Artist Talk Magazine - issue 11
Milne Publishing is proud to present Artist Talk Magazine issue 11. Once again, I am pleased to showcase more incredible artists from around the globe. All of the artists featured within this issue have given interesting, in-depth and honest accounts about themselves, their work, views and ideas. In addition to the amazing images of the work they produce, which I know you the reader will enjoy and be inspired by. We have lots of incredible talent within this issue, with a wide range of subject matter for you to explore and enjoy. This issue’s cover is by Anna Mikheeva. Some of the work produced by Anna is done in black, succinctly minimalistic. Only at an angle are details showing the inner drama visible … The black answer, is capable of reflecting millions of colours and incredibly revealing in different angles of view, like that of life. Thanks for reading.
Milne Publishing is proud to present Artist Talk Magazine issue 11.
Once again, I am pleased to showcase more incredible artists from around the globe. All of the artists featured within this issue have given interesting, in-depth and honest accounts about themselves, their work, views and ideas. In addition to the amazing images of the work they produce, which I know you the reader will enjoy and be inspired by.
We have lots of incredible talent within this issue, with a wide range of subject matter for you to explore and enjoy. This issue’s cover is by Anna Mikheeva. Some of the work produced by Anna is done in black, succinctly minimalistic. Only at an angle are details showing the inner drama visible … The black answer, is capable of reflecting millions of colours and incredibly revealing in different angles of view, like that of life.
Thanks for reading.
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MOHAMMED, EBOLA SURVIVOR, SIERRA LEONE
I’ve been extremely lucky
throughout my career. I’ve been
able to paint the things that
matter to me and by and large
sell them. I made a decision about
10 years ago to move away from
landscape painting into the world
of portraiture. This didn’t sit too
well with the galleries that I was
exhibiting with at the time, as
they didn’t think that they would
be able to sell portraits to their
clients. I had a choice to make;
either continue on the path that
I was already on, or break loose
and paint what I really cared
about, I chose the latter option. Of
course this wasn’t without its risks.
Thankfully however, people bought
my portraits. I’m not saying that
they were jumping off the walls
but there was enough interest to
generate an income. For me the
main satisfaction was that people
were buying my portraits, not
because they were commissioned
pieces or that they knew the
sitter but because they liked the
paintings in their own right. This
really validated my feeling that
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