Arctic Dreams 1
by Christos Hatzis | Flute, Vibraphone with Digital Audio
by Christos Hatzis | Flute, Vibraphone with Digital Audio
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<strong>Arctic</strong> <strong>Dreams</strong> I (2002)<br />
<strong>Arctic</strong> <strong>Dreams</strong> I is a palimpsest; a work composed on top of a pre-existing work. The original<br />
source was “Voices of the Land”, the third movement of Footprints In New Snow, a radio<br />
documentary/composition about the Inuit and their culture, created by Christos Hatzis and<br />
Keith Horner in 1995 with the support from the Canadian Broadcasting Corporation and the<br />
Ontario Arts Council.<br />
The composer writes:<br />
Voices of the Land employs the same audio material as <strong>Arctic</strong> <strong>Dreams</strong> I with the addition of<br />
the haunting voice of Winston White, an Inuit Elder and broadcaster from Nunavut, in the<br />
foreground speaking about the north and its inhabitants.<br />
It was my intention all along that this audio material would become part of a completely<br />
different composition. The opportunity did not present itself until seven years later when<br />
my wife, percussionist Beverley Johnston, and flutist Susan Hoeppner asked me for a work<br />
they could perform as a duo. They were engaged to perform at a “Collaborations” multiarts<br />
series in Toronto. When Valerie Kuinka, the Artistic Director of Collaborations, visited<br />
us with her seven-year-old daughter Lauren Margison, at our home in mid April 2002, to<br />
listen to possible works for that program, I played the remixed tape from Voices of the Land.<br />
Val decided that she wanted to make this the centrepiece of her concert, which was to take<br />
place a couple of weeks later.<br />
<strong>Arctic</strong> <strong>Dreams</strong> I came into being in three days as a result of this meeting, and included an<br />
obligato singing part for Lauren Margison and Beverly Johnston. It was premiered on 26 April<br />
2002 at the “Collaborations” concert at Isabel Baden Theatre in Toronto.<br />
The work became the first in a set for different combinations of instruments with digital<br />
audio from the original radiophonic work. Subsequent works in the same series include<br />
(Light) <strong>Arctic</strong> <strong>Dreams</strong> II for children’s choir, flute, vibraphone & digital audio, (Light) <strong>Arctic</strong><br />
PE103 – v