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July 2019 Static Live Magazine

STATIC LIVE Magazine is Central Florida’s premier publication dedicated to celebrating music and culture. STATIC LIVE provides extensive, detailed community information from fashion to art, entertainment to events through noteworthy interviews, sensational photography and in-depth editorial coverage. STATIC LIVE is the only publication of its kind in Central Florida and reaches all target markets through wide distribution channels. Our staff includes highly accomplished contributors with award-winning backgrounds in music and entertainment; we know how much business is captured from the entertainment market. Our free full color publication can be found throughout Central Florida at key retailers, hotels and restaurants in high traffic areas. Our mission is to highlight the incredible talent, culture and lifestyle in Central Florida. With eye-opening profiles and coverage of the music and art community, STATIC LIVE readers will be positively influenced by our topical content and trending advertisers. STATIC LIVE Magazine is the most effective tool for branding connectivity with consumers in our area.

STATIC LIVE Magazine is Central Florida’s premier publication dedicated to celebrating music and culture. STATIC LIVE provides extensive, detailed community information from fashion to art, entertainment to events through noteworthy interviews, sensational photography and in-depth editorial coverage. STATIC LIVE is the only publication of its kind in Central Florida and reaches all target markets through wide distribution channels. Our staff includes highly accomplished contributors with award-winning backgrounds in music and entertainment; we know how much business is captured from the entertainment market. Our free full color publication can be found throughout Central Florida at key retailers, hotels and restaurants in high traffic areas. Our mission is to highlight the incredible talent, culture and lifestyle in Central Florida. With eye-opening profiles and coverage of the music and art community, STATIC LIVE readers will be positively influenced by our topical content and trending advertisers. STATIC LIVE Magazine is the most effective tool for branding connectivity with consumers in our area.

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“The thing is, we’re all really the same<br />

person. We’re just four parts of the one.”<br />

~ Paul McCartney<br />

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26<br />

28<br />

31<br />

32<br />

35<br />

36<br />

37<br />

Oh My Goddess<br />

The Mods<br />

A Day in the Life of a Gigging Musician<br />

R.I.P. Local Music Scenes<br />

My Granddaddy’s BBQ Hash<br />

We Didn’t Learn Anything, We Just<br />

Know Everything<br />

The Decade of Eternity<br />

The “Boo” Sisters: A Rite of Passage<br />

<strong>Static</strong> <strong>Live</strong> Calendar<br />

Artist Feature: Dan Gunderson<br />

An Original Music Manifesto<br />

Big Brother’s Revenge by Hank Harrison<br />

Rocktails<br />

Behind the Mic<br />

Snap It<br />

Phantom Foodie<br />

Metal Compost<br />

<strong>Static</strong> <strong>Live</strong> Media Group, LLC<br />

927 S. Ridgewood Ave., Suite A5<br />

Edgewater, FL 32132<br />

386-847-2716 www.staticlivemag.com<br />

Billy Chapin, Owner/Publisher<br />

Sean Impara, Owner/Writer<br />

Jenny McLain, Editor/Dir Operations<br />

Nicole Henry, Graphic Artist<br />

Blake Abbey, Staff Photographer<br />

COVER ART BY GARY KROMAN<br />

© <strong>2019</strong>, <strong>Static</strong> <strong>Live</strong> Media Group, LLC. All rights<br />

reserved. No part of this publication may be<br />

reproduced or transmitted in any form by any<br />

means electronic, mechanical, photocopying,<br />

recording or otherwise without the prior written<br />

permission of the authors.<br />

STUDIOS<br />

DREAM. CREATE.<br />

Making great music since 1999<br />

For scheduling, Contact Sean at (386) 847-2716<br />

As highlighted in the May 2018 issue of <strong>Static</strong><br />

<strong>Live</strong> <strong>Magazine</strong>, “The Beatles invaded America,<br />

pioneering as the ‘Greasers of England’. The<br />

Fab Four donned many different looks ranging<br />

from fierce to leather jackets; from cowboy boots to<br />

pompadours. The ’60s brought an upheaval of music,<br />

fashion and attitudes. The arrival of Motown and R&B,<br />

originating in Detroit, marked a significant progression in<br />

the Civil Rights movement; but Motown also taught the<br />

world how to dress. Groups like Smokey Robinson and the<br />

Miracles and Diana Ross and the Supremes brought forth<br />

pop-soul classic lines and the two or three-piece suit was a<br />

favorite.” Music and fashion are reciprocating influencers<br />

on the visual style of entertainment, and this will never end<br />

- thank goodness!<br />

The ‘60s also birthed in Britain “The Mods,” modernists; a<br />

culture of revolution of sorts. The trend is characterized<br />

by things such as Vespas, mini motorcars, leather, graphic<br />

symbols, horizontal color stripes. The Mods could be found<br />

hanging out in coffee shops (before Starbucks and cell<br />

phones) and jazz clubs and reading philosophy. They were<br />

fueled by any nervous system stimulant that they could find<br />

(and this was before ADHD was around) and they used<br />

music and fashion as a gateway to the constant reinvention<br />

of themselves.<br />

The Fab Four’s<br />

matching suits,<br />

natural colors and<br />

fairly uniform look<br />

that evolved into<br />

the more extreme<br />

fashion statements,<br />

were no doubt<br />

part of the social<br />

revolution that was<br />

Mod Culture. This<br />

was contributing<br />

to the growing<br />

By<br />

Jamie Lee<br />

culture of young people that were looking for a place in the<br />

world that wasn’t always easy to find. The Beatles helped<br />

by dressing stylishly, as Mod would dictate, and furthering<br />

the young people’s thoughts that they were not alone.<br />

If musicians like the Beatles could “not always find their<br />

way” then this style of dress must be helping them<br />

with the process. Many say that it<br />

was Beatlemania crossing the pond<br />

that spread the Mod culture to the<br />

Americas.<br />

Sonny and Cher were also in<br />

the Mod during the 1960s. Cher<br />

sported the miniskirts, go-go<br />

boots and asymmetrical hats<br />

of a solid color; the duo wore<br />

matching suits in various solid<br />

colors, staying true to the<br />

fashion of the time. Some<br />

of the top musicians of the<br />

time who were wearing Mod<br />

include The Yardbirds, We<br />

Five, Elvis Presley (before<br />

all the rhinestones), Gary<br />

Lewis and The Playboys<br />

and The Byrds cultivated<br />

a fashion statement that would last<br />

almost a decade.<br />

Music is said to be universal. Fashion isn’t far behind,<br />

considering the power famous musicians have in controlling<br />

fashion trends. Kurt Cobain had jeans, flannel and the thrift<br />

store look in general (remember Grunge?); Diana Ross<br />

had her big hair, big diamonds and big personality (before<br />

Rhianna was shining bright like a diamond); Madonna’s<br />

sense of style was chaos meets shabby-chic with lots of<br />

hanging necklaces, big bows and lace; Elvis<br />

Costello had his coke-bottle glasses; Joan Jett<br />

sported leather. All these artists were before<br />

the newest form of music creatively controlling<br />

fashion - artists starting their own fashion labels 5<br />

(too many to count!).

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