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PAGE 12 - WESTSIDE MESSENGER - <strong>December</strong> 15, <strong>2019</strong><br />
The interwoven thread between greed<br />
and death has been the focus of two movies<br />
released in just as many weeks at the theater.<br />
The first to mine the dual subjects<br />
came out around Thanksgiving and was a<br />
throwback to the whodunit era. The second<br />
and more serious offering was released this<br />
past weekend and was a throwback to,<br />
well, every era. The former is the more<br />
buzzed about option while the latter is an<br />
important, albeit depressing, piece of work.<br />
While vastly different in tone, both are<br />
worthy of a watch.<br />
There are some who believed that director<br />
Rian Johnson was finished after a<br />
groundswell of backlash for his involvement<br />
with “Star Wars: The Last Jedi.”<br />
Such was the anger for this film and his<br />
vision that multiple petitions made the<br />
online rounds, begging the studio to change<br />
the film. Some even swore that they would<br />
never support a film written or directed by<br />
him again.<br />
Likely reeling from the intensity,<br />
Johnson went back to his smaller fare roots<br />
and wrote and directed “Knives Out,” a<br />
murder-mystery akin to the beloved “Clue.”<br />
In it, the audience is taken to the day<br />
after the apparent suicide of a famed mystery<br />
writer on the night of his 85th birthday.<br />
While trying to unwrap the mystery of<br />
this potential murder, the detective on the<br />
case, Benoit Blanc (Daniel Craig), also tries<br />
to solve the secondary mystery as to who<br />
hired him to solve the mystery.<br />
The prime suspects in the crime are<br />
vast, as the late novelist Harlan Thrombley<br />
(Christopher Plummer) has many after his<br />
fortune, namely his family. Throughout the<br />
course of the film, we see various points-ofview<br />
and get to know these self-serving<br />
members and delight in their lying and<br />
scheming ways.<br />
With an ensemble cast that includes<br />
Jamie Lee Curtis, Toni Collette, Chris<br />
Evans, Michael Shannon and Don Johnson,<br />
the movie can feel a little over-stuffed but<br />
it is the presence of actress Ana de Armas<br />
that grounds this film. Her role in this<br />
whodunit is that of Harlan’s home health<br />
aide who may know some (or all) of the<br />
buried secrets in this wealthy family.<br />
While it may not be as clever as it sets<br />
out to be, “Knives Out” is great fun, filled<br />
with twists and turns and a terrific performance<br />
by Craig. Though his accent<br />
wavers at times, some of his lines, particularly<br />
those comparing his mysterious hiring<br />
to that of a donut with seemingly endless<br />
donut holes, had me laughing out loud.<br />
In contrast, nary a laugh is to be found<br />
in “Dark Waters” but it is an equally<br />
engaging movie in an entirely different<br />
way.<br />
The script was mined from multiple<br />
journalists (Nathaniel Rich, Mariah Blake<br />
In Entertainment<br />
www.columbusmessenger.com<br />
Two movie reviews with one common theme - greed<br />
and Sharon Lerner) and their respective<br />
publications which detailed the poisoning<br />
of the air and water supply in Parkersburg,<br />
West Virginia by DuPont.<br />
The loosely based film stars Mark<br />
Ruffalo as Robert Bilott, a corporate attorney<br />
who gets roped into listening to a perceived<br />
paranoid hillbilly as a favor to his<br />
grandmother. Said perceived paranoid hillbilly<br />
is Wilbur Tennant (a terrific Bill<br />
Camp), a cow farmer who believes his herd<br />
has been poisoned by the land he shares<br />
with the chemical company.<br />
He shows Robert the preserved intestines<br />
of his cows, noting the blackened<br />
teeth, enlarged spleens and hearts and<br />
shakenly relays that he had to shoot many<br />
of them due to aggressive behavior. At first,<br />
Robert is skeptical but agrees to take the<br />
case and sue DuPont with the approval of<br />
his boss Tom Terp (Tim Robbins).<br />
During the discovery phase, Robert<br />
uncovers that they knowingly exposed<br />
their workers, the townsfolk and just about<br />
everyone and everything else to dangerous<br />
“forever chemicals” for their bottom line.<br />
The movie takes place over the decade<br />
plus of Robert’s legal battle with the company<br />
and shows how it changes his life, the<br />
lives of his family, and the lives of everyone<br />
who shares this world. It’s an infuriating<br />
look at this public health crisis that is still<br />
ongoing with more horrors unfolding, and<br />
The Reel Deal<br />
Dedra Cordle<br />
useless government<br />
officials that enable<br />
these companies in<br />
order to line their<br />
pockets.<br />
While there are<br />
depictions of bright<br />
spots in the film —<br />
some of those who faced life-threatening illnesses<br />
were granted millions in settlements<br />
— it’s cheapened by the fact that<br />
these people, the heads of these companies<br />
who do this, belong in prison but will never<br />
be held to that level of account for their<br />
malfeasance.<br />
“Dark Waters” is not a fun watch, nor is<br />
it an easy one, but it is a worthy one that<br />
brings attention to an infinite crisis and<br />
shine the light on some of the people who<br />
fight tirelessly and thanklessly to bring<br />
them to (some) justice.<br />
Knives Out: B+<br />
Dark Waters: B+<br />
Dedra Cordle is a <strong>Messenger</strong> staff writer<br />
and columnist.<br />
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