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Refurb Projects - November 2018

Refurb Projects launched in 1987 to cater for the expanding Repair, Maintenance, Improvement and Refurb sectors of the UK Building Industry. This represents a massive market, with refurbishment in the Health, Leisure, Education and Social Housing sectors expecting to be the mainstay of the industry for the foreseeable future. Sustainability and the protection of the built environment are essential ingredients of the refurbishment market, and Refurb Projects Journal is a leader in reporting and promoting these ideals.

Refurb Projects launched in 1987 to cater for the expanding Repair, Maintenance, Improvement and Refurb sectors of the UK Building Industry. This represents a massive market, with refurbishment in the Health, Leisure, Education and Social Housing sectors expecting to be the mainstay of the industry for the foreseeable future. Sustainability and the protection of the built environment are essential ingredients of the refurbishment market, and Refurb Projects Journal is a leader in reporting and promoting these ideals.

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Millcroft Supports Conservation at<br />

The Painted Hall, Greenwich<br />

PROJECTS<br />

The Painted Hall at the Royal<br />

Naval College at Greenwich is<br />

one of the jewels in the crown<br />

of the UK’s naval heritage. The<br />

location where Nelson lay in state as<br />

thousands of mourners paid their<br />

respects, it is adorned with more<br />

than 7000m2 of frescos across the<br />

walls and ceilings; the biggest fresco<br />

in Northern Europe.<br />

For the past fifty years, the<br />

decorative surfaces inside the Grade<br />

1 Listed building (and Scheduled<br />

Ancient Monument) have remained<br />

untouched by restorers until a major<br />

Heritage Lottery funded<br />

conservation project, ten years in<br />

the planning, to clean the precious<br />

paintings and continue their<br />

preservation for future generations.<br />

Amongst the challenges of this<br />

delicate project was constructing the<br />

access needed for the restorers to<br />

carry out the work, which involved<br />

maintaining their safety while<br />

enabling their painstaking work.<br />

Adding to the complexities of this,<br />

Greenwich Foundation also wanted<br />

to give the public access to the<br />

once-in-a-generation conservation<br />

project with guided tours of the<br />

work, accessible to all. To facilitate<br />

this, scaffolding specialist, Millcroft,<br />

was brought in to design, build and<br />

manage a bespoke scaffolding<br />

solution designed to address the<br />

unique requirements of the scheme.<br />

COMPLEX CHALLENGES<br />

The conservation project was carried<br />

out in two core phases, with the<br />

work on the dome-roofed Vestibule<br />

scheduled to take place first,<br />

followed by the main Painted Hall<br />

area. Consequently, Millcroft was<br />

required to design the scaffolding<br />

for the whole project and erect the<br />

Vestibule scaffolding first so that<br />

work could commence in this area<br />

and continue here during the fivemonth<br />

programme to erect the<br />

scaffolding in the Painted Hall.<br />

For both areas, Millcroft’s inhouse<br />

design team had to work<br />

within strict parameters provided by<br />

the Greenwich Foundation to ensure<br />

the structure and the artwork were<br />

protected.<br />

Explains director of Millcroft,<br />

Billy Jones: “The scaffolding had to<br />

be free-standing to avoid any<br />

damage risk to the delicate frescos<br />

on the walls and ceilings and it also<br />

had to be erected within restricted<br />

loading requirements to avoid any<br />

structural damage to the building or<br />

stress on the floor finishes.<br />

“Meanwhile, we needed to<br />

design a solution that would allow<br />

the conservation team sufficient<br />

work areas to access the frescos<br />

safely, create visitor access that was<br />

safe and presentable for public<br />

visits, including disabled access, and<br />

maintain staff access to key areas of<br />

the building.”<br />

HERITAGE SPECIALISM<br />

With such wide-ranging criteria to<br />

work with, the Millcroft team drew<br />

on the company’s 40-year track<br />

record in the heritage sector. The<br />

scaffolding was modelled in 3D with<br />

meticulous calculations to align the<br />

fixing intervals to the loading<br />

requirements. The weight of the<br />

large-scale scaffolding structure was<br />

dramatically reduced by the use of<br />

aluminium tube rather than steel,<br />

and traditional wooden scaffold<br />

decking was replaced by profiled<br />

metal, which reduced both the<br />

weight of the system and the fire<br />

risk in the sensitive setting.<br />

Supporting access towers were<br />

installed to spread the weight load<br />

evenly across the floor and high<br />

specification vinyl was used to<br />

protect the tiled floor from<br />

compression damage or puncturing.<br />

For the public access routes,<br />

Millcroft commissioned a bespoke<br />

access lift and erected two public<br />

access-rated staircases, laying a ply<br />

layer onto the metal deck for the<br />

public access routes and viewing<br />

gallery to maintain a consumerfacing<br />

finish.<br />

Will Palin, Project Director at the<br />

Greenwich Foundation adds:<br />

“Working closely with Millcroft, we<br />

were able to ensure that that<br />

conservation team could work safely<br />

and comfortably while offering the<br />

public a unique opportunity to see<br />

the conservation work unfold.<br />

Millcroft responded to our<br />

requirements both in the initial<br />

design and in modifying the<br />

scaffolding in line with access<br />

requirements as the project<br />

progressed.<br />

“With the scaffolding now<br />

carefully removed, The Painted Hall<br />

has been unveiled once again in its<br />

full glory.”<br />

0208 305 1988<br />

www.millcroft.co.uk<br />

REFURBISHMENT PROJECTS, NOVEMBER <strong>2018</strong> 43

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