29.10.2019 Views

Volume 25 Issue 3 - November 2019

On the slim chance you might not have already heard the news, Estonian Canadian composing giant Udo Kasemets was born the same year that Leo Thermin invented the theremin --1919. Which means this is the centenary year for both of them, and both are being celebrated in style, as Andrew Timar and MJ Buell respectively explain. And that's just a taste of a bustling November, with enough coverage of music of both the delectably substantial and delightfully silly on hand to satisfy one and all.

On the slim chance you might not have already heard the news, Estonian Canadian composing giant Udo Kasemets was born the same year that Leo Thermin invented the theremin --1919. Which means this is the centenary year for both of them, and both are being celebrated in style, as Andrew Timar and MJ Buell respectively explain. And that's just a taste of a bustling November, with enough coverage of music of both the delectably substantial and delightfully silly on hand to satisfy one and all.

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

“Blowhards” by name<br />

On October 11, I had the pleasure of attending a<br />

very different type of concert from anything that<br />

I had ever experienced before, by an instrumental<br />

group I had never heard of before. Made up of 10<br />

wind musicians, conducted by John Liddle, they<br />

call themselves “Fanfarones.” The first portion of<br />

the concert consisted of relatively familiar music<br />

including: Wedding Day at Troldhaugen from<br />

Grieg’s Holdberg Suite, Tango Op.165 by Albeniz,<br />

Jamaica Farewell by Irving Burgie, and excerpts<br />

from Rocky Mountain Suite by Canadian<br />

composer Pete Coulman. To end the first portion<br />

of the program, conductor John Liddle played<br />

Hoagy Carmichael’s Stardust on his trumpet.<br />

The second portion of the program featured<br />

the Fanfarones performing a new work, Canoe<br />

Dancing, by local composer Stu Beaudoin.<br />

Beaudoin’s original idea had been to produce a<br />

ballet, and Canoe Dancing could still be described<br />

as a dance-like programmatic musical journey.<br />

As the work progressed, its musical impressions<br />

of canoeing were reflected on two large viewing<br />

screens on either side of the stage, capturing the<br />

many different aspects of canoeing in the music.<br />

The pictures taken by Beaudoin himself, and<br />

fellow canoeing enthusiasts, portrayed both scenic<br />

beauty and the sometimes terrifying experiences<br />

of the canoeists in rough water: from views<br />

of canoeists gently paddling along tranquil waters at sunset to others<br />

struggling to stay afloat while trying to negotiate violent rapids with<br />

surf thundering over rocks on all sides. At times, audience members<br />

felt as though they were participating in a journey, with emotions<br />

ranging from tranquillity to terror. In all, a fascinating and entertaining<br />

performance, by a group worth knowing more about.<br />

I contacted Helen Graham, one of the founding members of the<br />

group. Here’s how she described their birth: “Fanfarones was invented<br />

in 2012 as an experiment in sound, to add a pair of flutes to a wind<br />

octet. We decided it was more fun with ten, and so have kept with this<br />

formation. Core members at the time in 2012 were Tom Fleming, Bill<br />

Krangle, Helen Graham, Dorothy Ward and John Liddle. Our playermembers<br />

are drawn from the wind sections of community orchestras<br />

across the Toronto area.<br />

“The name Fanfarones is Italian for ‘blowhards,’ which we consider<br />

to be both a pun on wind players, and poking some fun at ourselves if<br />

we ever got too arrogant, given the English language meaning (somebody<br />

who boasts and brags). We also like to say that Fanfarones means<br />

“quirky, elegant music.”<br />

They perform music originally written for their instrumentation,<br />

as well as arrangements, and their programming ranges from classical<br />

through to modern day popular music. The earliest original piece<br />

for such instrumentation that they have found so far is a work by<br />

Donizetti.<br />

All in all, Fanfarones are 11 musicians who celebrate beautiful music<br />

that surprises as well as delights. The group is comprised of pairs of<br />

flutes, oboes, clarinets, French horns and bassoons. Sometimes they<br />

refer to themselves as a “dectet.” The 11th member is conductor John<br />

Liddle, who on occasion plays trumpet with the group. In Helen<br />

Graham’s words: “We create a sonority that plays with a broad palette<br />

of instrumental colours. Orchestral musicians who also revel in that<br />

small group vibe, we provide quirky, elegant music.”<br />

Other News<br />

As I have mentioned previously, for many years my contact with<br />

Silverthorn Symphonic Winds has been Heather Engli. Heather<br />

decided to make a drastic move to Wolfville, Nova Scotia a few weeks<br />

ago. She now tells me that she is loving Wolfville. She already has<br />

hooked up with Dan Kapp, of New Horizons renown, who moved<br />

there some months ago. She is also very busy playing with the<br />

Fanfarones<br />

Symphonic Band at the university and singing in a church choir. Dan<br />

Kapp also plays in the Symphonic Band and has invited her to play<br />

in the King’s County Community Band. It’s a great example of the<br />

social benefits of playing in musical groups, and of how one can find<br />

community through music.<br />

Just Missed<br />

As I write this, I am looking forward to the Wychwood Clarinet Choir’s<br />

Halloween concert “Creepy Clarinets” on October 27. Unfortunately,<br />

it will have passed by the time this issue is available. It includes<br />

Humperdink’s Overture to Hansel and Gretel; Moussorgsky’s Baba<br />

Yaga’s Hut and Great Gate of Kiev; Mancini’s; The Pink Panther and<br />

Grieg’s In the Hall of the Mountain King.<br />

BANDSTAND QUICK PICKS<br />

!!<br />

NOV 2, 2:30PM: The combined Navy bands of Toronto’s HMCS York and Hamilton’s<br />

HMCS Star present their Remembrance Concert at the Cathedral Church of St.<br />

James, 106 King St. E in Toronto.<br />

!!<br />

NOV 2, 7:30PM: Toronto’s Professional Flute Choir, Flute Street will be joined by<br />

special guests, Les Flûtistes de Montréal, at the Church of St. Peter and St. Simonthe-Apostle,<br />

5<strong>25</strong> Bloor St. E. If you are not familiar with the variety of flute sizes, this<br />

is a great chance to hear them. From the usual concert flute this group includes alto<br />

flutes, bass flutes, contrabass flutes and even a giant sub contrabass flute. Compared<br />

to the regular flute, about two feet long, this instrument stands over six feet tall.<br />

!!<br />

NOV 2, 7:30PM: “A Little Wind Music” by Upper Canada Brass will include<br />

Impressions by Paul Lovatt-Cooper, When Thunder Calls by Len Ballantine and<br />

Hannaford Street March by Kevin Lau. St. Paul’s Anglican Church-Innisfil, 3294 St.<br />

Paul’s Crescent St., Barrie.<br />

!!<br />

NOV 23, 7:30PM: Silverthorn Symphonic Winds will present their fall concert at the<br />

Wilmar Heights Events Centre, 963 Pharmacy Ave., Toronto.<br />

!!<br />

NOV 29, 7:30PM: The Newmarket Citizens Band will be at Newmarket’s historic<br />

Old Town Hall, 460 Botsford Street, to present their formal seasonal concert, ”Winter<br />

Fantasy,” with special guests, Marquee Theatrical Productions Elite Intermediate<br />

Youth Group.<br />

Jack MacQuarrie plays several brass instruments and<br />

has performed in many community ensembles. He can<br />

be contacted at bandstand@thewholenote.com.<br />

thewholenote.com <strong>November</strong> <strong>2019</strong> | 45

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!