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Volume 25 Issue 3 - November 2019

On the slim chance you might not have already heard the news, Estonian Canadian composing giant Udo Kasemets was born the same year that Leo Thermin invented the theremin --1919. Which means this is the centenary year for both of them, and both are being celebrated in style, as Andrew Timar and MJ Buell respectively explain. And that's just a taste of a bustling November, with enough coverage of music of both the delectably substantial and delightfully silly on hand to satisfy one and all.

On the slim chance you might not have already heard the news, Estonian Canadian composing giant Udo Kasemets was born the same year that Leo Thermin invented the theremin --1919. Which means this is the centenary year for both of them, and both are being celebrated in style, as Andrew Timar and MJ Buell respectively explain. And that's just a taste of a bustling November, with enough coverage of music of both the delectably substantial and delightfully silly on hand to satisfy one and all.

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Puuluup<br />

The National Youth Orchestra of Canada<br />

and the European Union Youth Orchestra join forces for<br />

ESTONIAN MUSIC WEEK – NOVEMBER 14 TO 17<br />

In addition to the two EMW concerts already mentioned here is<br />

another concert pick, providing a taste of the rest of the festival’s<br />

several performances.<br />

On <strong>November</strong> 15 (Artscape Sandbox, Toronto) and <strong>November</strong> 16<br />

(Cotton Factory, Hamilton) you can hear the quirky duo Puuluup<br />

(“wooden magnifying glass” in Estonian), from Viljandi, a town<br />

in southern Estonia. They’ve developed a unique musical hybrid<br />

variously dubbed “Estonian neo-folk” and ‘folktronica.” Their<br />

talharpas – horse-hair four-stringed bowed or plucked lyres –<br />

featured in the Estonian folklore revival, provide essential textures<br />

in their music, along with live electronic looping, electronic pedal<br />

effects, alternative bowing and amplified drumming techniques.<br />

Finnish jouhikko (a closely related bowed lyre) are also part of the<br />

mix. The duo’s catchy vocal melodies, harmonies and raps in the<br />

Estonian language draw inspiration from the village leiks (songs) of<br />

Vormsi island, Russian or Ukrainian chastushkas, and from more<br />

distant global music traditions. The tone is wry and unconventional,<br />

with lyrics about wind turbines, Polish TV heroes, fat cakes,<br />

and the “uncomfortable feeling that your neighbour’s dog might try<br />

to bite you while you take out the trash.” The old mashes with the<br />

new in their live performances and music videos, or as described in<br />

seasonally appropriate Baltic imagery, “sticking together like water<br />

and sleet.”<br />

Estonian Music Week is co-presented with Latitude 44 a digital<br />

conference which introduces Estonia as the “world’s first digital<br />

society.” How did this Baltic country, about 24 times smaller than<br />

the province of Ontario, become such a digitally advanced society?<br />

Estonian e-engineers and managers share their success stories at<br />

the WE Global Learning Centre, 339 Queen St.E. Toronto.<br />

latitude44to.ca/tickets<br />

“Estonia, a small country, big traditions.” This country with a<br />

population of 1.3 million has over two million yearly concert visits.<br />

Massed national song and dance festivals have played an important<br />

role in the development and preservation of Estonian identity.<br />

During the “Singing Revolution,” for example, many thousands<br />

of Estonians gathered for massed choral demonstrations between<br />

1986 and 1991, putting pressure on the USSR government to end<br />

decades of Soviet occupation. In 1991 Estonia achieved independence,<br />

nonviolently.<br />

World music fans double the population of the town of Viljandi<br />

during the Viljandi Folk Music Festival which presents world music<br />

acts from all over the world. Jazz is prominent in the popular<br />

Tallinn Music Week and at the Jazzkaar Festival. Estonia also<br />

boasts a number of top composers, such as Arvo Pärt, among the<br />

world’s most performed living composers, and Veljo Tormis, who<br />

based some of his successful works on ancient regi songs. The<br />

country has also produced several fine conductors such as Neeme<br />

Järvi, Tõnu Kaljuste and Paavo Järvi, the latter having conducted<br />

Canadian musicians on a 1994 all-Kasemets CD on the Koch<br />

International label.<br />

Tuesday, <strong>November</strong> 12, 7:30 pm<br />

Koerner Hall, 273 Bloor St. W<br />

Blake Pouliot, violin<br />

Tickets - $23 / $33<br />

Sascha Goetzel, conductor<br />

Tickets available at rcmusic.com<br />

or 416-408-0208<br />

Music by Stravinsky, Wagner,<br />

and John Estacio’s Frenergy for orchestra<br />

Made possible by the European Union Delegation to Canada<br />

FOR MORE INFO VISIT NYOC.ORG<br />

thewholenote.com <strong>November</strong> <strong>2019</strong>| 15

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