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SHABBAT'S END<br />
Here it is. Another Saturday night in Jerusalem. Three stars sparkling above the Plaza<br />
signify the finish of the Holy Day and the beginning of the Unholy Night. Our story begins in<br />
the Resnick dormitories on Har Hatzofim. In building seventeen, room three-hundred fifty-seven<br />
I, my roommate Barry, and occasional Mechina student Tod, gather to discuss the evening's<br />
coming activities.<br />
"Why don't we go to the Tavern and shoteh some beers?" Tod says, opening the summit.<br />
"Sounds like a fine idea to me," responds Barry, inna fit of intellectualism.<br />
"Great idea, but I hope you guys don't mind paying for me. I'm broke." My comment is met<br />
with some derogatory comments about Jews from Colorado, but the resolution passes anyway.<br />
With the agenda decided, I change into my robe, grab soap, shampoo and towel and send myself<br />
to the showers. On the floor in the shower room is a liquid grime left over from those who have<br />
preceded me into this bastion of personal hygiene. The room itself, is approximately one and<br />
a half meters by four meters and decorated in the colors of the Great Regurgitation. Inside<br />
each of the curtainless stalls can be found three knobs (hot, cold, on-off volume), a soap tray<br />
and a hole in the wall where in civilized countries there is usually a shower head.<br />
Turning the hot and on-off volume knobs to "max," I stand out of splattering range while the<br />
pipes purge themselves of cold water. Tonight, however, I am in for a surprise. It seems that<br />
the Controller of the Hot Water has decided the goose pimples of the Resnick inhabitants have<br />
not been getting enough exercise lately. Nobody told him that Palmach shock training tactics<br />
went out with the advent of the Jewish State.<br />
"Ya.know," Barry gesticulates as he throws a rock at the lamp post on the median, "that the<br />
half of my life that I don't waste eating or sleeping, I waste waiting for Egged buses." The<br />
rock misses the post completely, but succeeds in inflicting enough fear in a Hasid to make him<br />
duck and loose his streimel. Snickering disrespectfully, we all shove our hands into our<br />
pockets and try to look innocent.<br />
"I know what you mean. You know why the buses take so long up here, don't you?"<br />
"No, why?" a bored chorus responds.<br />
"Well, you see, 'Egged' being the fine, outstanding institution of Jewish ideals that it is,<br />
only hires drivers that are imbued with a deep love and respect of Jerusalem and their Jewish<br />
culture. Because of this, everytime they get to Har Hatzofim they feel compelled to stop,check<br />
out a view of the Old City, and stand at attention for a rendition of 'Hatikva'."<br />
We finally reach our destination, the King George stop, after thirty minutes of listening to<br />
hydraulic doors open and close. The streets are crowded with the usual assortment of Israelis,<br />
tourists and half-breeds like ourselves. There are the New Yorkers, gold-laden and selfrighteous,<br />
munching pizza in front of Richie's; soldiers with their shirts unbuttoned to their<br />
navels; teenage girls shod in ten-inch platforms, skin-tight pants, T-shirts professing their<br />
admiration for the U.S. Marines and two and one half pounds of cosmetics. By "Houmous World,"<br />
tien-year old delinquents sit on the railings, firing garanim shells at anyone foolish enough<br />
to walk anywhere within three meters.<br />
Pushing our way through the throngs, the Three Musketeers (alias Blind Mice) assault the<br />
Tavern Bar and Grill. With the door of the iniquitous den open, a stream of stale cigarette<br />
smoke pours forth as if from the nasals of a fire-breathing dragon with emphysema. Coughing<br />
our way to the back room, where strangely enough the air is cleaner, we grab the last available<br />
t ab 1 e .<br />
The conversation throughout the night has vacillitated between women and Zionism. Now, so<br />
drunk we couldn't tell Mordechai from his grandmother, we stumble up to the cash register.<br />
Tod and Barry pay for their respective rounds and go outside into the cool night air. I look<br />
up at the bartender, a huge, burly Englishman with biceps the size of my waist. Extending his<br />
hand, he mutters something resembling "One hundred and twelve pounds please."<br />
I try and hand him my bus card, but he is not very amused.<br />
"Now don't get all upset," I slur, "my friends here are going to take care of me." Turning<br />
towards the door I notice that there are no friends in sight. My knees start to shake a little.<br />
"Listen, if you will just allow me to step outside and get my friends, they will take care of<br />
everything."<br />
"Sorry mate. Can't let you leave until I get the money. Otherwise I'll have to call the<br />
police."<br />
"Let's discuss this intelligently. The funds to cover this debt are presently not in my<br />
possession. If you would be so kind as to let me leave you with a token of my sincerity to<br />
pay, I will go find my financiers and get this little mess straightened out."<br />
"No way bub. This ain't no bank y'know. Looks like I'm going to have to call the cops and<br />
then you can tell them your sad little story."<br />
Just as I am about to resort to tears, Barry and Tod shove their big, Semitic noses through<br />
the door. I shoot an angry glare in their direction which they answer with the kind of laughter<br />
sideaches are made of. As Tod walks in to clear up my debt the door jamb reaches up and grabs<br />
his foot, causing him to fall and knock over a chair, its female occupant, and a glass of beer.<br />
Barry and I join him and the young lady on the floor, gripping our sides in hysterics.-<br />
"Say, 'das a funny one, bubba," Barry chortles, jerking his head like a chicken.<br />
The three of us squeeze ourselves onto the bus as the doors swoosh shut. An old lady that<br />
didn't make it shakes her fist and curses at the lethargic bus driver in Hebrew, Yiddish and<br />
Hungarian. Our night in the city has come to an end.<br />
Robert S. Barron