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Artist Talk Magazine - issue 11

Milne Publishing is proud to present Artist Talk Magazine issue 11. Once again, I am pleased to showcase more incredible artists from around the globe. All of the artists featured within this issue have given interesting, in-depth and honest accounts about themselves, their work, views and ideas. In addition to the amazing images of the work they produce, which I know you the reader will enjoy and be inspired by. We have lots of incredible talent within this issue, with a wide range of subject matter for you to explore and enjoy. This issue’s cover is by Anna Mikheeva. Some of the work produced by Anna is done in black, succinctly minimalistic. Only at an angle are details showing the inner drama visible … The black answer, is capable of reflecting millions of colours and incredibly revealing in different angles of view, like that of life. Thanks for reading.

Milne Publishing is proud to present Artist Talk Magazine issue 11.

Once again, I am pleased to showcase more incredible artists from around the globe. All of the artists featured within this issue have given interesting, in-depth and honest accounts about themselves, their work, views and ideas. In addition to the amazing images of the work they produce, which I know you the reader will enjoy and be inspired by.

We have lots of incredible talent within this issue, with a wide range of subject matter for you to explore and enjoy. This issue’s cover is by Anna Mikheeva. Some of the work produced by Anna is done in black, succinctly minimalistic. Only at an angle are details showing the inner drama visible … The black answer, is capable of reflecting millions of colours and incredibly revealing in different angles of view, like that of life.

Thanks for reading.

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EXHIBITIONS

Since its inception in 1931,

the Whitney has championed

American art and artists by

assembling a rich permanent

collection and featuring a rigorous

and varied schedule of exhibition

programs. Emphasizing seminal

artists and artworks from the

twentieth and twenty-first

centuries, the Museum organizes

important exhibitions both from its

holdings and from the collections

of individuals and institutions

worldwide. Exhibitions range from

historical surveys and in-depth

retrospectives of major twentiethcentury

and contemporary artists

to group shows introducing young

or relatively unknown artists to

a larger public. The Biennial, an

invitational show of work produced

in the preceding two years, was

introduced by Gertrude Vanderbilt

Whitney in 1932. It is the longestrunning

series of exhibitions to

survey recent developments in

American art. The Whitney also has

presented acclaimed exhibitions

of film and video, architecture,

photography, and new media.

ROY LICHTENSTEIN, SHIPBOARD GIRL © ESTATE OF ROY LICHTENSTEIN

ROY LICHTENSTEIN STUDY

COLLECTION

June 2018 The Whitney Museum

of American Art made the

announcement that they had

received a remarkable promised

gift of over 400 works by Roy

Lichtenstein (1923–1997). The

Museum and the Roy Lichtenstein

Foundation have forged an

agreement that will bring the

two organizations into a close

and ongoing partnership and will

make the Whitney a locus for

Lichtenstein scholarship with the

creation of the Roy Lichtenstein

Study Collection. Through this

gift, and an expanded relationship

with the Foundation, the Whitney

will hold the world’s largest study

collection of Lichtenstein’s work,

opening up exceptional possibilities

for the Museum in terms of

exhibition, scholarship, and

conservation.

ROY LICHTENSTEIN,

STILL LIFE WITH PORTRAIT

© ESTATE OF ROY LICHTENSTEIN

MUSEUM DIRECTORS

Upon the founding of the Museum,

Juliana Force, a close associate of

Mrs. Whitney, was named director.

Her curatorial staff was composed

of three artists: Edmund Archer,

Karl Free, and Hermon More.

After Force’s retirement in 1948,

Hermon More was appointed

director and served until his

retirement in 1958, when Lloyd

Goodrich assumed the position.

John I. H. Baur was appointed

director in 1968, following

Goodrich, and upon the former’s

retirement in 1974, Thomas N.

Armstrong III became director.

David A. Ross was director from

1991 to 1998, and Maxwell L.

Anderson assumed the role from

1998 to 2003. Adam D. Weinberg

is the current Alice Pratt Brown

Director of the Whitney Museum.

64

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