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Boxoffice - April 2019

The Official Magazine of the National Association of Theatre Owners

The Official Magazine of the National Association of Theatre Owners

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performances of the Metropolitan Opera, classic<br />

films Grease and The Dark Crystal, four popular<br />

anime presentations, Rachel Hollis’s Made for More<br />

documentary, Elvis Presley’s 1968 Comeback Special,<br />

faith-based titles An Interview with God and<br />

“Sight & Sound Theatres Presents: Moses,” Tony<br />

Award-winning Broadway musical Bandstand, and<br />

Peter Jackson’s WWI documentary They Shall Not<br />

Grow Old, which in January became the highest-grossing<br />

U.S. event cinema release.<br />

Fathom Events’ box office results are even more<br />

noteworthy in that they are typically achieved over<br />

the course of one to four days, with limited screenings—often<br />

just one show time—and are shown in<br />

just hundreds of locations, therefore maximizing<br />

the per-screen-average for theater exhibitors.<br />

TAIWAN’S SHOWTIME AUTOMATES<br />

WITH ARTS ALLIANCE MEDIA<br />

>> Showtime Cinemas, the Taiwanese cinema<br />

chain, will automate its content management<br />

using Arts Alliance Media’s (AAM) theater management<br />

system (TMS), Screenwriter. Showtime<br />

is deploying Screenwriter throughout its entire<br />

estate of 160 screens.<br />

“Powerful solutions like Screenwriter are integral<br />

to supporting the effectiveness of our site staff,<br />

reaching our business goals, and ensuring our continued<br />

success,” said Willy Liao, general manager<br />

at Showtime Cinemas. “We knew that Screenwriter<br />

would improve our processes, and it has already<br />

proven it was worth investing in.”<br />

Screenwriter enables staff to schedule features,<br />

trailers, and advertisements, monitor screens, and<br />

control playback all from one interface. Any potential<br />

content, KDMs (key delivery messages), and<br />

connectivity issues can be resolved ahead of time to<br />

keep screenings on schedule.<br />

Screenwriter customers also have access to<br />

AAM’s free ScreenConnect add-on, which facilitates<br />

fully automated KDM delivery through<br />

AAM’s collaboration with Deluxe Technicolor<br />

Digital Cinema (DTDC). It allows any KDMs<br />

generated by DTDC to be delivered directly from<br />

DTDC’s systems to the exhibitor’s screen servers,<br />

and provides DTDC with delivery confirmation<br />

so that they can proactively resend any KDM that<br />

didn’t reach its destination.<br />

APRIL <strong>2019</strong><br />

19

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