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June 2019 Static Live Magazine

STATIC LIVE Magazine is Central Florida’s premier publication dedicated to celebrating music and culture. STATIC LIVE provides extensive, detailed community information from fashion to art, entertainment to events through noteworthy interviews, sensational photography and in-depth editorial coverage. STATIC LIVE is the only publication of its kind in Central Florida and reaches all target markets through wide distribution channels. Our staff includes highly accomplished contributors with award-winning backgrounds in music and entertainment; we know how much business is captured from the entertainment market. Our free full color publication can be found throughout Central Florida at key retailers, hotels and restaurants in high traffic areas. Our mission is to highlight the incredible talent, culture and lifestyle in Central Florida. With eye-opening profiles and coverage of the music and art community, STATIC LIVE readers will be positively influenced by our topical content and trending advertisers. STATIC LIVE Magazine is the most effective tool for branding connectivity with consumers in our area.

STATIC LIVE Magazine is Central Florida’s premier publication dedicated to celebrating music and culture. STATIC LIVE provides extensive, detailed community information from fashion to art, entertainment to events through noteworthy interviews, sensational photography and in-depth editorial coverage. STATIC LIVE is the only publication of its kind in Central Florida and reaches all target markets through wide distribution channels. Our staff includes highly accomplished contributors with award-winning backgrounds in music and entertainment; we know how much business is captured from the entertainment market. Our free full color publication can be found throughout Central Florida at key retailers, hotels and restaurants in high traffic areas. Our mission is to highlight the incredible talent, culture and lifestyle in Central Florida. With eye-opening profiles and coverage of the music and art community, STATIC LIVE readers will be positively influenced by our topical content and trending advertisers. STATIC LIVE Magazine is the most effective tool for branding connectivity with consumers in our area.

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If you can remember Woodstock, then you weren’t<br />

there,” goes the old Zen koan, which was sort of<br />

funny the first 23,789 times you heard it.<br />

The phrase was first uttered by the Chinese sage<br />

Yuquan Shenxiu, who lived in the 7th century and<br />

was one of the founders of the Buddhist school<br />

that would come to be known as Zen. Shenxiu was<br />

certainly wise enough to know that 1200 years after<br />

his death, original hippies would gather on Yasgur’s<br />

farm in upstate New York in 1969 for three days of<br />

peace and music and no decent place to take a shit.<br />

18<br />

But even Shenxiu wasn’t smart enough to<br />

foresee the looming truth of another Zen<br />

koan: Old hippies never die, they just keep<br />

reconstituting Woodstock.<br />

A half-century after the original “Aquarian Exposition,”<br />

Woodstock 50 is set to happen August 16-18, <strong>2019</strong>, in<br />

Watkins Glen, N.Y. . . . Or is it going to happen? A shit<br />

storm struck in early May, when one of the companies<br />

investing in the festival announced it had pulled out<br />

and Woodstock 50 was cancelled. Not so fast, said<br />

Michael Lang, one of the organizers of both the original<br />

festival and the 50th anniversary edition. The investor<br />

that pulled out had no legal right to cancel Woodstock<br />

50 or even to say Woodstock 50 was cancelled, Lang<br />

said, adding that in fact the show was still on.<br />

he 50 edition is scheduled to include performances by<br />

such original Woodstockers as Santana, Country Joe<br />

McDonald (known as Country Joe and the Fish back<br />

then), John Sebastian, John Fogerty (with Creedence<br />

Clearwater Revival the first time around), Dead and<br />

Company (Bob Weir and other members of the original<br />

Grateful Dead) and Canned Heat.<br />

Jay-Z, Robert Plant, Miley Cyrus, Chance the Rapper,<br />

Greta Van Fleet, Pussy Riot and dozens of other artists<br />

both ancient and young are also on the bill.<br />

The status of Woodstock 50 as of press time of this<br />

issue of <strong>Static</strong> <strong>Live</strong> is . . . well, just be sure to check<br />

your Google alerts before you begin hitchhiking to<br />

western New York in August.<br />

What are we music consumers to make of this<br />

upcoming “three days of peace, love and music”?<br />

(Yes, this time Lang and company snuck in the “L”<br />

word in the festival’s official subtitle.)<br />

No doubt Country Joe will once again change “The<br />

Fish Cheer” to “The Fuck Cheer” before segueing<br />

into his anti-Vietnam War ditty, “I-Feel-Like-I’m-<br />

Fixin’-to-Die Rag.” But will anyone of Generation X,<br />

Y or Z give a shit, given that they’ve already heard the<br />

“F” word 23,788 times in movies and music tracks,<br />

and given that they can download free porn on their<br />

smartphones? Will old man Robert Plant, who can<br />

be a right snide bastard in dismissing bands who<br />

have followed too closely in Led Zeppelin’s wake,<br />

be provoked into yelling “Squeeze my lemon ’til<br />

the juice runs down my leg” at Greta Van Fleet and<br />

their Zep fetishisms? Never mind that Zeppelin’s<br />

“The Lemon Song” was “inspired” by Howlin’ Wolf’s<br />

“Killing Floor,” while the “squeeze my lemon line”<br />

was used by Robert Johnson in his 1937 recording<br />

of “Travelling Riverside Blues.” So, it’ll be a bit<br />

sardonically funny to see if Plant gets pissed over<br />

someone appropriating someone else’s music.<br />

Will Carlos Santana have a “spiritual orgasm”<br />

playing Woodstock 50? After all, that was how he<br />

described his experience performing at Woodstock<br />

’94. (This I know because I was in the press tent at<br />

that festival when Santana made that proclamation.<br />

You’re reading it here for the first time because the<br />

daily newspaper where I worked then was a nospiritual-orgasm<br />

zone.)<br />

If Jay-Z resuscitates his 1998 hit “Jigga What,<br />

Jigga Who (Originator 99),” will the old hippies in<br />

the Woodstock 50 crowd wonder “What did he just<br />

say?”<br />

To anyone begrudging the old hippies for hanging<br />

on to Woodstock memories and attempting to<br />

regurgitate its vibe ad infinitum, I say this: Let<br />

them have their fun. Let the old hippie guys have<br />

their jollies as they ogle at the naked tits, search<br />

for a place to shit, and advise you to “Don’t take<br />

the brown sugar” over and over. Just refrain from<br />

replying “I think you mean the brown acid.”<br />

Just smile in the months ahead when they say,<br />

“If you can remember Woodstock 50, then you<br />

weren’t there.” They likely won’t still be<br />

on this planet when Michael Lang stages<br />

Woodstock 100.<br />

19

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