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UJ #17 - Traditional Peru

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Gihan Tubbeh / PromPerú<br />

Gihan Tubbeh / PromPerú<br />

fair takes over the Acuchimay hillside, featuring local<br />

products, crafts, and food. Meanwhile, in Huamanga,<br />

the Pascuatoro takes place, and a bull is released in<br />

the streets as spectators flee to avoid getting trampled<br />

– much in the same style of what is done in San Fermin,<br />

Spain. As evening descends, Ayacucho’s main plaza fills<br />

with people singing and dancing in celebration.<br />

The worshipers<br />

cloak themselves<br />

in candlelight<br />

during the<br />

processions.<br />

The eloquence of<br />

Ayacucho’s Holy<br />

Week images as<br />

reflected on the<br />

face of the Virgen<br />

Dolorosa.<br />

only by the candles held by faithful devotees. In Ayacucho,<br />

every procession has a reason of being and a story to tell.<br />

On Maundy Thursday the processions cease and the<br />

townspeople spend the day touring the city’s churches.<br />

Then, on the eve of Good Friday, silence descends and<br />

the streets of the city fill with dozens of women dressed<br />

in black, who accompany the Virgen Dolorosa as she<br />

weeps and mourns before the Holy Tomb.<br />

It is not until Saturday morning that the atmosphere turns<br />

festive, as church bells ring throughout the city, marking<br />

the beginning of the celebration. A grand, traditional<br />

Then, back where we started: Easter Sunday, at the foot<br />

of Jesus’ plinth. Each detail on it has a specific significance<br />

that seamlessly ties in with the Andean worldview.<br />

Its triangular shape represents the mountains, the<br />

Apus; the wax figures that adorn it are in the shape of<br />

flowers and corn – offerings typically used to request<br />

a good harvest. As the plinth slowly advances through<br />

the crowds, making its way to the plaza, hundreds of<br />

people take turns carrying it on their shoulders. Here,<br />

it is not about an exclusive brotherhood. It is the very<br />

townspeople who give life to one of the most important<br />

cultural expressions in <strong>Peru</strong> and the world.<br />

THE ‘APUYAYA JESUCRISTO’ (POWERFUL<br />

LORD JESUS CHRIST) IS THE MOST<br />

REPRESENTATIVE SONG FEATURED IN<br />

AYACUCHO’S HOLY WEEK CELEBRATION.<br />

IT WAS COMPOSED IN QUECHUA<br />

DURING THE COLONIAL TIMES BY FRAY<br />

LUIS JERONIMO DE ORE, A FRANCISCAN<br />

PRIEST FROM HUAMANGA.<br />

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