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Viva Lewes Issue #153 June 2019

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ON THIS MONTH: FESTIVAL<br />

Billy Bragg<br />

Anglo-Americana<br />

It’s hard to think of a performer who is as quintessentially<br />

English as Billy Bragg, that singer of<br />

Jerusalem, and vociferous purveyor of ‘progressive<br />

patriotism’. So what, I ask him down the<br />

phone, is he doing performing at the Black Deer<br />

Americana and Country Music Festival?<br />

“Americana is country music for Smiths fans,”<br />

he quips. “It’s what we used to call singersongwriting.<br />

But singer-songwriters in cowboy<br />

boots, and shirts with pearl-snap buttons. I fit<br />

in because I made an album of Woody Guthrie<br />

songs, with [American band] Wilco, who had a<br />

role in founding the alt.country thing. I qualify<br />

as an in-law, if you like.”<br />

He even changed his accent, for the part. “With<br />

the Woody Guthrie songs I found it was impossible<br />

to sing his songs in my accent, so I kind of<br />

leaned over a little bit more to that mid-Atlantic<br />

twang and I’ve found since then that I go in and<br />

out of it depending on what song it is and what<br />

the nature of it is.<br />

“Americana isn’t something that is geo-specific,”<br />

he adds. “You can be an Americana artist anywhere<br />

if you were influenced by the Roots music<br />

of America. Think about the first Beatles album:<br />

what would that have sounded like if they’d only<br />

played English music and only worn English<br />

clothes? It would have been pretty boring,<br />

wouldn’t it? Everyone knew they were inspired<br />

by the music of black America.”<br />

Like Woody Guthrie, Bragg has been labelled a<br />

‘protest singer’, a term he’s not entirely comfortable<br />

with, as he finds it ‘pigeon-holing’. “I’d<br />

rather you put me down as a dissenter,” he says.<br />

“In fact I would argue that dissent is the tradition<br />

that defines the English.”<br />

Tom Paine comes up in the conversation. Bragg<br />

cites the 18th-century English activist in the<br />

pamphlet he’s recently written for Faber &<br />

Faber, The Three Dimensions of Freedom, describing<br />

him as ‘the greatest revolutionary England<br />

ever produced’. “I wish he’d been born 150 years<br />

before so he could have written his pamphlet<br />

and given it to the New Model Army at Naseby:<br />

then we may have had a republic that lasted,” he<br />

says. Instead, of course, he helped the United<br />

States of America to become one.<br />

Bragg’s sets have always been punctuated by<br />

political diatribes, and he’s going to make no<br />

exception to this practice, he says, at the Black<br />

Deer Festival. He’ll not decide on his set until<br />

the day of the performance. “When I arrive at a<br />

festival I have a long walk around the site. I try<br />

and suss out the audience… are they soaking<br />

wet, are they pissed off, are they chilled out?<br />

Then I decide how I pitch the set to them.”<br />

So will he ‘countrify’ himself up, I wonder, to<br />

fit in with the likes of Kris Kristofferson and<br />

Hayseed Dixie, also on the line-up? “I won’t be<br />

wearing cowboy boots,” he says, “but I will undoubtedly<br />

have a shirt with pearl-snap buttons<br />

on it.” Alex Leith<br />

Eridge Park, 21-23 <strong>June</strong>, blackdeerfestival.com<br />

Photo by Jacob Blickenstaff<br />

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