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38 STYLE | architecture<br />

THE FOUNDATIONS<br />

FOR A GREAT TOWNSCAPE<br />

Architect Richard Dalman highlights why variety is the spice<br />

of life – even when it comes to town planning.<br />

The Crossing, central Christchurch. Supplied by Wilson and Hill Architects.<br />

In 1961, an Englishman called Gordon Cullen wrote<br />

a little book that has become a go-to thesis on good<br />

urban design – how to make cities enjoyable places to<br />

live and experience through careful attention to design.<br />

The Concise Townscape has been republished many<br />

times since, and I first came across it as an architectural<br />

student in the 1980s. Through photographs and hand<br />

sketches, Cullen describes and explains the mix of<br />

buildings, streets and open spaces that make up<br />

our cities.<br />

The key concept Cullen explained that has always<br />

stuck with me is that of ‘serial vision’. He says,<br />

“Although the pedestrian walks through the town at a<br />

uniform speed, the scenery of towns is often revealed in<br />

a series of jerks or revelations… Our original aim is to<br />

manipulate the elements of the town so that an impact<br />

on the emotions is achieved. A long straight road has<br />

little impact because the initial view is soon digested<br />

and becomes monotonous. The human mind reacts to<br />

a contrast, to the differences between things, and when<br />

two pictures (the street and the courtyard) are in the<br />

mind at the same time, a vivid contrast is felt and the<br />

town becomes visible in a deeper sense. It comes alive<br />

through the drama of juxtaposition.”

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