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The Progressive Teacher Vol 02 Issue 04

This issue of The Progressive Teacher focuses on "Teaching- Emotional Fulfillment and Self-Actualisation". The magazine provides guidance to the teachers by their peers and school leaders for tackling challenges with innovative ideas. Happy Reading!

This issue of The Progressive Teacher focuses on "Teaching- Emotional Fulfillment and Self-Actualisation". The magazine provides guidance to the teachers by their peers and school leaders for tackling challenges with innovative ideas. Happy Reading!

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progress report<br />

–Abha Adams<br />

One of the more positive<br />

developments of Indian<br />

education in the 21 st<br />

century is the waning romance<br />

of the public with Science<br />

or PCB (Physics, Chemistry,<br />

Biology) subjects and widening<br />

interest in the liberal arts and<br />

humanities. With industryincluding<br />

the media- experiencing<br />

an accentuating shortage of<br />

well-educated communicators,<br />

writers and journalists capable<br />

of cogently expressing corporate<br />

messages, news reports, analyses<br />

and highlighting social sciences<br />

issues, there’s a healthy and involvement with the liberal and performing of designing seals and pottery,<br />

socially beneficial revival of<br />

studying hieroglyphics and<br />

parental and student interest<br />

arts allows students’ multiple intelligences<br />

planning townships. Animated<br />

in the liberal-including the to be acknowledged, developed and<br />

discussions of drama students<br />

performing-arts.<br />

re-enacting the signing of the<br />

appreciated. Children who learn and<br />

Looking back, I can confidently<br />

Treaty of Versailles could bring<br />

state that the many hours think differently may well possess verbal, History alive in a classroom.<br />

spent in rehearsing for stage<br />

physical and interpersonal skills, logical and<br />

Unfortunately, limited time and<br />

productions, choreography<br />

the pressure of exam-driven<br />

and dance; attending music intuitive thinking and spatial and kinesthetic syllabuses discourage exploration<br />

festivals; scripting and shooting<br />

intelligences.<br />

of cross-disciplinary linkages<br />

audio visuals; and running the<br />

through co-curricular activities.<br />

<strong>The</strong> Importance of Performing Arts<br />

art club in school and college,<br />

were intense formative and<br />

learning experiences. Certainly<br />

not a waste of time as popularly<br />

believed. Indeed there’s no<br />

greater thrill than attaining<br />

excellence while performing live.<br />

It’s the equivalent of scoring<br />

a superb goal or making the<br />

perfect abhinaya, brush stroke,<br />

or swara. That’s when you<br />

experience intense exhilaration<br />

and the magical moment when<br />

the performer is in perfect<br />

harmony with her audience.<br />

Yet despite the proven beneficial<br />

outcomes of co-curricular<br />

education, so many children<br />

never experience it because they<br />

are chained to the millstone<br />

of exams and a system which<br />

insists that learning should be<br />

confined to mastering academic<br />

subjects. Well-known author,<br />

speaker and international advisor<br />

on education in the arts, Sir<br />

Ken Robinson bemoans the fact<br />

that globally, education systems<br />

are designed for churning out<br />

university professors. For most<br />

students, learning through the<br />

arts stops in primary school, with<br />

aimless quizzing and debates as<br />

the only so-called ‘co-curricular’<br />

activities in senior school.<br />

<strong>The</strong> question needs to be<br />

squarely posed and answered:<br />

Why is liberal and performing<br />

arts education important for<br />

students? <strong>The</strong> answer can<br />

be found in the curriculum<br />

frameworks of many progressive<br />

countries. By studying and<br />

learning the arts, students<br />

develop skills which according<br />

to Robinson are vital for our<br />

future: critical appreciation and<br />

knowledge of artistic techniques,<br />

and familiarity with the cultural<br />

nuances of dance, drama,<br />

media, music, visual arts and a<br />

combination of art forms.<br />

Indeed with new discoveries<br />

in cognitive science, it is now<br />

well-established that cultural<br />

co-curricular education enables<br />

students to:<br />

• Learn creative ways to<br />

express themselves and<br />

develop critical faculties to<br />

assess their own work and<br />

artistry of others.<br />

• Use their senses, perceptions,<br />

feelings and values to<br />

communicate ideas, emotions<br />

and experiences.<br />

• Produce artistic work to<br />

inform, teach and provoke,<br />

challenge existing ideas and<br />

values and offer new ways of<br />

thinking and feeling.<br />

• Discover personal creativity,<br />

satisfaction and pleasure for<br />

lifelong enjoyment.<br />

More significantly, involvement<br />

with the liberal and performing<br />

arts allows students multiple<br />

intelligences to be acknowledged,<br />

developed and appreciated.<br />

Children who learn and think<br />

differently may well possess<br />

verbal, physical and interpersonal<br />

skills, logical and intuitive<br />

thinking and spatial and<br />

kinesthetic intelligences.<br />

<strong>The</strong> potential for crosscurricular<br />

links are many and<br />

progressive schools are beginning<br />

to encourage projects that<br />

integrate art, music, dance and<br />

drama. For instance, a study<br />

of the Indus Valley civilisation<br />

offers children the possibility<br />

Abha<br />

Adams: As<br />

a founding<br />

team member<br />

of SBS (Step<br />

by Step<br />

School), Noida<br />

she joined<br />

SBS in 2006.<br />

An alumna and member of<br />

the faculty of English at Lady<br />

Shri Ram College, she holds a<br />

second post graduate degree<br />

from University of Leeds. With<br />

37 years of experience in India<br />

and the UK, Abha’s career<br />

spans education, media and<br />

arts management. In the UK,<br />

she worked with University<br />

of Leeds, BBC North and<br />

Arts Council. She has spent<br />

13 years as director of the<br />

Shri Ram Schools and writes<br />

extensively on education. She<br />

is currently a member of the<br />

boards of Assam Valley School,<br />

Ahvaan Trust and Fab India<br />

Education Trust.<br />

So what can teachers do to<br />

arouse and develop the latent<br />

intelligences of children? We can,<br />

as so many of us are doing, offer<br />

a parallel curriculum and hope<br />

students will find the energy and<br />

time to follow it. Regrettably, the<br />

academic system forces children<br />

to choose between learning<br />

through co-curricular education<br />

and cramming for formal exams<br />

in the pursuit of excellent<br />

grades in board exams. However,<br />

students seeking admission<br />

into universities abroad know<br />

the value of engagement with<br />

areas of student life other<br />

than academics, which often<br />

determines admissions.<br />

Another option is for the<br />

teachers’ community to lobby<br />

for an arts curriculum policy<br />

which mandates that every child<br />

in K-10 schooling compulsorily<br />

signs up for at least one<br />

performing arts activity, be it<br />

dance, drama, music, visual arts<br />

or emerging technologies. In an<br />

ideal world, it should also be<br />

necessary for every student to<br />

participate in one sports activity<br />

as well.<br />

If this could happen through<br />

reducing board examination<br />

syllabuses, by cutting irrelevant<br />

and meaningless portions, we<br />

could, as happens in fairy tales,<br />

wake up one morning and find<br />

our students wanting, willing and<br />

happy to learn.<br />

6 <strong>The</strong> <strong>Progressive</strong> <strong>Teacher</strong> Sep/Oct 2015

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