Artist Talk Magazine - issue 11
Milne Publishing is proud to present Artist Talk Magazine issue 11. Once again, I am pleased to showcase more incredible artists from around the globe. All of the artists featured within this issue have given interesting, in-depth and honest accounts about themselves, their work, views and ideas. In addition to the amazing images of the work they produce, which I know you the reader will enjoy and be inspired by. We have lots of incredible talent within this issue, with a wide range of subject matter for you to explore and enjoy. This issue’s cover is by Anna Mikheeva. Some of the work produced by Anna is done in black, succinctly minimalistic. Only at an angle are details showing the inner drama visible … The black answer, is capable of reflecting millions of colours and incredibly revealing in different angles of view, like that of life. Thanks for reading.
Milne Publishing is proud to present Artist Talk Magazine issue 11.
Once again, I am pleased to showcase more incredible artists from around the globe. All of the artists featured within this issue have given interesting, in-depth and honest accounts about themselves, their work, views and ideas. In addition to the amazing images of the work they produce, which I know you the reader will enjoy and be inspired by.
We have lots of incredible talent within this issue, with a wide range of subject matter for you to explore and enjoy. This issue’s cover is by Anna Mikheeva. Some of the work produced by Anna is done in black, succinctly minimalistic. Only at an angle are details showing the inner drama visible … The black answer, is capable of reflecting millions of colours and incredibly revealing in different angles of view, like that of life.
Thanks for reading.
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My Reality In Halftones. My work
is an exploration of paradoxes
and contrasts which are torturous
and utopian, wild and serene but
definitely resilient. As my reality is
in halftones, I capture fragments of
life often ignored or forgotten.
My art echo’s the unease and
mixes it with the uncomfortable
reality of continuous
transformations of the urban
environment in which I live.
Faces, pseudo familiar situations,
characters belonging to various
walks of life… they all inject
emotions with such a warm
identity to characterize the
experience of ordinary people,
those people who would say and
tell through the eyes their own
existence.
I represent ordinary people;
those actors unaware of being
protagonists of present days and to
represent them in spite of a reality
in half-tone that essentially results
a kind of summary, which, in the
end, is life! An arrested motion in
time.
In arresting motion there is a
reality so subtle that it becomes
more real than reality, so I don’t
arrest motion in time. I make it. I
love my subjects, although I don’t
know them. I mean, they’re my
friends. I’ve never met any of them
or I don’t know them at all, yet I
live through them, or I can’t live
without them.
They constitute my curriculum
vitae.
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