BeatRoute Magazine BC Edition February 2019
BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics. Currently BeatRoute’s AB edition is distributed in Calgary, Edmonton (by S*A*R*G*E), Banff and Canmore. The BC edition is distributed in Vancouver, Victoria and Nanaimo. BeatRoute (AB) Mission PO 23045 Calgary, AB T2S 3A8 E. editor@beatroute.ca BeatRoute (BC) #202 – 2405 E Hastings Vancouver, BC V5K 1Y8 P. 778-888-1120
BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics.
Currently BeatRoute’s AB edition is distributed in Calgary, Edmonton (by S*A*R*G*E), Banff and Canmore. The BC edition is distributed in Vancouver, Victoria and Nanaimo. BeatRoute (AB) Mission PO 23045 Calgary, AB T2S 3A8 E. editor@beatroute.ca BeatRoute (BC) #202 – 2405 E Hastings Vancouver, BC V5K 1Y8 P. 778-888-1120
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LIFE INSIDE THE DOME<br />
ALLAN STANLEIGH’S WONDERFUL WORLD<br />
KIRA CLAVELL<br />
photos by Kira Clavell<br />
CITY<br />
RIO<br />
THEATRE<br />
1660 EAST BROADWAY<br />
FEBRUARY<br />
6<br />
FEBRUARY<br />
7<br />
8<br />
10<br />
FEBRUARY<br />
FEBRUARY<br />
FEBRUARY<br />
9<br />
FEBRUARY<br />
The Fictionals Present<br />
IMPROV AGAINST<br />
HUMANITY<br />
Game of Love<br />
First Thursday of Every Month!<br />
PAUL ANTHONY’S<br />
TALENT TIME<br />
11th Anniversary Special!<br />
Nicolas Cage Double Bill!<br />
MOONSTRUCK<br />
AND<br />
David Lynch’s<br />
WILD AT HEART<br />
Haida Language Feature<br />
EDGE OF THE KNIFE<br />
#CDNFilm<br />
Tainted Love Double Bill!<br />
Glenn Close & John Malkovich<br />
DANGEROUS LIAISONS<br />
AND<br />
Uma Thurman<br />
HENRY AND JUNE<br />
FEBRUARY<br />
13<br />
STORY STORY LIE<br />
Fool for Love<br />
The Gentlemen Hecklers present<br />
THE NOTEBOOK<br />
FEBRUARY<br />
14<br />
April O’Peel presents<br />
BURLESQUE DUOS<br />
A Valentine’s Day tradition<br />
In the picturesque, dreamlike Bloedel Conservatory, custodian and graphic novelist Allan Stanleigh crafts worlds all his own.<br />
Dense fog has settled over the city<br />
the day I’m to meet Allan Stanleigh at<br />
the Bloedel Conservatory. The mist is<br />
an appropriate intro for the late shift<br />
custodian at the bird sanctuary atop<br />
Queen Elizabeth Park. Stanleigh is also<br />
a writer of graphic novels, screenplays,<br />
podcasts, and the managing director<br />
of West Ghost Publishing. One<br />
wonders what life is like after hours<br />
in the solitude of the dome. Would<br />
you pause from sweeping up fallen<br />
seeds to lean your head upon the<br />
hilt of your broom and gaze through<br />
the leaves to the stars above? Is this<br />
when you dream up stories, beneath<br />
and beyond the glass panels arching<br />
around you?<br />
Driving towards Bloedel, the<br />
fog lifts and sunlight pours across<br />
the grassy slopes leading up to the<br />
conservatory. Outstretched barren<br />
tree branches seemingly point<br />
towards the dome. This sudden clarity<br />
seems befitting: readying the reveal<br />
of Stanleigh and his temperatureregulated<br />
exotic world. Perhaps these<br />
are all just images conjured from<br />
reading Caretakers, his charming,<br />
ghostly graphic novel series based on<br />
a screenplay that has fans awaiting<br />
the third installment to find out what<br />
