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Westside Messenger - December 15th, 2019

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PAGE 12 - WESTSIDE MESSENGER - <strong>December</strong> 15, <strong>2019</strong><br />

The interwoven thread between greed<br />

and death has been the focus of two movies<br />

released in just as many weeks at the theater.<br />

The first to mine the dual subjects<br />

came out around Thanksgiving and was a<br />

throwback to the whodunit era. The second<br />

and more serious offering was released this<br />

past weekend and was a throwback to,<br />

well, every era. The former is the more<br />

buzzed about option while the latter is an<br />

important, albeit depressing, piece of work.<br />

While vastly different in tone, both are<br />

worthy of a watch.<br />

There are some who believed that director<br />

Rian Johnson was finished after a<br />

groundswell of backlash for his involvement<br />

with “Star Wars: The Last Jedi.”<br />

Such was the anger for this film and his<br />

vision that multiple petitions made the<br />

online rounds, begging the studio to change<br />

the film. Some even swore that they would<br />

never support a film written or directed by<br />

him again.<br />

Likely reeling from the intensity,<br />

Johnson went back to his smaller fare roots<br />

and wrote and directed “Knives Out,” a<br />

murder-mystery akin to the beloved “Clue.”<br />

In it, the audience is taken to the day<br />

after the apparent suicide of a famed mystery<br />

writer on the night of his 85th birthday.<br />

While trying to unwrap the mystery of<br />

this potential murder, the detective on the<br />

case, Benoit Blanc (Daniel Craig), also tries<br />

to solve the secondary mystery as to who<br />

hired him to solve the mystery.<br />

The prime suspects in the crime are<br />

vast, as the late novelist Harlan Thrombley<br />

(Christopher Plummer) has many after his<br />

fortune, namely his family. Throughout the<br />

course of the film, we see various points-ofview<br />

and get to know these self-serving<br />

members and delight in their lying and<br />

scheming ways.<br />

With an ensemble cast that includes<br />

Jamie Lee Curtis, Toni Collette, Chris<br />

Evans, Michael Shannon and Don Johnson,<br />

the movie can feel a little over-stuffed but<br />

it is the presence of actress Ana de Armas<br />

that grounds this film. Her role in this<br />

whodunit is that of Harlan’s home health<br />

aide who may know some (or all) of the<br />

buried secrets in this wealthy family.<br />

While it may not be as clever as it sets<br />

out to be, “Knives Out” is great fun, filled<br />

with twists and turns and a terrific performance<br />

by Craig. Though his accent<br />

wavers at times, some of his lines, particularly<br />

those comparing his mysterious hiring<br />

to that of a donut with seemingly endless<br />

donut holes, had me laughing out loud.<br />

In contrast, nary a laugh is to be found<br />

in “Dark Waters” but it is an equally<br />

engaging movie in an entirely different<br />

way.<br />

The script was mined from multiple<br />

journalists (Nathaniel Rich, Mariah Blake<br />

In Entertainment<br />

www.columbusmessenger.com<br />

Two movie reviews with one common theme - greed<br />

and Sharon Lerner) and their respective<br />

publications which detailed the poisoning<br />

of the air and water supply in Parkersburg,<br />

West Virginia by DuPont.<br />

The loosely based film stars Mark<br />

Ruffalo as Robert Bilott, a corporate attorney<br />

who gets roped into listening to a perceived<br />

paranoid hillbilly as a favor to his<br />

grandmother. Said perceived paranoid hillbilly<br />

is Wilbur Tennant (a terrific Bill<br />

Camp), a cow farmer who believes his herd<br />

has been poisoned by the land he shares<br />

with the chemical company.<br />

He shows Robert the preserved intestines<br />

of his cows, noting the blackened<br />

teeth, enlarged spleens and hearts and<br />

shakenly relays that he had to shoot many<br />

of them due to aggressive behavior. At first,<br />

Robert is skeptical but agrees to take the<br />

case and sue DuPont with the approval of<br />

his boss Tom Terp (Tim Robbins).<br />

During the discovery phase, Robert<br />

uncovers that they knowingly exposed<br />

their workers, the townsfolk and just about<br />

everyone and everything else to dangerous<br />

“forever chemicals” for their bottom line.<br />

The movie takes place over the decade<br />

plus of Robert’s legal battle with the company<br />

and shows how it changes his life, the<br />

lives of his family, and the lives of everyone<br />

who shares this world. It’s an infuriating<br />

look at this public health crisis that is still<br />

ongoing with more horrors unfolding, and<br />

The Reel Deal<br />

Dedra Cordle<br />

useless government<br />

officials that enable<br />

these companies in<br />

order to line their<br />

pockets.<br />

While there are<br />

depictions of bright<br />

spots in the film —<br />

some of those who faced life-threatening illnesses<br />

were granted millions in settlements<br />

— it’s cheapened by the fact that<br />

these people, the heads of these companies<br />

who do this, belong in prison but will never<br />

be held to that level of account for their<br />

malfeasance.<br />

“Dark Waters” is not a fun watch, nor is<br />

it an easy one, but it is a worthy one that<br />

brings attention to an infinite crisis and<br />

shine the light on some of the people who<br />

fight tirelessly and thanklessly to bring<br />

them to (some) justice.<br />

Knives Out: B+<br />

Dark Waters: B+<br />

Dedra Cordle is a <strong>Messenger</strong> staff writer<br />

and columnist.<br />

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