UJ #17 - Traditional Peru
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
Gihan Tubbeh / PromPerú<br />
Gihan Tubbeh / PromPerú<br />
fair takes over the Acuchimay hillside, featuring local<br />
products, crafts, and food. Meanwhile, in Huamanga,<br />
the Pascuatoro takes place, and a bull is released in<br />
the streets as spectators flee to avoid getting trampled<br />
– much in the same style of what is done in San Fermin,<br />
Spain. As evening descends, Ayacucho’s main plaza fills<br />
with people singing and dancing in celebration.<br />
The worshipers<br />
cloak themselves<br />
in candlelight<br />
during the<br />
processions.<br />
The eloquence of<br />
Ayacucho’s Holy<br />
Week images as<br />
reflected on the<br />
face of the Virgen<br />
Dolorosa.<br />
only by the candles held by faithful devotees. In Ayacucho,<br />
every procession has a reason of being and a story to tell.<br />
On Maundy Thursday the processions cease and the<br />
townspeople spend the day touring the city’s churches.<br />
Then, on the eve of Good Friday, silence descends and<br />
the streets of the city fill with dozens of women dressed<br />
in black, who accompany the Virgen Dolorosa as she<br />
weeps and mourns before the Holy Tomb.<br />
It is not until Saturday morning that the atmosphere turns<br />
festive, as church bells ring throughout the city, marking<br />
the beginning of the celebration. A grand, traditional<br />
Then, back where we started: Easter Sunday, at the foot<br />
of Jesus’ plinth. Each detail on it has a specific significance<br />
that seamlessly ties in with the Andean worldview.<br />
Its triangular shape represents the mountains, the<br />
Apus; the wax figures that adorn it are in the shape of<br />
flowers and corn – offerings typically used to request<br />
a good harvest. As the plinth slowly advances through<br />
the crowds, making its way to the plaza, hundreds of<br />
people take turns carrying it on their shoulders. Here,<br />
it is not about an exclusive brotherhood. It is the very<br />
townspeople who give life to one of the most important<br />
cultural expressions in <strong>Peru</strong> and the world.<br />
THE ‘APUYAYA JESUCRISTO’ (POWERFUL<br />
LORD JESUS CHRIST) IS THE MOST<br />
REPRESENTATIVE SONG FEATURED IN<br />
AYACUCHO’S HOLY WEEK CELEBRATION.<br />
IT WAS COMPOSED IN QUECHUA<br />
DURING THE COLONIAL TIMES BY FRAY<br />
LUIS JERONIMO DE ORE, A FRANCISCAN<br />
PRIEST FROM HUAMANGA.<br />
31