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Volume 25 Issue 3 - November 2019

On the slim chance you might not have already heard the news, Estonian Canadian composing giant Udo Kasemets was born the same year that Leo Thermin invented the theremin --1919. Which means this is the centenary year for both of them, and both are being celebrated in style, as Andrew Timar and MJ Buell respectively explain. And that's just a taste of a bustling November, with enough coverage of music of both the delectably substantial and delightfully silly on hand to satisfy one and all.

On the slim chance you might not have already heard the news, Estonian Canadian composing giant Udo Kasemets was born the same year that Leo Thermin invented the theremin --1919. Which means this is the centenary year for both of them, and both are being celebrated in style, as Andrew Timar and MJ Buell respectively explain. And that's just a taste of a bustling November, with enough coverage of music of both the delectably substantial and delightfully silly on hand to satisfy one and all.

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Mike Malone and the Writer’s Jazz Orchestra<br />

years. Some musicians who were full-time faculty, such as the late<br />

trombonist Dave McMurdo and trumpeter Mike Malone, moved to<br />

Hamilton from Toronto, reversing an age-old tradition. McMurdo<br />

had a huge impact on Hamilton jazz as a teacher and by starting his<br />

Mountain Access (sometimes affectionately known as “Mounting<br />

Excess”) Jazz Orchestra, which provided an outlet for writers and<br />

players both from Toronto and the Hamilton area. Malone has<br />

continued this with his Writer’s Jazz Orchestra, which performs regularly<br />

in and around Hamilton and at Toronto venues such as The Rex.<br />

More recently, the Hamilton-born, gifted pianist Adrean Farrugia and<br />

his equally gifted wife, singer Sophia Perlman, who both teach at<br />

Mohawk, have moved from Hogtown to Steeltown, perhaps attracted<br />

by a city that’s less hectic, more affordable, and still offers opportunities<br />

for cultural expression. With the Toronto jazz scene shrinking in<br />

recent times, the worm is beginning to turn toward smaller cities.<br />

Hamilton has also boasted attractive musical venues and organizations<br />

through the years, often created and sustained by dedicated<br />

music lovers and arts activists. Liuna Station is an excellent example.<br />

It was originally a CN Railway station which had fallen into disrepair<br />

until a guild of local artisans was commissioned to give it a lavish<br />

facelift. The result is a unique and splendid venue for concerts as well<br />

as other functions. I’ve played there numerous times with the likes<br />

of Oliver Jones and David Braid and was bowled over by its extravagance.<br />

One of my favourite places to play in Hamilton was not really<br />

a jazz venue but a small Polish restaurant on Main St. called Izzy’s,<br />

named for its cheerful and generous proprietor Isidora, who loved<br />

jazz, cooking, jazz musicians and Irish whiskey, not necessarily in that<br />

order. I’ll never forget playing there one night with the Mike Murley<br />

Trio when Kenny Wheeler, Norma Winstone, Dave McMurdo and<br />

Mike Malone were in the audience. Wheeler and<br />

Winstone were in Hamilton as artists-in-residence<br />

for a week of clinics and concerts at Mohawk<br />

College, another example of how that institution<br />

has boosted jazz in Hamilton.<br />

Steel City Jazz Festival<br />

Hamilton boasts many other long-term jazz outlets<br />

– the Corktown Pub, Artword Artbar (on which<br />

more later), Fieldcote Park in nearby Ancaster,<br />

The Pearl Company, as well as concert venues<br />

at Mohawk College and McMaster University.<br />

Hamilton has also staged its own festival for the<br />

last seven years, The Steel City Jazz Festival. This<br />

year’s festival runs from <strong>November</strong> 6 to 10 and will<br />

feature shows at Artword Artbar, the Corktown<br />

Pub and The Pearl Company. It will return to<br />

its roots by showcasing pianist Paul Benton, a<br />

longtime seminal figure in Hamilton jazz, in its<br />

opening concert, and by focusing on the past 30<br />

years of jazz in the area.<br />

Other artists will include the Nick McLean<br />

Quartet, the Sextet of Smordin Law artist-in-residence<br />

Jason Logue, the Waleed Kush African Jazz<br />

Ensemble and Mike Malone, playing as part of the ECJ quintet led by<br />

bassist Evelyn Charlotte Joe. This year the festival is also launching<br />

performances at the legendary Corktown Pub – George Grossman’s<br />

Bohemian Swing featuring Brandon Walker on <strong>November</strong> 7 and Blunt<br />

Object on <strong>November</strong> 8. It’s a diverse and interesting lineup.<br />

Farewell Artword, hail Zula<br />

Unfortunately, this year’s festival will mark the end of one of<br />

Hamilton’s best music venues, Artword Artbar, a café-bar on<br />

Colbourne Street which has been hosting jazz and other interesting<br />

music and theatre for the past ten years. Proprietors Ronald Weihs and<br />

Judith Sandiford have sold the building and its future use is unclear,<br />

but it won’t likely have to do with music or the arts. This is a decided<br />

blow to the local scene and one hopes someone will step in with an<br />

alternative space at some point. I only played there once, some years<br />

ago with the Mike Murley Trio, and very much enjoyed the experience.<br />

Artword Artbar has (had) good natural sound and a relaxing, casual,<br />

grassroots feeling which combined the best of both worlds – a small<br />

concert space and a rustic pub – one which encouraged audiences to<br />

listen and inspired artists to play their best. It will be missed.<br />

But not all is lost… finally, a word on another force in Hamilton jazz,<br />

one largely unknown to many Torontonians, including yours truly<br />

until recently: Zula, a bold and independent arts organization dedicated<br />

to presenting adventurous and under-the-radar music against<br />

long odds in Hamilton. It is the brainchild of music lover and arts<br />

activist Cem Zafir, who originally founded Zula in Vancouver way back<br />

in 2000, transplanting the concept to Hamilton when he moved there<br />

in 2012. It is supported by the Ontario Arts Council and has gathered<br />

a board of local artists including Donna Akrey, Chris Alic, Neil<br />

Please join our continuing<br />

40 th Anniversary celebration of swing era music by<br />

JIM GALLOWAY’S<br />

WEE BIG BAND<br />

UNDER THE LEADERSHIP OF MARTIN LOOMER<br />

Thursday 21 st <strong>November</strong> <strong>2019</strong><br />

from 7:30 to 10:30pm<br />

in the elegant Great Hall of our new venue<br />

the historic Arts & Letters Club of Toronto, 14 Elm Street<br />

Duke<br />

Ellington versus<br />

Count<br />

Basie<br />

WHOSE ORCHESTRA WAS THE BEST?<br />

Whether it’s the 1930’s, 40’s, 50’s or 60’s<br />

The musical debate has continued.<br />

Come, listen, and decide for yourself!<br />

Doors 6:45 pm for Open Seating<br />

Licensed facility<br />

Ken Page Memorial Trust<br />

Tickets $30, cash only please<br />

Close to Dundas subway<br />

Questions: Anne Page: 416 515 0200 or email: moraig@huntingstewart.com<br />

Our concerts are dedicated to the memory of saxophone master, Jim Galloway, the band’s founder and leader for 35 years – and to those members passed<br />

Media Sponsor<br />

thewholenote.com <strong>November</strong> <strong>2019</strong> | 43

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