Artist Talk Magazine - issue 11
Milne Publishing is proud to present Artist Talk Magazine issue 11. Once again, I am pleased to showcase more incredible artists from around the globe. All of the artists featured within this issue have given interesting, in-depth and honest accounts about themselves, their work, views and ideas. In addition to the amazing images of the work they produce, which I know you the reader will enjoy and be inspired by. We have lots of incredible talent within this issue, with a wide range of subject matter for you to explore and enjoy. This issue’s cover is by Anna Mikheeva. Some of the work produced by Anna is done in black, succinctly minimalistic. Only at an angle are details showing the inner drama visible … The black answer, is capable of reflecting millions of colours and incredibly revealing in different angles of view, like that of life. Thanks for reading.
Milne Publishing is proud to present Artist Talk Magazine issue 11.
Once again, I am pleased to showcase more incredible artists from around the globe. All of the artists featured within this issue have given interesting, in-depth and honest accounts about themselves, their work, views and ideas. In addition to the amazing images of the work they produce, which I know you the reader will enjoy and be inspired by.
We have lots of incredible talent within this issue, with a wide range of subject matter for you to explore and enjoy. This issue’s cover is by Anna Mikheeva. Some of the work produced by Anna is done in black, succinctly minimalistic. Only at an angle are details showing the inner drama visible … The black answer, is capable of reflecting millions of colours and incredibly revealing in different angles of view, like that of life.
Thanks for reading.
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MOSAIC THE FISH, (165 x 45cm)
CAROLE SCHILBACH
Carole’s life has been one
of interest and curiosity for
landscapes, cultures and their
different colours and shades
around the world. Born in Amman,
Jordan in 1965 she has initially
been a fond and proud observer
of her native Middle Eastern
landscapes and architecture, a
seemingly immovable still life of
mostly natural stone formations
and sand colours. The sun, however,
provides these colours with a
wealth of different tones during
daytime, and at night, the moon
and stars over the desert offer a
sheer endless range of blues and
greys. The Jordanian Wadis of Rum
or Mujib remain her definition for
the beauty of Earth and inspiration
for her creativity.
Her first piece of art is a mosaic,
created during her stay in Beirut
and from earlier impressions in
her home country Jordan. She
cautiously used light grey tones of
glass and some blue and turquoise.
Although she has done only few
more mosaic works, a pattern of
squares remained the basis of all
her later acrylic paintings.
Beside the move from mosaic
to painting, Carole started using
more colours – mostly primary
colours. Although inspired by
the rich natures of islands in the
Caribbean and later in Mexico, she
wanted her paintings to be fresh,
joyous but clearly stayed away
from going into the styles of local
artists or handicraft whose mix of
tones often is very daring.
Nature very often provided
Carole with materials to use for
her artwork: sand, pebble, acorn,
cork, pieces of wood, grass – her
creativity of what you can do in art
is wide open.
Already during her childhood and
studies, Carole has travelled and
opened her mind for other, mainly
European cultures. She has visited
most of the famous museums
and cultural landmarks of the
continent. But that should be
only the beginning of her journey
around the world. At the age of 26
she married a diplomat and, thus,
booked a lifetime travel privilege –
not as a tourist, but as long-term
visitor and observer of cultures and
colours in the Caucasus region, the
Caribbean and Mexico.
RISE, (90 x 90cm)
41
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