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October 2019 Rapid River Magazine

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RAD FINE ART<br />

Women artists of the <strong>River</strong> Arts District<br />

BY STAFF REPORTS • RIVER ARTS DISTRICT, ASHEVILLE<br />

You can find diversity, fine artistry, and inspiration<br />

in the “District” in the studios along the French<br />

Broad <strong>River</strong> in Asheville. Every day of the week<br />

there are new things to see. On Oct 12, 10-5 pm<br />

for the Second Saturday event, you can even ride<br />

the free trolley around the district, enjoy refreshments,<br />

and see the work of many artists. These<br />

women will be there.<br />

that unmistakably links<br />

her to Titian, Vermeer,<br />

and Rembrandt. Through<br />

trained observation and<br />

creative vision, Mitchell<br />

fuses Impressionism and<br />

Realism into a unified language<br />

of the eye.<br />

“The Call,” by<br />

Michele Mitchell,<br />

36x48, oil<br />

Anne Allen, 310 ART at <strong>River</strong>view Station,<br />

#310, Ground Floor North<br />

The language of flowers is like music. One of my<br />

earliest art experiences was<br />

drawing quiet wildflowers<br />

with black charcoal. Today,<br />

my goal is to start a conversation<br />

with my garden flowers<br />

using the color and lyrics<br />

“Into the Light,” by<br />

Elise Okrend, 20x18,<br />

pastel<br />

“Great Horned Owl”<br />

by Claudia Moore<br />

Field, Wire, Copper<br />

and wood<br />

of soft<br />

pastel.<br />

6 |RAPIDRIVERMAGAZINE.COM | RAPID RIVER’S ARTS & CULTURE | VOL. 23, NO. 2 OCTOBER <strong>2019</strong><br />

Elise<br />

Okrend Contemporary Pastel<br />

Art, Wedge Studios<br />

The natural world inspires my<br />

work. I use color and texture<br />

to connect the viewer to a<br />

sense of healing and inner<br />

peace.<br />

Claudia Moore Field, Philip<br />

DeAngelo Studio, Wedge<br />

Building<br />

“When Flowers Waltz,” by<br />

Anne Allen, 7x5, pastel<br />

My work is God-inspired, and<br />

I use wire and metals to replicate<br />

the flora and fauna that<br />

are here in my backyard of<br />

WNC. I also love to replicate<br />

nostalgia making miniatures of<br />

the real deal.<br />

Michele Mitchell, <strong>River</strong>view<br />

Station, #267<br />

Michele Mitchell’s artistic passion is color, and<br />

she commands her palette with a proficiency<br />

Grace Carol Bomer, Soli Deo<br />

Gloria Studio, Warehouse<br />

Studios #6<br />

Artwork in oil and wax and<br />

gold leaf that is contemporary<br />

abstract and full<br />

of faith, Making Visible the<br />

Invisible.<br />

Andrea Kulish, Studio A,<br />

Pink Dog Creative, Suite 100<br />

I create Ukrainian pysanky eggs, both traditional<br />

and modern. I<br />

love to keep the folk art<br />

process going and make<br />

new designs with traditional<br />

motifs, or make<br />

new abstract designs. I<br />

also love to draw using<br />

various mixed media– and<br />

similar to the eggs, with<br />

pops of color.<br />

Sahar Fakhoury, Sahar<br />

Fakhoury Fine Art,<br />

Trackside Studios<br />

My figurative paintings are<br />

an attempt to depict the<br />

expression of the human<br />

condition at that moment,<br />

and strike a pleasing balance<br />

between the classical<br />

and the contemporary,<br />

creating a work of art as<br />

“The Return of the<br />

Prodigal,” by Grace<br />

C Bomer, 48 x 48,<br />

oil and wax<br />

Ukrainian pysanky<br />

eggs by Andrea Kulish<br />

“A Moment to Reflect,”<br />

by Sahar Fakhoury,<br />

24x24, oil on canvas<br />

equivalent as possible to the complexity of real<br />

life.

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