BeatRoute Magazine BC Edition February 2019
BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics. Currently BeatRoute’s AB edition is distributed in Calgary, Edmonton (by S*A*R*G*E), Banff and Canmore. The BC edition is distributed in Vancouver, Victoria and Nanaimo. BeatRoute (AB) Mission PO 23045 Calgary, AB T2S 3A8 E. editor@beatroute.ca BeatRoute (BC) #202 – 2405 E Hastings Vancouver, BC V5K 1Y8 P. 778-888-1120
BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics.
Currently BeatRoute’s AB edition is distributed in Calgary, Edmonton (by S*A*R*G*E), Banff and Canmore. The BC edition is distributed in Vancouver, Victoria and Nanaimo. BeatRoute (AB) Mission PO 23045 Calgary, AB T2S 3A8 E. editor@beatroute.ca BeatRoute (BC) #202 – 2405 E Hastings Vancouver, BC V5K 1Y8 P. 778-888-1120
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Said the Whale - Cascadia Seer - Vol. 6 Sleepy Dog Sneaks - Highway Hypnosis<br />
Whitehorse<br />
The Northern South Vol.2<br />
Six Shooter<br />
When the Polaris Prize-nominated duo Whitehorse<br />
released The Northern South Vol. 1 EP back in<br />
2016 it added a new layer to the bluesy glam folk<br />
rock sound Luke Doucet and Melissa McClelland<br />
had become known for.<br />
Now with Vol 2., Whitehorse is still showing<br />
how sinister, sexy and striking the blues can really<br />
be. Made up of fiery traditional blues gospel tracks<br />
and jams, Vol. 2 doesn’t stray too far away from the<br />
original compositions and sounds, but adds just<br />
the right pinch of Whitehorse flavour.<br />
Beginning with Howlin Wolf’s “Who’s<br />
Been Talkin,” a song about a lover being less<br />
than faithful, Doucet and McClelland utilize<br />
the Wurlitzer, melodica, and of course some<br />
foreboding lead guitar to reanimate the 1957 track.<br />
Next comes a take on Jimmy Reed’s classic “Baby<br />
What You Want Me To Do,” which stays pretty<br />
true to the blues minimalism Reed portrayed.<br />
Still, the jittery Gretsch squeals enhance the<br />
track and keep it groovin. “John the Revelator”<br />
finds its way onto the album except with some<br />
more up to date lyrics about the sorry state<br />
the United States finds it in, global warming,<br />
consumerism, and of course, religion. It might be<br />
the most experimental and interesting track on<br />
Vol. 2.<br />
“Baby Scratch My Back,”—Slim Harpo’s classic<br />
sexist ditty—is morphed into a track of female<br />
empowerment with McClelland on lead vocals.<br />
To cap the album off is Whitehorse’s take on “St.<br />
James Infirmary,” an American jazz blues standard<br />
with unknown origins made famous by Cab<br />
Calloway, Louis Armstrong, and more recently,<br />
The White Stripes. Whitehorse’s version is a great<br />
take on ethereal blues that brings the album to a<br />
blissful halt, leaving the listener wanting more.<br />
• Stephan Boissonneault<br />
Weezer<br />
The Teal Album<br />
Crush Music / Atlantic<br />
If everything in life was as poppy and sweet as<br />
Weezer’s Teal Album, we’d be just fine. The band<br />
surprise-dropped the record late last month,<br />
giving us nine more cover songs on the heels of<br />
the (relative) success of their rendition of Toto’s<br />
“Africa.” Don’t worry, that track is included here if<br />
it hasn’t made you want to punch a wall yet.<br />
In any case, The Teal Album gives us nine more<br />
songs of sugary, energetic pop-rock covers, notably<br />
focusing on ‘80s favorite from greats like Tears For<br />
Fears, Eurythmics, A-ha, and Michael Jackson. Like<br />
“Africa,” they’re all insanely faithful covers, which<br />
make for a fun, short, and pleasurable listen.<br />
Weezer fans of old might be a tad disappointed<br />
with the disc though. The closest thing you’ll find<br />
to edginess here is their take on Black Sabbath’s<br />
“Paranoid,” which amps up the distortion but<br />
again, sticks closely to the script. Other standouts<br />
include covers of The Turtles “Happy Together”<br />
and ELO’s “Mr. Blue Sky.”<br />
The Teal Album is harmless rock delivered<br />
with a sugary coating. Luckily it doesn’t stray into<br />
Twisted Sister territory or overstay its welcome.<br />
Now bring on The Black Album already!<br />
• Trevor Morelli<br />
<strong>February</strong> <strong>2019</strong> 37