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Felino Soriano Tribute

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Kwon Do at age 15. In addition to the physicality of the tradition, philosophy was<br />

being introduced to me through the articulation of parallels: language/body, and<br />

these together taught the spontaneity and the believability that the body’s<br />

language must first listen to the calm resuscitating parables of the mind’s<br />

elongated teachings. Applying the mind first toward environment, here, is valid,<br />

in that action sans critical thinking can lead to destruction of purity’s<br />

foundational intent.<br />

Discuss your travels within and without the United States. How does region<br />

(specifically the west coast) play a part in your poetry - either implicitly or<br />

explicitly?<br />

I rarely travel. The popular term of “homebody” applied very well to me. Home<br />

is comfort in the finding of routine, habit. When these attributes are disrupted,<br />

my functionality is unbalanced, regardless of “how nice” the hotel is, for<br />

example. I have never travelled outside of the United States, but hope to<br />

eventually do some travelling—particularly to the Philippines, Mexico and<br />

Europe. I have family in various places throughout the country, most notably in<br />

Hawaii and North Carolina. I have been to these states several times, but not in<br />

several years. I want to eventually make it back to visit.<br />

Region, in conjunction with availability of resources is foundational to my<br />

poetry. The context here is regardless of where I am—if my computer is with me<br />

(but also, other tools—pen, paper, surface, etc.) I will be able to create a poem<br />

based on environment. Environment is predicated on what the embrace is—what<br />

is available to interpret. Environment here is not the political definition, but the<br />

proprietary objects asking to be interpreted. Because my poems are dually<br />

inspired—environment/jazz music—the reactive behavior outlines outcome<br />

through the connectivity to content of the imagination.<br />

I have never met you, but you claim to have an introverted disposition, which<br />

doesn't surprise me given your prolific poetic nature. I am more of an extroverted<br />

nature, but I do have my introverted side, and it's being cultivated more and<br />

more as I age. Discuss your thoughts regarding introversion and extroversion.<br />

The poet Will Alexander said “For me, poetry must be initially nourished in<br />

isolation. One must grow to seed in private until it burns its way into the world on<br />

its own.” This echoes into my own particular position. I write alone—always<br />

have. I have never taken a creative writing class or class on how to write poetry<br />

—this is extraneous to me. Perhaps this brand of camaraderie dissolves prior to<br />

reaching me, as my anatomy of poetic language is often mis:read/interpreted/<br />

understood in the spectrum of contemporary poetry.<br />

My instinctive disposition is encircled by introversion, as this breeds aliveness in<br />

its allowance to engage with the various epicurean topics that bring such a<br />

heightened brand of joy, in solitude. Like you, Alison, as I am getting older, my

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