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BeatRoute Magazine BC Edition February 2019

BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics. Currently BeatRoute’s AB edition is distributed in Calgary, Edmonton (by S*A*R*G*E), Banff and Canmore. The BC edition is distributed in Vancouver, Victoria and Nanaimo. BeatRoute (AB) Mission PO 23045 Calgary, AB T2S 3A8 E. editor@beatroute.ca BeatRoute (BC) #202 – 2405 E Hastings Vancouver, BC V5K 1Y8 P. 778-888-1120

BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics.

Currently BeatRoute’s AB edition is distributed in Calgary, Edmonton (by S*A*R*G*E), Banff and Canmore. The BC edition is distributed in Vancouver, Victoria and Nanaimo. BeatRoute (AB) Mission PO 23045 Calgary, AB T2S 3A8 E. editor@beatroute.ca BeatRoute (BC) #202 – 2405 E Hastings Vancouver, BC V5K 1Y8 P. 778-888-1120

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LIFE INSIDE THE DOME<br />

ALLAN STANLEIGH’S WONDERFUL WORLD<br />

KIRA CLAVELL<br />

photos by Kira Clavell<br />

CITY<br />

RIO<br />

THEATRE<br />

1660 EAST BROADWAY<br />

FEBRUARY<br />

6<br />

FEBRUARY<br />

7<br />

8<br />

10<br />

FEBRUARY<br />

FEBRUARY<br />

FEBRUARY<br />

9<br />

FEBRUARY<br />

The Fictionals Present<br />

IMPROV AGAINST<br />

HUMANITY<br />

Game of Love<br />

First Thursday of Every Month!<br />

PAUL ANTHONY’S<br />

TALENT TIME<br />

11th Anniversary Special!<br />

Nicolas Cage Double Bill!<br />

MOONSTRUCK<br />

AND<br />

David Lynch’s<br />

WILD AT HEART<br />

Haida Language Feature<br />

EDGE OF THE KNIFE<br />

#CDNFilm<br />

Tainted Love Double Bill!<br />

Glenn Close & John Malkovich<br />

DANGEROUS LIAISONS<br />

AND<br />

Uma Thurman<br />

HENRY AND JUNE<br />

FEBRUARY<br />

13<br />

STORY STORY LIE<br />

Fool for Love<br />

The Gentlemen Hecklers present<br />

THE NOTEBOOK<br />

FEBRUARY<br />

14<br />

April O’Peel presents<br />

BURLESQUE DUOS<br />

A Valentine’s Day tradition<br />

In the picturesque, dreamlike Bloedel Conservatory, custodian and graphic novelist Allan Stanleigh crafts worlds all his own.<br />