has happened with baby Ginnie and<br />
captured the attention of a national<br />
network with its all-ages appeal.<br />
We meet at the entrance. Stanleigh<br />
is mild-mannered and soft-spoken.<br />
“When I first started, I heard voices,<br />
and it’s the birds,” he says. “I’d be<br />
walking around, and I’d hear, ‘Hi!<br />
Hello!’ It sounds so human-like, but<br />
it’s the birds. I’m the only human in<br />
here.”<br />
A pheasant is quietly weaving<br />
around our feet, leading us as we walk.<br />
Stanleigh introduces me to Gidget,<br />
a gentle cockatoo, and, of all the<br />
birds, she seems the closest to him,<br />
even in personality. Rudy, an African<br />
grey parrot, protectively watches<br />
over them both. Our conversation is<br />
punctuated by screeches of “Hi Art!”<br />
from Art, the macaw who loves to<br />
talk. The air is humid and pleasant,<br />
and the trees are full and lush. I follow<br />
Stanleigh up a steep metal staircase to<br />
the uppermost landing that overlooks<br />
the conservatory. Steam hisses from<br />
small vents above our heads, pushing<br />
moisture into the air. Droplets form<br />
on the panes of glass. “That’s what’s<br />
collecting up there and falling down<br />
like raindrops.” It’s a breathtaking view<br />
— a birds-eye perch not generally<br />
seen by the public. Looking down<br />
upon the tropical land below, I’m<br />
expecting to see a Brachiosaurus<br />
emerge, nibbling on the flora.<br />
“I’ll take you to see the tunnels.”<br />
Yes, please. The mechanics are a sharp<br />
contrast to the languidness of foliage<br />
and feathered companions. It strikes<br />
me as more attuned to Stanleigh’s<br />
USNA (United States of North<br />
America) graphic novel series. It’s a<br />
vision he and his fellow co-writers<br />
started writing 25 years ago about a<br />
world where Canada and the United<br />
States have amalgamated. “It’s about<br />
the rebels, because I would want to<br />
be a rebel.” Indeed. There are stories<br />
upon stories Stanleigh can introduce<br />
you to if you are ever lucky enough<br />
to see him at Bloedel, and even more<br />
if you look up his work through West<br />
Ghost Publishing.<br />
Darkness envelops us once we<br />
emerge from the dome. The fog has<br />
returned, and Stanleigh uses the<br />
flashlight on his cell to illuminate the<br />
steps down the slope as we make our<br />
way from the sanctuary.<br />
FEBRUARY<br />
15<br />
FEBRUARY<br />
15-23<br />
FEBRUARY<br />
16<br />
FEBRUARY<br />
22<br />
FEBRUARY<br />
24<br />
-TO -<br />
MARCH<br />
3<br />
MARCH<br />
1<br />
Baz Luhrmann’s<br />
MOULIN ROUGE!<br />
Friday Late Night Movie<br />
JFL NorthWest presents<br />
VANCOUVER’S<br />
JUST FOR LAUGHS<br />
FESTIVAL<br />
The Geekenders Present<br />
UNCAPED CRUSADERS<br />
A Batlesque tribute to The Dark Knight!<br />
ARMY OF DARKNESS<br />
Friday Late Night Movie<br />
VANCOUVER<br />
INTERNATIONAL<br />
MOUNTAIN<br />
FILM FESTIVAL<br />
Info www.vimff.org<br />
Takashi Miike’s<br />
AUDITION<br />
20th Anniversary Remaster!<br />
Friday Late Night Movie<br />
Gaspar Noé’s<br />
*CLIMAX<br />
MARCH<br />
Jonas Åkerlund’s<br />
4 LORDS OF CHAOS<br />
*www.riotheatre.ca for additional times<br />
COMPLETE LISTINGS AT WWW.RIOTHEATRE.CA<br />
<strong>February</strong> <strong>2019</strong> 15