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Static Live Magazine March 2019

STATIC LIVE Magazine is Central Florida’s premier publication dedicated to celebrating music and culture. STATIC LIVE provides extensive, detailed community information from fashion to art, entertainment to events through noteworthy interviews, sensational photography and in-depth editorial coverage. STATIC LIVE is the only publication of its kind in Central Florida and reaches all target markets through wide distribution channels. Our staff includes highly accomplished contributors with award-winning backgrounds in music and entertainment; we know how much business is captured from the entertainment market. Our free full color publication can be found throughout Central Florida at key retailers, hotels and restaurants in high traffic areas. Our mission is to highlight the incredible talent, culture and lifestyle in Central Florida. With eye-opening profiles and coverage of the music and art community, STATIC LIVE readers will be positively influenced by our topical content and trending advertisers. STATIC LIVE Magazine is the most effective tool for branding connectivity with consumers in our area.

STATIC LIVE Magazine is Central Florida’s premier publication dedicated to celebrating music and culture. STATIC LIVE provides extensive, detailed community information from fashion to art, entertainment to events through noteworthy interviews, sensational photography and in-depth editorial coverage. STATIC LIVE is the only publication of its kind in Central Florida and reaches all target markets through wide distribution channels. Our staff includes highly accomplished contributors with award-winning backgrounds in music and entertainment; we know how much business is captured from the entertainment market. Our free full color publication can be found throughout Central Florida at key retailers, hotels and restaurants in high traffic areas. Our mission is to highlight the incredible talent, culture and lifestyle in Central Florida. With eye-opening profiles and coverage of the music and art community, STATIC LIVE readers will be positively influenced by our topical content and trending advertisers. STATIC LIVE Magazine is the most effective tool for branding connectivity with consumers in our area.

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SPRING BROKE<br />

Behind the Myth of Daytona’s Spring Break<br />

by Rick de Yampert<br />

In 1835, British poet Alfred, Lord Tennyson penned the<br />

immortal line “In the spring a young man’s fancy lightly<br />

turns to thoughts of love.” If Big Al had been alive and<br />

walking the shores of Daytona Beach in <strong>March</strong> in the<br />

1990s, he would have written: “Holy shit! In spring a<br />

young man’s fancy turns to sand, sex, suds and rock<br />

’n’ roll!”<br />

Back then, Daytona was the Spring Break Capital of<br />

the Universe. A gazillion college students would flock<br />

to the city from up and down the Eastern Seaboard and<br />

from as far away as the Van Allen radiation belt. For<br />

a time, MTV was taping Spring Break mini-concerts<br />

and some of its goofy shows at the Bandshell for later<br />

broadcast. Some years later BET decided to do the<br />

same thing during Black College Reunion, a singleweekend<br />

spring event that also drew a gazillion young<br />

folks lured by dreams of sand, sex, rap and roll (roll as<br />

in cruising up and down A1A in blinged-out cars).<br />

But here’s the thing: If you hear some guy reminiscing<br />

about how cool and fun and CRAZEE a time they had<br />

during the MTV/BET-era of Daytona Spring Break, then<br />

you can be sure the odds are he spent most of that<br />

time puking his brains out from excessive consumption<br />

of shitty beer while sleeping 10 dudes to a room, and<br />

the closest he got to getting laid was being asses-toelbows<br />

in crowd of frat boys watching a wet T-shirt<br />

contest. Not that that’s a bad time, mind you – but it’s<br />

a far cry from the myth of Spring Break as some sort of<br />

grand Roman bacchanalia.<br />

In those days I was among the greatest freaks at Spring<br />

Break and Black College Reunion because, as the<br />

entertainment writer at the Daytona daily newspaper, I<br />

was actually interested in what cool music acts would<br />

be performing. MTV and BET certainly used their clout<br />

to land some big names: the Black Crowes, Stone<br />

Temple Pilots, Eminem, Snoop Dogg, Lenny<br />

Kravtiz, Naughty by Nature, TLC, Living<br />

Colour. Other promoters brought the likes<br />

of the Red Hot Chili Peppers, the Notorious<br />

B.I.G., Method Man and others to town.<br />

18<br />

But it was disconcerting to watch MTV production<br />

lackeys herd the college kids into the stockyards . . . er,<br />

the concert viewing area, then see the students react<br />

like trained circus poodles as they took commands<br />

from the TV crew to “Cheer! Cheer! CHEER!” as the<br />

cameras rolled.<br />

Poor kids. They’d stand around for a few hours before<br />

the cameras rolled, with dreams of being famous<br />

ricocheting through their beer-addled gray matter –<br />

“I’m gonna be on MTV!” Then, after about the 20th<br />

time an MTV minion had ordered the kids to rehearse<br />

going ape-shit for the cameras, you could see the<br />

enthusiasm melting from the students’ faces like dog<br />

turds sizzling on the hot concrete of the Boardwalk.<br />

By the time, say, Lenny Kravitz took the stage wearing<br />

just a loin cloth and a guitar, the kids just wanted to<br />

escape the hot sun.<br />

Of course, it was all about image: It was more important<br />

for the MTV and BET crews that the kids LOOKED like<br />

they were having fun, and to hell with them whether<br />

they actually were having a good time. A TV show<br />

depicting cool kids having a cool time in Daytona<br />

would attract million of young viewers who wanted to<br />

day-dream that they had been there, and that would<br />

translate into high ratings and high advertising dollars<br />

Yes, I heard some OK music performances during<br />

Daytona’s Spring Break heyday. But if I or anyone else<br />

tells you the music was great, you call bullshit on them.<br />

Eminem was muzzled by the Daytona Beach mayor<br />

himself and was forced to amp down his language<br />

before BET was allowed to tape – an act of censorship<br />

the mayor was able to get away with because the<br />

performance was happening on city property.<br />

And 10 years later when my wife mentioned the time<br />

she and I saw the Notorious B.I.G. at the Ocean Center,<br />

I called her liar – then she whipped out the review I had<br />

written for the paper. I had forgotten that one of the<br />

world’s most famous rappers had come to the World’s<br />

Most Famous Beach. That’s how memorable Biggie’s<br />

performance was.<br />

Poor guy – I’m sure he was bummed before taking the<br />

stage because the Daytona Spring Break experience<br />

had not lived up to its myth.

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