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Viva Lewes Issue #153 June 2019

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ON THIS MONTH: ART<br />

Lothar is well used to creating large-scale<br />

works – previous commissions include the<br />

Southbank Centre in London, and Leeds Art<br />

Gallery – but the Towner will be a first for<br />

the artist. “What is very unusual about this<br />

project is that I’m painting the whole of the<br />

outside, which will turn the building itself into<br />

a giant public art sculpture. It crosses over<br />

from architecture or painting and becomes<br />

part of the topography of the town. It’s not like<br />

going into a gallery and saying, ‘there are the<br />

paintings’. People will walk along the street,<br />

not necessarily expecting to look at art, but<br />

then suddenly there it is.<br />

“It will create quite a landmark in the town<br />

centre and that’s very special. It doesn’t happen<br />

very often, to have an opportunity to do<br />

something which is so visible to the public.”<br />

The installation is set to take three weeks<br />

and, when we speak in early May, Lothar isn’t<br />

sure how much paint he will need for each of<br />

the 15 colours, each needing four coats. But,<br />

with Brewers Decorator Centres sponsoring<br />

the commission, he is guaranteed a sufficient<br />

supply. Nor does he know how much tape it<br />

will take to mask the crisp diagonal lines across<br />

such distances (one of the walls is more than 30<br />

metres wide and 15 metres high), but he’ll be<br />

working with an expert team from the London<br />

Mural Company to manage the process. What<br />

is certain is that the Towner – always a striking<br />

building – is about to become an artwork in its<br />

own right. And an eye-catching centrepiece for<br />

Eastbourne’s new Devonshire Quarter.<br />

Towner’s celebratory summer season<br />

launches on the 15th of <strong>June</strong>. Lizzie Lower<br />

townereastbourne.org.uk<br />

Crash: Acrylic and Emulsion on wall, Küstlerhaus / Kunstverein Hanover, 2012photo by Raimund Zakowski<br />

Double-Take:Acrylic and emulsion on wall, MAC Belfast, 2013, photo by Jordan Hutchins<br />

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