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Arctic Dreams 1

by Christos Hatzis | Flute, Vibraphone with Digital Audio

by Christos Hatzis | Flute, Vibraphone with Digital Audio

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<strong>Arctic</strong> <strong>Dreams</strong> I (2002)<br />

<strong>Arctic</strong> <strong>Dreams</strong> I is a palimpsest; a work composed on top of a pre-existing work. The original<br />

source was “Voices of the Land”, the third movement of Footprints In New Snow, a radio<br />

documentary/composition about the Inuit and their culture, created by Christos Hatzis and<br />

Keith Horner in 1995 with the support from the Canadian Broadcasting Corporation and the<br />

Ontario Arts Council.<br />

The composer writes:<br />

Voices of the Land employs the same audio material as <strong>Arctic</strong> <strong>Dreams</strong> I with the addition of<br />

the haunting voice of Winston White, an Inuit Elder and broadcaster from Nunavut, in the<br />

foreground speaking about the north and its inhabitants.<br />

It was my intention all along that this audio material would become part of a completely<br />

different composition. The opportunity did not present itself until seven years later when<br />

my wife, percussionist Beverley Johnston, and flutist Susan Hoeppner asked me for a work<br />

they could perform as a duo. They were engaged to perform at a “Collaborations” multiarts<br />

series in Toronto. When Valerie Kuinka, the Artistic Director of Collaborations, visited<br />

us with her seven-year-old daughter Lauren Margison, at our home in mid April 2002, to<br />

listen to possible works for that program, I played the remixed tape from Voices of the Land.<br />

Val decided that she wanted to make this the centrepiece of her concert, which was to take<br />

place a couple of weeks later.<br />

<strong>Arctic</strong> <strong>Dreams</strong> I came into being in three days as a result of this meeting, and included an<br />

obligato singing part for Lauren Margison and Beverly Johnston. It was premiered on 26 April<br />

2002 at the “Collaborations” concert at Isabel Baden Theatre in Toronto.<br />

The work became the first in a set for different combinations of instruments with digital<br />

audio from the original radiophonic work. Subsequent works in the same series include<br />

(Light) <strong>Arctic</strong> <strong>Dreams</strong> II for children’s choir, flute, vibraphone & digital audio, (Light) <strong>Arctic</strong><br />

PE103 – v

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