Dense fog has settled over the city<br />

the day I’m to meet Allan Stanleigh at<br />

the Bloedel Conservatory. The mist is<br />

an appropriate intro for the late shift<br />

custodian at the bird sanctuary atop<br />

Queen Elizabeth Park. Stanleigh is also<br />

a writer of graphic novels, screenplays,<br />

podcasts, and the managing director<br />

of West Ghost Publishing. One<br />

wonders what life is like after hours<br />

in the solitude of the dome. Would<br />

you pause from sweeping up fallen<br />

seeds to lean your head upon the<br />

hilt of your broom and gaze through<br />

the leaves to the stars above? Is this<br />

when you dream up stories, beneath<br />

and beyond the glass panels arching<br />

around you?<br />

Driving towards Bloedel, the<br />

fog lifts and sunlight pours across<br />

the grassy slopes leading up to the<br />

conservatory. Outstretched barren<br />

tree branches seemingly point<br />

towards the dome. This sudden clarity<br />

seems befitting: readying the reveal<br />

of Stanleigh and his temperatureregulated<br />

exotic world. Perhaps these<br />

are all just images conjured from<br />

reading Caretakers, his charming,<br />

ghostly graphic novel series based on<br />

a screenplay that has fans awaiting<br />

the third installment to find out what<br />

has happened with baby Ginnie and<br />

captured the attention of a national<br />

network with its all-ages appeal.<br />

We meet at the entrance. Stanleigh<br />

is mild-mannered and soft-spoken.<br />

“When I first started, I heard voices,<br />

and it’s the birds,” he says. “I’d be<br />

walking around, and I’d hear, ‘Hi!<br />

Hello!’ It sounds so human-like, but<br />

it’s the birds. I’m the only human in<br />

here.”<br />

A pheasant is quietly weaving<br />

around our feet, leading us as we walk.<br />

Stanleigh introduces me to Gidget,<br />

a gentle cockatoo, and, of all the<br />

birds, she seems the closest to him,<br />

even in personality. Rudy, an African<br />

grey parrot, protectively watches<br />

over them both. Our conversation is<br />

punctuated by screeches of “Hi Art!”<br />

from Art, the macaw who loves to<br />

talk. The air is humid and pleasant,<br />

and the trees are full and lush. I follow<br />

Stanleigh up a steep metal staircase to<br />

the uppermost landing that overlooks<br />

the conservatory. Steam hisses from<br />

small vents above our heads, pushing<br />

moisture into the air. Droplets form<br />

on the panes of glass. “That’s what’s<br />

collecting up there and falling down<br />

like raindrops.” It’s a breathtaking view<br />

— a birds-eye perch not generally<br />

seen by the public. Looking down<br />

upon the tropical land below, I’m<br />

expecting to see a Brachiosaurus<br />

emerge, nibbling on the flora.<br />

“I’ll take you to see the tunnels.”<br />

Yes, please. The mechanics are a sharp<br />

contrast to the languidness of foliage<br />

and feathered companions. It strikes<br />

me as more attuned to Stanleigh’s<br />

USNA (United States of North<br />

America) graphic novel series. It’s a<br />

vision he and his fellow co-writers<br />

started writing 25 years ago about a<br />

world where Canada and the United<br />

States have amalgamated. “It’s about<br />

the rebels, because I would want to<br />

be a rebel.” Indeed. There are stories<br />

upon stories Stanleigh can introduce<br />

you to if you are ever lucky enough<br />

to see him at Bloedel, and even more<br />

if you look up his work through West<br />

Ghost Publishing.<br />

Darkness envelops us once we<br />

emerge from the dome. The fog has<br />

returned, and Stanleigh uses the<br />

flashlight on his cell to illuminate the<br />

steps down the slope as we make our<br />

way from the sanctuary.<br />

FEBRUARY<br />

15<br />

FEBRUARY<br />

15-23<br />

FEBRUARY<br />

16<br />

FEBRUARY<br />

22<br />

FEBRUARY<br />

24<br />

-TO -<br />

MARCH<br />

3<br />

MARCH<br />

1<br />

Baz Luhrmann’s<br />

MOULIN ROUGE!<br />

Friday Late Night Movie<br />

JFL NorthWest presents<br />

VANCOUVER’S<br />

JUST FOR LAUGHS<br />

FESTIVAL<br />

The Geekenders Present<br />

UNCAPED CRUSADERS<br />

A Batlesque tribute to The Dark Knight!<br />

ARMY OF DARKNESS<br />

Friday Late Night Movie<br />

VANCOUVER<br />

INTERNATIONAL<br />

MOUNTAIN<br />

FILM FESTIVAL<br />

Info www.vimff.org<br />

Takashi Miike’s<br />

AUDITION<br />

20th Anniversary Remaster!<br />

Friday Late Night Movie<br />

Gaspar Noé’s<br />

*CLIMAX<br />

MARCH<br />

Jonas Åkerlund’s<br />

4 LORDS OF CHAOS<br />

*www.riotheatre.ca for additional times<br />

COMPLETE LISTINGS AT WWW.RIOTHEATRE.CA<br />

<strong>February</strong> <strong>2019</strong> 15

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