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RAD FINE ART<br />
Women artists of the <strong>River</strong> Arts District<br />
BY STAFF REPORTS • RIVER ARTS DISTRICT, ASHEVILLE<br />
You can find diversity, fine artistry, and inspiration<br />
in the “District” in the studios along the French<br />
Broad <strong>River</strong> in Asheville. Every day of the week<br />
there are new things to see. On Oct 12, 10-5 pm<br />
for the Second Saturday event, you can even ride<br />
the free trolley around the district, enjoy refreshments,<br />
and see the work of many artists. These<br />
women will be there.<br />
that unmistakably links<br />
her to Titian, Vermeer,<br />
and Rembrandt. Through<br />
trained observation and<br />
creative vision, Mitchell<br />
fuses Impressionism and<br />
Realism into a unified language<br />
of the eye.<br />
“The Call,” by<br />
Michele Mitchell,<br />
36x48, oil<br />
Anne Allen, 310 ART at <strong>River</strong>view Station,<br />
#310, Ground Floor North<br />
The language of flowers is like music. One of my<br />
earliest art experiences was<br />
drawing quiet wildflowers<br />
with black charcoal. Today,<br />
my goal is to start a conversation<br />
with my garden flowers<br />
using the color and lyrics<br />
“Into the Light,” by<br />
Elise Okrend, 20x18,<br />
pastel<br />
“Great Horned Owl”<br />
by Claudia Moore<br />
Field, Wire, Copper<br />
and wood<br />
of soft<br />
pastel.<br />
6 |RAPIDRIVERMAGAZINE.COM | RAPID RIVER’S ARTS & CULTURE | VOL. 23, NO. 2 OCTOBER <strong>2019</strong><br />
Elise<br />
Okrend Contemporary Pastel<br />
Art, Wedge Studios<br />
The natural world inspires my<br />
work. I use color and texture<br />
to connect the viewer to a<br />
sense of healing and inner<br />
peace.<br />
Claudia Moore Field, Philip<br />
DeAngelo Studio, Wedge<br />
Building<br />
“When Flowers Waltz,” by<br />
Anne Allen, 7x5, pastel<br />
My work is God-inspired, and<br />
I use wire and metals to replicate<br />
the flora and fauna that<br />
are here in my backyard of<br />
WNC. I also love to replicate<br />
nostalgia making miniatures of<br />
the real deal.<br />
Michele Mitchell, <strong>River</strong>view<br />
Station, #267<br />
Michele Mitchell’s artistic passion is color, and<br />
she commands her palette with a proficiency<br />
Grace Carol Bomer, Soli Deo<br />
Gloria Studio, Warehouse<br />
Studios #6<br />
Artwork in oil and wax and<br />
gold leaf that is contemporary<br />
abstract and full<br />
of faith, Making Visible the<br />
Invisible.<br />
Andrea Kulish, Studio A,<br />
Pink Dog Creative, Suite 100<br />
I create Ukrainian pysanky eggs, both traditional<br />
and modern. I<br />
love to keep the folk art<br />
process going and make<br />
new designs with traditional<br />
motifs, or make<br />
new abstract designs. I<br />
also love to draw using<br />
various mixed media– and<br />
similar to the eggs, with<br />
pops of color.<br />
Sahar Fakhoury, Sahar<br />
Fakhoury Fine Art,<br />
Trackside Studios<br />
My figurative paintings are<br />
an attempt to depict the<br />
expression of the human<br />
condition at that moment,<br />
and strike a pleasing balance<br />
between the classical<br />
and the contemporary,<br />
creating a work of art as<br />
“The Return of the<br />
Prodigal,” by Grace<br />
C Bomer, 48 x 48,<br />
oil and wax<br />
Ukrainian pysanky<br />
eggs by Andrea Kulish<br />
“A Moment to Reflect,”<br />
by Sahar Fakhoury,<br />
24x24, oil on canvas<br />
equivalent as possible to the complexity of real<br />
life.