February 2019 2
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310 ART<br />
“Times Square” Triptych NYC, watercolor, 40 x 78 by Nadine Charlsen<br />
Atypical Dimensions: voLUMINOUS<br />
Watercolors of Nadine Charlsen<br />
BY FLETA MONAGHAN • RIVER ARTS DISTRICT, ASHEVILLE<br />
Nadine Charlsen can be found every<br />
day in her studio space at 310 ART<br />
creating large scale watercolors.<br />
Her newest piece up on an easel,<br />
she is surrounded by framed works<br />
and carefully organized large files<br />
of paintings sorted by countries.<br />
While she does create some<br />
smaller pieces, none are your usual<br />
watercolor paintings. Most viewers<br />
and even experienced collectors<br />
do not recognize this work as<br />
watercolor. With bold and striking<br />
lights and darks, layers, glazing,<br />
distressing, scraping, and splattering,<br />
she transforms her subjects into<br />
dramatic large-scale works that are<br />
collected as primary focal points in<br />
homes and businesses.<br />
Charlsen’s background as a<br />
theater professional contributes to<br />
her feel for drama. You can often<br />
find her at her easel working with the<br />
painting upright, brush in one hand<br />
and spray water bottle in the other.<br />
When most would think the work<br />
is finished, she wets the surface<br />
with water and washes of paint<br />
nearly obscuring the image. Then<br />
she reconstructs and brings out the<br />
luminous light with methods that<br />
seem almost magical. And, rather<br />
than keeping these techniques all<br />
to herself, she enjoys teaching and<br />
mentoring an ever-growing number<br />
of both aspiring and experienced<br />
painters at the school at 310 ART.<br />
This <strong>February</strong> and March,<br />
Charlsen will have a featured exhibit<br />
showcasing her large pieces. Her<br />
show is cleverly titled ”Atypical<br />
Dimensions: voLUMINOUS<br />
Watercolors.” She explains, “My<br />
watercolors are not your typical small<br />
detailed 8x10 light, smooth paintings.<br />
I paint large rough, gritty images of<br />
cities, landscapes, industrial sites<br />
that have texture and depth. The<br />
watercolors that I will show in the<br />
10 |RAPID RIVER’S ARTS & CULTURE MAGAZINE Vol. 22, No. 06 — <strong>February</strong> <strong>2019</strong>