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Artist Talk Magazine - issue 11

Milne Publishing is proud to present Artist Talk Magazine issue 11. Once again, I am pleased to showcase more incredible artists from around the globe. All of the artists featured within this issue have given interesting, in-depth and honest accounts about themselves, their work, views and ideas. In addition to the amazing images of the work they produce, which I know you the reader will enjoy and be inspired by. We have lots of incredible talent within this issue, with a wide range of subject matter for you to explore and enjoy. This issue’s cover is by Anna Mikheeva. Some of the work produced by Anna is done in black, succinctly minimalistic. Only at an angle are details showing the inner drama visible … The black answer, is capable of reflecting millions of colours and incredibly revealing in different angles of view, like that of life. Thanks for reading.

Milne Publishing is proud to present Artist Talk Magazine issue 11.

Once again, I am pleased to showcase more incredible artists from around the globe. All of the artists featured within this issue have given interesting, in-depth and honest accounts about themselves, their work, views and ideas. In addition to the amazing images of the work they produce, which I know you the reader will enjoy and be inspired by.

We have lots of incredible talent within this issue, with a wide range of subject matter for you to explore and enjoy. This issue’s cover is by Anna Mikheeva. Some of the work produced by Anna is done in black, succinctly minimalistic. Only at an angle are details showing the inner drama visible … The black answer, is capable of reflecting millions of colours and incredibly revealing in different angles of view, like that of life.

Thanks for reading.

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As the preeminent institution

devoted to the art of the United

States, the Whitney Museum

of American Art presents the

full range of twentieth-century

and contemporary American

art, with a special focus on works

by living artists. The Whitney is

dedicated to collecting, preserving,

interpreting, and exhibiting

American art, and its collection—

arguably the finest holdings of

twentieth-century American art

in the world—is the Museum’s key

resource. The Museum’s flagship

exhibition, the Biennial, is the

country’s leading survey of the

most recent developments in

American art.

Innovation has been a hallmark of

the Whitney since its beginnings. It

was the first museum dedicated to

the work of living American artists

and the first New York museum

to present a major exhibition of

a video artist (Nam June Paik, in

1982). Such important figures as

Jasper Johns, Jay DeFeo, Glenn

Ligon, Cindy Sherman, and

Paul Thek were given their first

comprehensive museum surveys

at the Whitney. The Museum

has consistently purchased works

within the year they were created,

often well before the artists who

created them became broadly

recognized.

ROBERT HENRI (1865-1929),

GERTRUDE VANDERBILT WHITNEY,

WHITNEY MUSEUM OF AMERICAN ART, NEW

YORK; GIFT OF FLORA WHITNEY MILLER 86.70.3

FOUNDING

At the beginning of the twentieth

century, sculptor Gertrude

Vanderbilt Whitney saw that

American artists with new ideas

had trouble exhibiting or selling

their work. She began purchasing

and showing their artwork,

eventually becoming the leading

patron of American art from 1907

until her death in 1942.

In 1914, Mrs. Whitney established

the Whitney Studio in Greenwich

Village, where she presented

exhibitions by living American

artists whose work had been

disregarded by the traditional

academies. She had assembled

a collection of more than five

hundred pieces by 1929. After

her offer of this gift to the

Metropolitan Museum of Art

was declined, she set up her own

institution, one with a distinctive

mandate: to focus exclusively on

the art and artists of this country.

The Whitney Museum of American

Art was founded in 1930, and

opened in 1931 on West Eighth

Street near Fifth Avenue.

Following a move in 1954 to an

expanded site on West 54th

Street, the Whitney opened the

Marcel Breuer-designed building

on Madison Avenue at 75th Street

in 1963. The iconic building housed

the Museum from 1966 through

October 20, 2014. The Whitney’s

current building at 99 Gansevoort

Street opened on May 1, 2015.

The Whitney was an innovator

in taking its exhibitions and

programming beyond its own walls,

opening branch museums in other

parts of New York City and the

surrounding area. These freeof-charge,

corporate-sponsored

branches operated as standalone

spaces with their own staffs,

serving as training grounds for

curators including Thelma Golden,

Shamim Momin, Lisa Phillips, and

Debra Singer. The exhibitions and

programming at these locations

not only allowed the public more

access to the Whitney’s collection,

but also met the needs of

experimental artists by providing

large spaces and performance

opportunities. The last of the

branches closed in 2008.

PERMANENT COLLECTION

The Whitney’s collection includes

over 24,000 works created by

more than 3,500 artists in the

United States during the twentieth

and twenty-first centuries.

At its core are Museum founder

Gertrude Vanderbilt Whitney’s

personal holdings, totaling some six

hundred works when the Museum

opened in 1931. These works

served as the basis for the founding

collection, which Mrs. Whitney

continued to add to throughout

her lifetime.

The founding collection reflects

Mrs. Whitney’s ardent support

of living American artists of the

time, particularly younger or

emerging ones, including Peggy

Bacon, George Bellows, Stuart

Davis, Charles Demuth, Mabel

Dwight, Edward Hopper, Yasuo

Kuniyoshi, Reginald Marsh, and

John Sloan. This focus on the

contemporary, along with a

deep respect for artists’ creative

processes and visions, has guided

the Museum’s collecting ever since.

EDWARD HOPPER (1882-1967),

(SELF-PORTRAIT), 1925-30

OIL ON CANVAS,

WHITNEY MUSEUM OF AMERICAN ART, NEW

YORK; JOSEPHINE N. HOPPER BEQUEST

70.1165. © 2019 HEIRS OF JOSEPHINE N.

HOPPER/LICENSED BY ARTISTS RIGHTS SOCIETY

(ARS), NEW YORK

59

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