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Tropicana Magazine Sep-Oct 2018 #120: Art As Life

Tropicana Magazine's ART AS LIFE issue features Ai Wei Wei as the Game Changer activist of the Arts, MD of Simmons SouthEastAsia Mr Casey Teh talks about Somnology - the science of sleep; Check out our curated lists for you end of year travel plans

Tropicana Magazine's ART AS LIFE issue features Ai Wei Wei as the Game Changer activist of the Arts, MD of Simmons SouthEastAsia Mr Casey Teh talks about Somnology - the science of sleep; Check out our curated lists for you end of year travel plans

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CULTURE | MUSIC<br />

Treble, Clef and Canvas<br />

The avant-garde artists bringing art to their music.<br />

UTOPIA<br />

BJORK<br />

Released at the end of<br />

2017 and the second<br />

album to follow<br />

the breakup of her<br />

relationship, ‘Utopia’ is<br />

Bjork’s symphonic ode<br />

to love. Clocking in at<br />

a record 72 minutes it<br />

is also Bjork’s longest<br />

studio album to date.<br />

Collaborating with<br />

Venezuelan producer<br />

Alejandro Ghersim, the<br />

effort is unabashedly<br />

romantic, with the<br />

Icelandic wonder opening up and baring her soul in a torrent of emotions<br />

that explore the idea of togetherness. Musically, the flute takes centre stage,<br />

while elsewhere the light airy sounds of an Icelandic Hamrahlid choir and<br />

sampled bird songs take flight. Nevertheless, the album’s epic closer ‘Future<br />

Forever’ is its most pared down, just a synth organ and Bjork’s trademark her<br />

vocal gymnastics, swooping and diving with the grace of native Icelandic and<br />

Venezuelan birds.<br />

Our Pick...<br />

THE VELVET<br />

UNDERGROUND<br />

The New York band’s<br />

most experimental<br />

album, ‘The Velvet<br />

Underground & Nico’<br />

heralded both a new<br />

rock sound and grittily<br />

realistic approach to lyric<br />

crafting. Featuring 11<br />

tracks, it mixes Lou Reed’s<br />

deadpan vocals and his<br />

undeniable ability to turn<br />

the everyday and ugly<br />

into visual poetry with<br />

taut, groovy psychedelic<br />

rock. Detailing paranoia, drug use, longing and addiction, some of the band’s<br />

finest tracks appear, including ‘I’m Waiting For The Man’, ‘Venus In Furs’,<br />

‘Heroin’ and ‘Sunday Morning’. German singer Nico guests on three tracks<br />

at the insistence of manager Andy Warhol, whose by now famous yellow<br />

banana sticker appears on the cover. Mired in a legal rights battle after it<br />

was released in 1967, the album performed poorly, but remains critically<br />

acclaimed and highly influential.<br />

TANGERINE REEF<br />

ANIMAL COLLECTIVE<br />

Baltimore’s experimental pop band, Animal Collective,<br />

is a quartet whose members float in and out of projects<br />

at will. On ‘Tangerine Reef’, Panda Bear is missing<br />

and with him his pop-centric hooks. Instead the<br />

group has roped in Coral Morphologic for the band’s<br />

second audio-visual output; the Miami duo, that<br />

grow and photograph coral, capture the colour and<br />

life of the underwater world. Combined with Animal<br />

Collective’s ambient otherworldly soundscape of<br />

noise rock and freak folk, and lead singer Avey Tare’s<br />

despairing vocals, ‘Tangerine Reef’ conjures up the<br />

marine devastation being visited upon the oceans by<br />

coral bleaching, run off and plastic debris to suitably<br />

mournful effect.<br />

TRANS EUROPA<br />

EXPRESS<br />

KRAFTWERK<br />

Before there<br />

was EDM,<br />

house, techno,<br />

hip-hop or new<br />

wave, there<br />

was Kraftwerk.<br />

Formed in<br />

Dusselfdorf in<br />

1970, the avantgarde<br />

German<br />

collective is the<br />

progenitor of<br />

modern electronic music laying down the foundations<br />

for numerous musical movements that followed. Of their<br />

many timeless albums, ‘Trans Europa Express’ is widely<br />

regarded as their best and spawned its eponymous single<br />

(later sampled by Afrika Bambaataa on ‘Planet Rock’) and<br />

‘Showroom Dummies’. Today, its original members, now<br />

in their 60s, have moved on; only Ralf Hutter continues<br />

to perform live with newer members, yet 41 years on,<br />

the album of pulsating beats and synthesized emotions<br />

still sounds fresh, presciently predicting the ubiquity of<br />

technology, computers and robots.<br />

CURATED BY REMI DUTTA<br />

TM | SEPTEMBER/OCTOBER <strong>2018</strong><br />

18

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