangements for the Elect<br />

the Dead Symphony, featuring Armenian-American rock musician Serj Tankian. The album<br />

reached No.2 on the Billboard Classical Album Chart. Psathas wrote the original score for<br />

the feature film White Lies, described as a depiction of the head-on clash of beliefs and the<br />

nature of identity in early New Zealand European settler society. Between Zero and One is<br />

inspired by ancient and modern rhythms, and brings musicians from around the world into<br />

the concert space via interactive projection, transforming and challenging the traditional<br />

experience of fixed-location, temporally-contained performance. Psathas collaborated<br />

with Tankian once again for the song 100 Years, which is featured in the soundtrack to the<br />

film 1915, an unflinching exploration and remembrance of the 1915 Armenian Genocide.<br />

Most recently, Psathas co-produced and wrote music for the epic experimental film project<br />

No Man’s Land—a project conceived to overtly challenge the accepted handling of World<br />

War I commemorations—and involved filming and integrating 150 musicians from more<br />

than 25 different countries, including Oum El Ghait (Morocco), Meeta Pandit (India), Bijan<br />

Chemirani (Iran/France), Marta Sebestyen (Hungary), Vagelis Karipis (Greece), Refugees of<br />

Rap (Syria), and Derya Turkan and Saddredin Ozcimi (Turkey).<br />

Psathas has received an array of awards and honours, including twice winning the SOUNZ<br />

Contemporary APRA Silver Scroll Award (2002 and 2004) for individual works and being<br />

awarded three Classical Album of the Year awards (2000, 2004 and 2007) in the NZ Music<br />

Awards. In 2003 he was made a New Zealand Arts Foundation Laureate and in 2005 was<br />

appointed an Officer of the New Zealand Order of Merit (ONZM). He teaches composition<br />

at the New Zealand School of Music (Victoria University of Wellington), receiving the title<br />

of Professor in Composition in 2011. In 2014, Victoria University of Wellington conferred<br />

Psathas the degree of Doctor of Music (DMus), a higher doctorate in recognition for the<br />

immense body of work he has contributed to his field.<br />

Latest information about the composer may be found at www.johnpsathas.com.<br />

PE190 – iv

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